Rest, and be thankful! On the verge
Of the tall cliff rugged and grey,
But whose granite base the breakers surge,
And shiver their frothy spray,
Outstretched, I gaze on the eddying wreath
That gathers and flits away,
With the surf beneath, and between my teeth
The stem of the ‘ancient clay’.
With the anodyne cloud on my listless eyes,
With its spell on my dreamy brain,
As I watch the circling vapours rise
From the brown bowl up to the sullen skies,
My vision becomes more plain,
Till a dim kaleidoscope succeeds
Through the smoke-rack drifting and veering,
Like ghostly riders on phantom steeds
To a shadowy goal careering.
In their own generation the wise may sneer,
They hold our sports in derision;
Perchance to sophist, or sage, or seer,
Were allotted a graver vision.
Yet if man, of all the Creator plann’d,
His noblest work is reckoned,
Of the works of His hand, by sea or by land,
The horse may at least rank second.
Did they quail, those steeds of the squadrons light,
Did they flinch from the battle’s roar,
When they burst on the guns of the Muscovite,
By the echoing Black Sea shore?
On! on! to the cannon’s mouth they stride,
With never a swerve nor a shy,
Oh! the minutes of yonder maddening ride,
Long years of pleasure outvie!
No slave, but a comrade staunch, in this,
Is the horse, for he takes his share,
Not in peril alone, but in feverish bliss,
And in longing to do and dare.
Where bullets whistle, and round shot whiz,
Hoofs trample, and blades flash bare,
God send me an ending as fair as his
Who died in his stirrups there!
The wind has slumbered throughout the day,
Now a fitful gust springs over the bay,
My wandering thoughts no longer stray,
I’ll fix my overcoat buttons;
Secure my old hat as best I may
(And a shocking bad one it is, by the way),
Blow a denser cloud from my stunted clay,
And then, friend BELL, as the Frenchmen say,
We’ll ‘go back again to our muttons’.
There’s a lull in the tumult on yonder hill,
And the clamour has grown less loud,
Though the Babel of tongues is never still,
With the presence of such a crowd.
The bell has rung. With their riders up
At the starting post they muster,
The racers stripp’d for the ‘Melbourne Cup’,
All gloss and polish and lustre;
And the course is seen, with its emerald sheen,
By the bright spring-tide renew’d,
Like a ribbon of green stretched out between
The ranks of the multitude.
The flag is lowered. ‘They’re off!’ ‘They come!’
The squadron is sweeping on;
A sway in the crowd-a murmuring hum:
‘They’re here!’ ‘They’re past!’ ‘They’re gone!’
They came with the rush of the southern surf,
On the bar of the storm-girt bay;
And like muffled drums on the sounding turf
Their hoof-strokes echo away.
The rose and black draws clear of the ruck,
And the murmur swells to a roar,
As the brave old colours that never were struck,
Are seen with the lead once more.
Though the feathery ferns and grasses wave
O’er the sod where Lantern sleeps,
Though the turf is green on Fisherman’s grave,
The stable its prestige keeps.
Six lengths in front she scours along,
She’s bringing the field to trouble;
She’s tailing them off, she’s running strong,
She shakes her head and pulls double.
Now Minstrel falters and Exile flags,
The Barb finds the pace too hot,
And Toryboy loiters, and Playboy lags,
And the BOLT of Ben Bolt is shot.
That she never may be caught this day,
Is the worst that the public wish her.
She won’t be caught: she comes right away;
Hurrah for Seagull and Fisher!
See, Strop falls back, though his reins are slack,
Sultana begins to tire,
And the top-weight tells on the Sydney crack,
And the pace on ‘the Gippsland flyer’.
The rowels, as round the turn they sweep,
Just graze Tim Whiffler’s flanks;
Like the hunted deer that flies through the sheep,
He strides through the beaten ranks.
Daughter of Omen, prove your birth,
The colt will take lots of choking;
The hot breath steams at your saddle girth,
From his scarlet nostril smoking.
The shouts of the Ring for a space subside,
And slackens the bookmaker’s roar;
Now, Davis, rally; now, Carter, ride,
As man never rode before.
When Sparrowhawk’s backers cease to cheer,
When Yattendon’s friends are dumb,
When hushed is the clamour for Volunteer-
Alone in the race they come!
They’re neck and neck; they’re head and head;
They’re stroke for stroke in the running;
The whalebone whistles, the steel is red,
No shirking as yet nor shunning.
One effort, Seagull, the blood you boast
Should struggle when nerves are strained;-
With a rush on the post, by a neck at the most,
The verdict for Tim is gained.
Tim Whiffler wins. Is blood alone
The sine qua non for a flyer?
The breed of his dam is a myth unknown,
And we’ve doubts respecting his sire.
Yet few (if any) those proud names are,
On the pages of peerage or stud,
In whose ‘scutcheon lurks no sinister bar,
No taint of the base black blood.
Aye, Shorthouse, laugh-laugh loud and long,
For pedigree you’re a sticker;
You may be right, I may be wrong,
Wiseacres both! Let’s liquor.
Our common descent we may each recall
To a lady of old caught tripping,
The fair one in fig leaves, who d–d us all
For a bite at a golden pippin.
When first on this rocky ledge I lay,
There was scarce a ripple in yonder bay,
The air was serenely still;
Each column that sailed from my swarthy clay
Hung loitering long ere it passed away,
Though the skies wore a tinge of leaden grey,
And the atmosphere was chill.
