Mark Strand

Those hours given over to basking in the glow of an imagined

a passion so strong that one felt altered forever and convincedthat even the smallest particle of the surrounding world wascharged with purpose of impossible grandeur; ah, yes, andone would look up into the trees and be thrilled by the wind-loosened river of pale, gold foliage cascading down and by thehigh, melodious singing of countless birds;…

Tonight I walked,

and was afraid,not of the labyrinththat I have made of love and selfbut of the dark and faraway.I walked, hearing the wind in the trees,feeling the cold against my skin,but what I dwelled onwere the stars blazingin the immense arc of sky.Jessica, it is so much easierto think of our lives,as we move under the…

Old Man Leaves Party

It was clear when I left the partyThat though I was over eighty I still hadA beautiful body. The moon shone down as it willOn moments of deep introspection. The wind held its breath.And look, somebody left a mirror leaning against a tree.Making sure that I was alone, I took off my shirt.The flowers of…

A white room and a party going on

under a large gilt-framed mirrorthat tilted slightly forwardover the fireplace.We were drinking whiskeyand some of us, feeling no pain,were trying to decidewhat precise shade of yellowthe setting sun turned our drinks.I closed my eyes briefly,then looked up into the mirror:a woman in a green dress leanedagainst the far wall.She seemed distracted,the fingers of one handfidgeted…

When you see them

that I stand on one leg while the other one dreams,that this is the only way,that the lies I tell them are differentfrom the lies I tell myself,that by being both here and beyondI am becoming a horizon,that as the sun rises and sets I know my place,that breath is what saves me,that even the…

Afternoon darkens into evening. A man falls deeper and deeper into the slow spiral of sleep, into the drift of it, the length of it, through what feels like mist, and comes at last to an open door through which he passes without knowing why, then again without knowing why goes to a room where he sits and waits while the room seems to close around him and the dark is darker than any he has known, and he feels something forming within him without being sure what it is, its hold on him growing, as if a story were about to unfold, in which two characters, Pleasure and Pain, commit the same crime, the one that is his, that he will confess to again and again, until it means nothing.

The Minister of Culture goes home after a grueling day at the office. He lies on his bed and tries to think of nothing, but nothing hap-pens or, more precisely, does not happen. Nothing is elsewhere doing what nothing does, which is to expand the dark. But the minister is patient, and slowly things slip away—the walls of his house, the park across the street, his friends in the next town. He believes that nothing has finally come to him and, in its absent way, is saying, ‘Darling, you know how much I have always wanted to please you, and now I have come. And what is more, I have come to stay.’