mortals whom they love to test,
is it a greater gift they give to poets,
to live in a land of honeybees
and sun and sea and heroes sung, a land
assured, content, of gods and marble,
temples, amphitheatres, history,
or in that land in times of tragedy,
starvation, misery, division,
internal war and conquered servitude?
Ultimate, the irony – how can the gods
think up such things? – to be
ambassador, to represent a land
from which to have been exiled half a life;
exiled from within and exiled from without.
The love the gods bestow (the Chorus cries)
is terrifying; strange; to be hard learned.

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