But the red sun sank to his evening shroud,
Where the western billows are roll’d,
Behind a curtain of sable cloud,
With a fringe of scarlet and gold;
There’s a misty glare in the yellow moon,
And the drift is scudding fast,
There’ll be storm, and rattle, and tempest soon,
When the heavens are overcast.
The neutral tint of the sullen sea
Is fleck’d with the snowy foam,
And the distant gale sighs drearilie,
As the wanderer sighs for his home.
The white sea-horses toss their manes
On the bar of the southern reef,
And the breakers moan, and-by Jove, it rains
(I thought I should come to grief):
Though it can’t well damage my shabby hat,
Though my coat looks best when it’s damp;
Since the shaking I got (no matter where at),
I’ve a mortal dread of the cramp.
My matches are wet, my pipe’s put out,
And the wind blows colder and stronger;
I’ll be stiff, and sore, and sorry, no doubt,
If I lie here any longer.
Part II
The Fields of Coleraine
On the fields of Col’raine there’ll be labour in vain
Before the Great Western is ended,
The nags will have toil’d, and the silks will be soil’d,
And the rails will require to be mended.
For the gullies are deep, and the uplands are steep,
And mud will of purls be the token,
And the tough stringy-bark, that invites us to lark,
With impunity may not be broken.
Though Ballarat’s fast, and they say he can last,
And that may be granted hereafter,
Yet the judge’s decision to the Border division
Will bring neither shouting nor laughter.
And Blueskin, I’ve heard that he goes like a bird,
And I’m told that to back him would pay me;
He’s a good bit of stuff, but not quite good enough,
‘Non licuit credere famae.’
Alfred ought to be there, we all of us swear
By the blood of King Alfred, his sire;
He’s not the real jam, by the blood of his dam,
So I sha’n’t put him down as a flyer.
Now, Hynam, my boy, I wish you great joy,
I know that when fresh you can jump, sir;
But you’ll scarce be in clover, when you’re ridden all over,
And punished from shoulder to rump, sir.
Archer goes like a shot, they can put on their pot,
And boil it to cover expenses;
Their pot will boil over, the run of his dover
He’ll never earn over big fences.
There’s a horse in the race, with a blaze on his face,
And we know he can gallop a docker!
He’s proved himself stout, of his speed there’s no doubt,
And his jumping’s according to Cocker.
When Hynam’s outstripp’d, and when Alfred is whipp’d,
To keep him in sight of the leaders,
While Blueskin runs true, but his backers look blue,
For his rider’s at work with the bleeders;
When his carcase of beef brings ‘the bullock’ to grief,
And the rush of the tartan is ended;
When Archer’s in trouble-who’s that pulling double,
And taking his leaps unextended?
He wins all the way, and the rest-sweet, they say,
Is the smell of the newly-turned plough, friend,
But you smell it too close when it stops eyes and nose,
And you can’t tell your horse from your cow, friend.
Part III
Credat Judaeus Apella
Dear Bell,-I enclose what you ask in a letter,
A short rhyme at random, no more and no less,
And you may inser it, for want of a better,
Or leave it, it doesn’t much matter, I guess;
And as for a tip, why, there isn’t much in it,
I may hit the right nail, but first, I declare,
I haven’t a notion what’s going to win it
(The Champion, I mean), and what’s more, I don’t care.
Imprimis, there’s Cowra-few nags can go quicker
Than she can-and Smith takes his oath she can fly;
While Brown, Jones, and Robinson swear she’s a sticker,
But ‘credat Judaeus Apella’, say I.
There’s old Volunteer, I’d be sorry to sneer
At his chance; he’ll be there, if he goes at the rate
He went at last year, when a customer queer,
Johnny Higgerson, fancied him lock’d in the straight;
I’ve heard that the old horse has never been fitter,
I’ve heard all performances past he’ll outvie;
He may gallop a docker, and finish a splitter,
But ‘credat Judaeus Apella’, say I.
I know what they say, sir, ‘The Hook’ he can stay, sir,
And stick to his work like a sleuth-hound or beagle;
He stays ‘with a HOOK’, and he sticks in the clay, sir;
I’d rather, for choice, pop my money on Seagull;
I’m told that the Sydney division will rue, sir,
Their rashness in front of the stand when they spy,
With a clear lead, the white jacket spotted with blue, sir,
But ‘credat Judaeus Apella’, say I.
There’s The Barb-you may talk of your flyers and stayers,
All bosh-when he strips you can see his eye range
Round his rivals, with much the same look as Tom Sayers
Once wore when he faced the big novice, Bill Bainge.
Like Stow, at our hustings, confronting the hisses
Of roughs, with his queer Mephistopheles’ smile;
Like Baker, or Baker’s more wonderful MRS.,
The terror of blacks at the source of the Nile;
Like Triton ‘mid minnows; like hawk among chickens;
Like-anything better than everything else:
He stands at the post. Now they’re off! the plot thickens!
Quoth Stanley to Davis, ‘How is your pulse?’
He skims o’er the smooth turf, he scuds through the mire,
He waits with them, passes them, bids them good-bye!
Two miles and three-quarters, cries Filgate, ‘He’ll tire.’
Oh! ‘credat Judaeus Apella’, say I.
Lest my tale should come true, let me give you fair warning,
You may ‘shout’ some cheroots, if you like, no champagne
For this child-‘Oh! think of my head in the morning,’
Old chap, you don’t get me on that lay again.
The last time those games I look’d likely to try on,
Says Bradshawe, ‘You’ll feel very sheepish and shy
When you are haul’d up and caution’d by D–g–y and L–n,’
Oh! ‘credat Judaeus Apella’, say I.
