even the doorhandle, gently turned,
seems to speak a message
before the room entered, the first breath taken
of the room’s own air
and on the table, the grey-green vase seems
to be the host; the silent messenger: the furniture
somehow eternal in its order; every line and curve
within the room speaking of some
divine geometry; the shaded sunlight seems
to fall on tiptoe, touch in silent praise;
the air, to be refined; and the silence –
what does the silence say unspoken
as if it holds some god-smiled word,
some solemn laughter, about what
is there and is not there, has made
of this room, this ordinary room,
a shrine where one can worship without form
oneself?
the vase too holds itself both
open and reserved; its perfect curves
the subtle decisions of a history
of centuries, of generations
of human hands; of things made
for oneself, for others, for all else
where all else is known;
silent the vase; the room full of its sound.
Is there a god
sleeping in this room?
you; moving forward with respectful quiet step
to touch this grey-green
Chinese vase