This writing bad verses is very fatiguing,
The brain and the liver against it combine,
And nerves with digestion in concert are leaguing,
To punish excess in the pen and ink line;
Already I feel just as if I’d been rowing
Hard all-on a supper of onions and tripe
(A thing I abhor), but my steam I’ve done blowing,
I am, my dear BELL, yours truly, ‘The Pipe’.
P.S.-Tell J. P., if he fancies a good ‘un,
That old chestnut pony of mine is for sale.
N.B.-His forelegs are uncommonly wooden,
I fancy the near one’s beginning to fail,
And why shouldn’t I do as W–n does oft,
And swear that a cripple is sound-on the Bible-
Hold hard! though the man I allude to is soft,
He’s game to go in for an action of libel.
Part IV
Banker’s Dream
Of chases and courses dogs dream, so do horses-
Last night I was dozing and dreaming,
The crowd and the bustle were there, and the rustle
Of the silk in the autumn sky gleaming.
The stand throng’d with faces, the broadcloth and laces,
The booths, and the tents, and the cars,
The bookmakers’ jargon, for odds making bargain,
The nasty stale smell of cigars.
We formed into line, ‘neath the merry sunshine,
Near the logs at the end of the railing;
‘Are you ready, boys? Go!’ cried the starter, and low
Sank the flag, and away we went sailing.
In the van of the battle we heard the stones rattle,
Some slogging was done, but no slaughter,
A shout from the stand, and the whole of our band
Skimm’d merrily over the water.
Two fences we clear’d, and the roadway we near’d,
When three of our troop came to trouble;
Like a bird on the wing, or a stone from a sling,
Flew Cadger, first over the double.
And Western was there, head and tail in the air,
And Pondon was there, too-what noodle
Could so name a horse? I should feel some remorse
If I gave such a name to a poodle.
In and out of the lane, to the racecourse again,
Craig’s pony was first, I was third,
And Ingleside lit in my tracks, with the bit
In his teeth, and came up ‘like a bird’.
In the van of the battle we heard the rails rattle,
Says he, ‘Though I don’t care for shunning
My share of the raps, I shall look out for gaps,
When the light weight’s away with the running.’
At the fence just ahead the outsider still led,
The chestnut play’d follow my leader;
Oh! the devil a gap, he went into it slap,
And he and his jock took a header.
Says Ingleside, ‘Mate, should the pony go straight,
You’ve no time to stop or turn restive;’
Says I, ‘Who means to stop? I shall go till I drop;’
Says he, ‘Go it, old cuss, gay and festive.’
The fence stiff and tall, just beyond the log wall,
We cross’d, and the walls, and the water,-
I took off too near, a small made fence to clear,
And just touch’d the grass with my snorter.
At the next post and rail up went Western’s bang tail,
And down (by the very same token)
To earth went his nose, for the panel he chose
Stood firm and refused to be broken.
I dreamt someone said that the bay would have made
The race safe if he’d STOOD a while longer;
IF he had,-but, like if, there the panel stands stiff-
He stood, but the panel stood stronger.
In and out of the road, with a clear lead still show’d
The violet fluted with amber;
Says Johnson, ‘Old man, catch him now if you can,
‘Tis the second time round you’ll remember.’
At the road once again, pulling hard on the rein,
Craig’s pony popp’d in and popp’d out;
I followed like smoke and the pace was no joke,
For his friends were beginning to shout.
And Ingleside came to my side, strong and game,
And once he appear’d to outstrip me,
But I felt the steel gore, and I shot to the fore,
Only Cadger seem’d likely to whip me.
In the van of the battle I heard the logs rattle,
His stroke never seem’d to diminish,
And thrice I drew near him, and thrice he drew clear,
For the weight served him well at the finish.
Ha! Cadger goes down, see, he stands on his crown-
Those rails take a power of clouting-
A long sliding blunder-he’s up-well, I wonder
If now it’s all over but shouting.
All loosely he’s striding, the amateur’s riding
All loosely, some reverie locked in
Of a ‘vision in smoke’, or a ‘wayfaring bloke’,
His poetical rubbish concocting.
Now comes from afar the faint cry, ‘Here they are,’
‘The violet winning with ease,’
‘Fred goes up like a shot,’ ‘Does he catch him or not?’
Level money, I’ll take the cerise.
To his haunches I spring, and my muzzle I bring
To his flank, to his girth, to his shoulder;
Through the shouting and yelling I hear my name swelling,
The hearts of my backers grow bolder.
Neck and neck! head and head! staring eye! nostril spread!
Girth and stifle laid close to the ground!
Stride for stride! stroke for stroke! through one hurdle we’ve broke!
On the splinters we’ve lit with one bound.
And ‘Banker for choice’ is the cry, and one voice
Screams ‘Six to four once upon Banker;’
‘Banker wins,’ ‘Banker’s beat,’ ‘Cadger wins,’ ‘A dead heat’-
Ah! there goes Fred’s whalebone a flanker.
Springs the whip with a crack! nine stone ten on his back,
Fit and light he can race like the devil;
I draw past him-’tis vain; he draws past me again,
Springs the whip! and again we are level.
Steel and cord do their worst, now my head struggles first!
That tug my last spurt has expended-
Nose to nose! lip to lip! from the sound of the whip
He strains to the utmost extended.
How they swim through the air, as we roll to the chair,
Stand, faces, and railings flit past;
Now I spring * * *
from my lair with a snort and a stare,
Rous’d by Fred with my supper at last.
Part V
Ex Fumo Dare Lucem
[‘Twixt the Cup and the Lip]
Prologue
Calm and clear! the bright day is declining,
The crystal expanse of the bay,
Like a shield of pure metal, lies shining
‘Twixt headlands of purple and grey,
While the little waves leap in the sunset,
And strike with a miniature shock,
In sportive and infantine onset,
The base of the iron-stone rock.
Calm and clear! the sea-breezes are laden
With a fragrance, a freshness, a power,
With a song like the song of a maiden,
With a scent like the scent of a flower;
And a whisper, half-weird, half-prophetic,
Comes home with the sigh of the surf;-
But I pause, for your fancies poetic
Never rise from the level of ‘Turf’.
Fellow-bungler of mine, fellow-sinner,
In public performances past,
In trials whence touts take their winner,
In rumours that circulate fast,
In strains from Prunella or Priam,
Staying stayers, or goers that go,
You’re much better posted than I am,
‘Tis little I care, less I know.
Alas! neither poet nor prophet
Am I, though a jingler of rhymes-
‘Tis a hobby of mine, and I’m off it
At times, and I’m on it at times;
And whether I’m off it or on it,
Your readers my counsels will shun,
Since I scarce know Van Tromp from Blue Bonnet,
Though I might know Cigar from the Nun.
With ‘visions’ you ought to be sated
And sicken’d by this time, I swear
That mine are all myths self-created,
Air visions that vanish in air;
If I had some loose coins I might chuck one,
To settle this question and say,
‘Here goes! this is tails for the black one,
And heads for my fav’rite the bay.’
And must I rob Paul to pay Peter,
Or Peter defraud to pay Paul?
My rhymes, are they stale? if my metre
Is varied, one chime rings through all:
One chime-though I sing more or sing less,
I have but one string to my lute,
And it might have been better if, stringless
And songless, the same had been mute.
Yet not as a seer of visions,
Nor yet as a dreamer of dreams,
I send you these partial decisions
On hackney’d, impoverish’d themes;
But with song out of tune, sung to pass time,
Flung heedless to friends or to foes,
Where the false notes that ring for the last time,
May blend with some real ones, who knows?
The Race
On the hill they are crowding together,
In the stand they are crushing for room,
Like midge-flies they swarm on the heather,
They gather like bees on the broom;
They flutter like moths round a candle-
Stale similes, granted, what then?
I’ve got a stale subject to handle,
A very stale stump of a pen.
Hark! the shuffle of feet that are many,
Of voices the many-tongued clang-
‘Has he had a bad night?’ ‘Has he any
Friends left?’-How I hate your turf slang;
‘Tis stale to begin with, not witty,
But dull, and inclined to be coarse,
But bad men can’t use (more’s the pity)
Good words when they slate a good horse.
Heu! heu! quantus equis (that’s Latin
For ‘bellows to mend’ with the weeds),
They’re off! lights and shades! silk and satin!
A rainbow of riders and steeds!
And one shows in front, and another
Goes up and is seen in his place,
Sic transit (more Latin)-Oh! bother,
Let’s get to the end of the race.
* * * * *
See, they come round the last turn careering,
Already Tait’s colours are struck,
And the green in the vanguard is steering,
And the red’s in the rear of the ruck!
Are the stripes in the shade doom’d to lie long?
Do the blue stars on white skies wax dim?
Is it Tamworth or Smuggler? ‘Tis Bylong
That wins-either Bylong or Tim.
As the shell through the breach that is riven
And sapp’d by the springing of mines,
As the bolt from the thunder-cloud driven,
That levels the larches and pines,
Through yon mass parti-colour’d that dashes
Goal-turn’d, clad in many-hued garb,
From rear to van, surges and flashes
The yellow and black of The Barb.
Past The Fly, falling back on the right, and
The Gull, giving way on the left,
Past Tamworth, who feels the whip smite, and
Whose sides by the rowels are cleft;
Where Tim and the chestnut together
Still bear of the battle the brunt,
As if eight stone twelve were a feather,
He comes with a rush to the front.
Tim Whiffler may yet prove a Tartar,
And Bylong’s the horse that can stay,
But Kean is in trouble-and Carter
Is hard on the satin-skinn’d bay;
And The Barb comes away unextended,
Hard held, like a second Eclipse,
While behind the hoof-thunder is blended
With the whistling and crackling of whips.
Epilogue
He wins; yes, he wins upon paper,
He hasn’t yet won upon turf,
And these rhymes are but moonshine and vapour,
Air-bubbles and spume from the surf.
So be it, at least they are given
Free, gratis, for just what they’re worth,
And (whatever there may be in heaven)
There’s little worth much upon earth.
When, with satellites round them the centre,
Of all eyes, hard press’d by the crowd,
The pair, horse and rider, re-enter
The gate, ‘mid a shout long and loud,
You may feel, as you might feel, just landed
Full length on the grass from the clip
Of a vicious cross-counter, right-handed,
Or upper-cut whizzing from hip.
And that’s not so bad if you’re pick’d up
Discreetly, and carefully nursed;
Loose teeth by the sponge are soon lick’d up,
And next time you MAY get home first.
Still I’m not sure you’d like it exactly
(Such tastes as a rule are acquired),
And you’ll find in a nutshell this fact lie,
Bruised optics are not much admired.
Do I bore you with vulgar allusions?
Forgive me, I speak as I feel,
I’ve pondered and made my conclusions-
As the mill grinds the corn to the meal;
So man striving boldly but blindly,
Ground piecemeal in Destiny’s mill,
At his best, taking punishment kindly,
Is only a chopping-block still.
Are we wise? Our abstruse calculations
Are based on experience long;
Are we sanguine? Our high expectations
Are founded on hope that is strong;
Thus we build an air-castle that crumbles
And drifts till no traces remain,
And the fool builds again while he grumbles,
And the wise one laughs, building again.
‘How came they to pass, these rash blunders,
These false steps so hard to defend?’
Our friend puts the question and wonders,
We laugh and reply, ‘Ah! my friend,
Could you trace the first stride falsely taken,
The distance misjudged, where or how,
When you pick’d yourself up, stunn’d and shaken,
At the fence ‘twixt the turf and the plough?’
In the jar of the panel rebounding!
In the crash of the splintering wood!
In the ears to the earth shock resounding!
In the eyes flashing fire and blood!
In the quarters above you revolving!
In the sods underneath heaving high!
There was little to aid you in solving
Such questions-the how or the why.
And destiny, steadfast in trifles,
Is steadfast for better or worse
In great things, it crushes and stifles,
And swallows the hopes that we nurse.
Men wiser than we are may wonder,
When the future they cling to so fast,
To the roll of that destiny’s thunder,
Goes down with the wrecks of the past.
* * * * *
The past! the dead past! that has swallow’d
All the honey of life and the milk,
Brighter dreams than mere pastimes we’ve follow’d,
Better things than our scarlet or silk;
Aye, and worse things-that past is it really
Dead to us who again and again
Feel sharply, hear plainly, see clearly,
Past days with their joy and their pain?
Like corpses embalm’d and unburied
They lie, and in spite of our will,
Our souls on the wings of thought carried,
Revisit their sepulchres still;
Down the channels of mystery gliding,
They conjure strange tales, rarely read,
Of the priests of dead Pharaohs presiding
At mystical feasts of the dead.
Weird pictures arise, quaint devices,
Rude emblems, baked funeral meats,
Strong incense, rare wines, and rich spices,
The ashes, the shrouds, and the sheets;
Does our thraldom fall short of completeness
For the magic of a charnel-house charm,
And the flavour of a poisonous sweetness,
And the odour of a poisonous balm?
And the links of the past-but, no matter,
For I’m getting beyond you, I guess,
And you’ll call me ‘as mad as a hatter’
If my thoughts I too freely express;
I subjoin a quotation, pray learn it,
And with the aid of your lexicon tell us
The meaning thereof-‘Res discernit
Sapiens, quas confundit asellus.’
Already green hillocks are swelling,
And combing white locks on the bar,
Where a dull, droning murmur is telling
Of winds that have gather’d afar;
Thus we know not the day, nor the morrow,
Nor yet what the night may bring forth,
Nor the storm, nor the sleep, nor the sorrow,
Nor the strife, nor the rest, nor the wrath.
Yet the skies are still tranquil and starlit,
The sun ‘twixt the wave and the west
Dies in purple, and crimson, and scarlet,
And gold; let us hope for the best,
Since again from the earth his effulgence
The darkness and damp-dews shall wipe.
Kind reader, extend your indulgence
To this the last lay of ‘The Pipe’.

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One whom I will call ELVIRA, and we talked of love and TUPPER,
MR. TUPPER and the Poets, very lightly with them dealing,
For I’ve always been distinguished for a strong poetic feeling.
Then we let off paper crackers, each of which contained a motto,
And she listened while I read them, till her mother told her not
to.
Then she whispered, ‘To the ball-room we had better, dear, be
walking;
If we stop down here much longer, really people will be talking.’
There were noblemen in coronets, and military cousins,
There were captains by the hundred, there were baronets by dozens.
Yet she heeded not their offers, but dismissed them with a
blessing,
Then she let down all her back hair, which had taken long in
dressing.
Then she had convulsive sobbings in her agitated throttle,
Then she wiped her pretty eyes and smelt her pretty smelling-
bottle.
So I whispered, ‘Dear ELVIRA, say, – what can the matter be with
you?
Does anything you’ve eaten, darling POPSY, disagree with you?’
But spite of all I said, her sobs grew more and more distressing,
And she tore her pretty back hair, which had taken long in
dressing.
Then she gazed upon the carpet, at the ceiling, then above me,
And she whispered, ‘FERDINANDO, do you really, REALLY love me?’
‘Love you?’ said I, then I sighed, and then I gazed upon her
sweetly –
For I think I do this sort of thing particularly neatly.
‘Send me to the Arctic regions, or illimitable azure,
On a scientific goose-chase, with my COXWELL or my GLAISHER!
‘Tell me whither I may hie me – tell me, dear one, that I may know

Is it up the highest Andes? down a horrible volcano?’
But she said, ‘It isn’t polar bears, or hot volcanic grottoes:
Only find out who it is that writes those lovely cracker mottoes!’
PART II.
‘Tell me, HENRY WADSWORTH, ALFRED POET CLOSE, or MISTER TUPPER,
Do you write the bon bon mottoes my ELVIRA pulls at supper?’
But HENRY WADSWORTH smiled, and said he had not had that honour;
And ALFRED, too, disclaimed the words that told so much upon her.
‘MISTER MARTIN TUPPER, POET CLOSE, I beg of you inform us;’
But my question seemed to throw them both into a rage enormous.
MISTER CLOSE expressed a wish that he could only get anigh to me;
And MISTER MARTIN TUPPER sent the following reply to me:
‘A fool is bent upon a twig, but wise men dread a bandit,’ –
Which I know was very clever; but I didn’t understand it.
Seven weary years I wandered – Patagonia, China, Norway,
Till at last I sank exhausted at a pastrycook his doorway.
There were fuchsias and geraniums, and daffodils and myrtle,
So I entered, and I ordered half a basin of mock turtle.
He was plump and he was chubby, he was smooth and he was rosy,
And his little wife was pretty and particularly cosy.
And he chirped and sang, and skipped about, and laughed with
laughter hearty –
He was wonderfully active for so very stout a party.
And I said, ‘O gentle pieman, why so very, very merry?
Is it purity of conscience, or your one-and-seven sherry?’
But he answered, ‘I’m so happy – no profession could be dearer –
If I am not humming ‘Tra! la! la!’ I’m singing ‘Tirer, lirer!’
‘First I go and make the patties, and the puddings, and the
jellies,
Then I make a sugar bird-cage, which upon a table swell is;
‘Then I polish all the silver, which a supper-table lacquers;
Then I write the pretty mottoes which you find inside the
crackers.’ –
‘Found at last!’ I madly shouted. ‘Gentle pieman, you astound me!’
Then I waved the turtle soup enthusiastically round me.
And I shouted and I danced until he’d quite a crowd around him –
And I rushed away exclaiming, ‘I have found him! I have found
him!’
And I heard the gentle pieman in the road behind me trilling,
”Tira, lira!’ stop him, stop him! ‘Tra! la! la!’ the soup’s a
shilling!’
But until I reached ELVIRA’S home, I never, never waited,
And ELVIRA to her FERDINAND’S irrevocably mated!

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Where Dunkery frowns on Exon Moor;
I have a Love I love too well,
To whom, ere she was mine,
‘Such is my love for you,’ I said,
‘That you shall have to hood your head
A silken kerchief crimson-red,
Wove finest of the fine.’
‘And since this Love, for one mad moon,
On Exon Wild by Dunkery Tor,
Since this my Love for one mad moon
Did clasp me as her king,
I snatched a silk-piece red and rare
From off a stall at Priddy Fair,
For handkerchief to hood her hair
When we went gallanting.
‘Full soon the four weeks neared their end
Where Dunkery frowns on Exon Moor;
And when the four weeks neared their end,
And their swift sweets outwore,
I said, ‘What shall I do to own
Those beauties bright as tulips blown,
And keep you here with me alone
As mine for evermore?’
‘And as she drowsed within my van
On Exon Wild by Dunkery Tor –
And as she drowsed within my van,
And dawning turned to day,
She heavily raised her sloe-black eyes
And murmured back in softest wise,
‘One more thing. and the charms you prize
Are yours henceforth for aye.
”And swear I will I’ll never go
While Dunkery frowns on Exon Moor
To meet the Cornish Wrestler Joe
For dance and dallyings.
If you’ll to yon cathedral shrine,
And finger from the chest divine
Treasure to buy me ear-drops fine,
And richly jewelled rings.’
‘I said: ‘I am one who has gathered gear
From Marlbury Downs to Dunkery Tor,
Who has gathered gear for many a year
From mansion, mart and fair;
But at God’s house I’ve stayed my hand,
Hearing within me some command –
Curbed by a law not of the land
From doing damage there.’
‘Whereat she pouts, this Love of mine,
As Dunkery frowns on Exon Moor,
And still she pouts, this Love of mine,
So cityward I go.
But ere I start to do the thing,
And speed my souls imperilling
One who is my ravishing
And all the joy I know,
‘I come to lay this charge on thee –
On Exon Wild by Dunkery Tor –
I come to lay this charge on thee
With solemn speech and sign:
Should things go ill, and my life pay
For botchery in this rash assay,
You are to take hers likewise – yea,
The month the law takes mine.
‘For should my rival, Wrestler Joe,
Where Dunkery frowns on Exon Moor –
My reckless rival, Wrestler Joe,
My Love’s possessor be,
My tortured spirit would not rest,
But wander weary and distrest
Throughout the world in wild protest:
The thought nigh maddens me!’
PART II
Thus did he speak – this brother of mine –
On Exon Wild by Dunkery Tor,
Born at my birth of mother of mine,
And forthwith went his way
To dare the deed some coming night….
I kept the watch with shaking sight,
The moon at moments breaking bright,
At others glooming gray.
Three full days I heard no sound
Where Dunkery frowns on Exon Moor,
I heard no sound at all around
Whether his fay prevailed,
Or one malign the master were,
Till some afoot did tidings bear
How that, for all his practised care,
He had been caught and jailed.
They had heard a crash when twelve had chimed
By Mendip east of Dunkery Tor,
When twelve had chimed and moonlight climbed;
They watched, and he was tracked
By arch and aisle and saint and knight
Of sculptured stonework sheeted white
In the cathedral’s ghostly light,
And captured in the act.
Yes; for this Love he loved too well
Where Dunkery sights the Severn shore,
All for this Love he loved too well
He burst the holy bars,
Seized golden vessels from the chest
To buy her ornaments of the best,
At her ill-witchery’s request
And lure of eyes like stars….
When blustering March confused the sky
In Toneborough Town by Exon Moor,
When blustering March confused the sky
They stretched him; and he died.
Down in the crowd where I, to see
The end of him, stood silently,
With a set face he lipped to me –
‘Remember.’ ‘Ay!’ I cried.
By night and day I shadowed her
From Toneborough Deane to Dunkery Tor,
I shadowed her asleep, astir,
And yet I could not bear –
Till Wrestler Joe anon began
To figure as her chosen man,
And took her to his shining van –
To doom a form so fair!
He made it handsome for her sake –
And Dunkery smiled to Exon Moor –
He made it handsome for her sake,
Painting it out and in;
And on the door of apple-green
A bright brass knocker soon was seen,
And window-curtains white and clean
For her to sit within.
And all could see she clave to him
As cleaves a cloud to Dunkery Tor,
Yea, all could see she clave to him,
And every day I said,
‘A pity it seems to part those two
That hourly grow to love more true:
Yet she’s the wanton woman who
Sent one to swing till dead!’
That blew to blazing all my hate,
While Dunkery frowned on Exon Moor,
And when the river swelled, her fate
Came to her pitilessly….
I dogged her, crying: ‘Across that plank
They use as bridge to reach yon bank
A coat and hat lie limp and dank;
Your goodman’s, can they be?’
She paled, and went, I close behind –
And Exon frowned to Dunkery Tor,
She went, and I came up behind
And tipped the plank that bore
Her, fleetly flitting across to eye
What such might bode. She slid awry;
And from the current came a cry,
A gurgle; and no more.
How that befell no mortal knew
From Marlbury Downs to Exon Moor;
No mortal knew that deed undue
But he who schemed the crime,
Which night still covers…. But in dream
Those ropes of hair upon the stream
He sees, and he will hear that scream
Until his judgment-time.

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Although the wild-flower on thy ruin’d wall,
And roofless homes, a sad remembrance bring,
Of what thy gentle people did befall;
Yet thou wert once the loveliest land of all
That see the Atlantic wave their morn restore.
Sweet land! may I thy lost delights recall,
And paint thy Gertrude in her bowers of yore,
Whose beauty was the love of Pennsylvania’s shore!
Delightful Wyoming! beneath thy skies,
The happy shepherd swains had nought to do
But feed their flocks on green declivities,
Or skim perchance thy lake with light canoe,
From morn till evening’s sweeter pastimes grew,
With timbrel, when beneath the forests brown,
Thy lovely maidens would the dance renew;
And aye those sunny mountains half-way down
Would echo flageolet from some romantic town.
Then, where of Indian hills the daylight takes
His leave, how might you the flamingo see
Disporting like a meteor on the lakes–
And playful squirrel on his nut-grown tree:
And every sound of life was full of glee,
From merry mock-bird’s song, or hum of men;
While hearkening, fearing naught their revelry,
The wild deer arch’d his neck from glades, and then,
Unhunted, sought his woods and wilderness again.
And scarce had Wyoming of war or crime
Heard, but in transatlantic story rung,
For here the exile met from every clime,
And spoke in friendship every distant tongue:
Men from the blood of warring Europe sprung
Were but divided by the running brook;
And happy where no Rhenish trumpet sung,
On plains no sieging mine’s volcano shook,
The blue-eyed German changed his sword to pruning-hook.
Nor far some Andalusian saraband
Would sound to many a native roundelay–
But who is he that yet a dearer land
Remembers, over hills and far away?
Green Albin! what though he no more survey
Thy ships at anchor on the quiet shore,
Thy pelloch’s rolling from the mountain bay,
Thy lone sepulchral cairn upon the moor,
And distant isles that hear the loud Corbrechtan roar!
Alas! poor Caledonia’s mountaineer,
That wants stern edict e’er, and feudal grief,
Had forced him from a home he loved so dear!
Yet found he here a home and glad relief,
And plied the beverage from his own fair sheaf,
That fired his Highland blood with mickle glee:
And England sent her men, of men the chief,
Who taught those sires of empire yet to be,
To plant the tree of life,–to plant fair Freedom’s tree!
Here was not mingled in the city’s pomp
Of life’s extremes the grandeur and the gloom
Judgment awoke not here her dismal tromp,
Nor seal’d in blood a fellow-creature’s doom,
Nor mourn’d the captive in a living tomb.
One venerable man, beloved of all,
Sufficed, where innocence was yet in bloom,
To sway the strife, that seldom might befall:
And Albert was their judge, in patriarchal hall.
How reverend was the look, serenely aged,
He bore, this gentle Pennsylvanian sire,
Where all but kindly fervors were assuaged,
Undimm’d by weakness’ shade, or turbid ire!
And though, amidst the calm of thought entire,
Some high and haughty features might betray
A soul impetuous once, ’twas earthly fire
That fled composure’s intellectual ray,
As AEtna’s fires grow dim before the rising day.
I boast no song in magic wonders rife,
But yet, oh Nature! is there naught to prize,
Familiar in thy bosom scenes of life?
And dwells in day-light truth’s salubrious skies
No form with which the soul may sympathise?–
Young, innocent, on whose sweet forehead mild
The parted ringlet shone in simplest guise,
An inmate in the home of Albert smiled,
Or blest his noonday walk–she was his only child.
The rose of England bloom’d on Gertrude’s cheek–
What though these shades had seen her birth, her sire
A Briton’s independence taught to seek
Far western worlds; and there his household fire
The light of social love did long inspire,
And many a halcyon day he lived to see
Unbroken but by one misfortune dire,
When fate had reft his mutual heart–but she
Was gone–and Gertrude climb’d a widow’d father’s knee.
A loved bequest,–and I may half impart–
To them that feel the strong paternal tie,
How like a new existence to his heart
That living flower uprose beneath his eye
Dear as she was from cherub infancy,
From hours when she would round his garden play,
To time when as the ripening years went by,
Her lovely mind could culture well repay,
And more engaging grew, from pleasing day to day.
I may not paint those thousand infant charms;
(Unconscious fascination, undesign’d!)
The orison repeated in his arms,
For God to bless her sire and all mankind;
The book, the bosom on his knee reclined,
Or how sweet fairy-lore he heard her con,
(The playmate ere the teacher of her mind:)
All uncompanion’d else her heart had gone
Till now, in Gertrude’s eyes, their ninth blue summer shone.
And summer was the tide, and sweet the hour,
When sire and daughter saw, with fleet descent,
An Indian from his bark approach their bower,
Of buskin limb, and swarthy lineament;
The red wild feathers on his brow were blent,
And bracelets bound the arm that help’d to light
A boy, who seem’d, as he beside him went,
Of Christian vesture, and complexion bright,
Led by his dusky guide, like morning brought by night.
Yet pensive seem’d the boy for one so young–
The dimple from his polish’d cheek had fled;
When, leaning on his forest-bow unstrung,
Th’ Oneyda warrior to the planter said,
And laid his hand upon the stripling’s head,
‘Peace be to thee! my words this belt approve;
The paths of peace my steps have hither led:
This little nursling, take him to thy love,
And shield the bird unfledged, since gone the parent dove.
Christian! I am the foeman of thy foe;
Our wampum league thy brethren did embrace:
Upon the Michigan, three moons ago,
We launch’d our pirogues for the bison chase,
And with the Hurons planted for a space,
With true and faithful hands, the olive-stalk;
But snakes are in the bosoms of their race,
And though they held with us a friendly talk,
The hollow peace-tree fell beneath their tomahawk!
It was encamping on the lake’s far port,
A cry of Areouski broke our sleep,
Where storm’d an ambush’d foe thy nation’s fort
And rapid, rapid whoops came o’er the deep;
But long thy country’s war-sign on the steep
Appear’d through ghastly intervals of light,
And deathfully their thunders seem’d to sweep,
Till utter darkness swallow’d up the sight,
As if a shower of blood had quench’d the fiery fight!
It slept–it rose again–on high their tower
Sprung upwards like a torch to light the skies,
Then down again it rain’d an ember shower,
And louder lamentations heard we rise;
As when the evil Manitou that dries
Th’ Ohio woods, consumes them in his ire,
In vain the desolated panther flies,
And howls amidst his wilderness of fire:
Alas! too late, we reach’d and smote those Hurons dire!
But as the fox beneath the nobler hound,
So died their warriors by our battle brand;
And from the tree we, with her child, unbound
A lonely mother of the Christian land:–
Her lord–the captain of the British band–
Amidst the slaughter of his soldiers lay.
Scarce knew the widow our delivering hand;
Upon her child she sobb’d and soon’d away,
Or shriek’d unto the God to whom the Christians pray.
Our virgins fed her with their kindly bowls
Of fever-balm and sweet sagamite:
But she was journeying to the land of souls,
And lifted up her dying head to pray
That we should bid an ancient friend convey
Her orphan to his home of England’s shore;
And take, she said, this token far away,
To one that will remember us of yore,
When he beholds the ring that Waldegrave’s Julia wore.
And I, the eagle of my tribe, have rush’d
With this lorn dove.’–A sage’s self-command
Had quell’d the tears from Albert’s heart that gush’d;
But yet his cheek–his agitated hand–
That shower’d upon the stranger of the land
No common boon, in grief but ill beguiled
A soul that was not wont to be unmann’d;
‘And stay,’ he cried, ‘dear pilgrim of the wild,
Preserver of my old, my boon companion’s child!–
Child of a race whose name my bosom warms,
On earth’s remotest bounds how welcome here!
Whose mother oft, a child, has fill’d these arms,
Young as thyself, and innocently dear,
Whose grandsire was my early life’s compeer.
Ah, happiest home of England’s happy clime!
How beautiful even’ now thy scenes appear,
As in the noon and sunshine of my prime!
How gone like yesterday these thrice ten years of time!
And Julia! when thou wert like Gertrude now
Can I forget thee, favorite child of yore?
Or thought I, in thy father’s house, when thou
Wert lightest-hearted on his festive floor,
And first of all his hospitable door
To meet and kiss me at my journey’s end?
But where was I when Waldegrave was no more?
And thou didst pale thy gentle head extend
In woes, that ev’n the tribe of deserts was thy friend!’
He said–and strain’d unto his heart the boy;–
Far differently, the mute Oneyda took
His calumet of peace, and cup of joy;
As monumental bronze unchanged his look;
A soul that pity touch’d but never shook;
Train’d from his tree-rock’d cradle to his bier
The fierce extreme of good and ill to brook
Impassive–fearing but the shame of fear–
A stoic of the woods–a man without a tear.
Yet deem not goodness on the savage stock
Of Outalissi’s heart disdain’d to grow;
As lives the oak unwither’d on the rock
By storms above, and barrenness below;
He scorn’d his own, who felt another’s wo:
And ere the wolf-skin on his back he flung,
Or laced his mocassins, in act to go,
A song of parting to the boy he sung,
Who slept on Albert’s couch, nor heard his friendly tongue.
‘Sleep, wearied one! and in the dreaming land
Shouldst thou to-morrow with thy mother meet,
Oh! tell her spirit, that the white man’s hand
Hath pluck’d the thorns of sorrow from thy feet;
While I in lonely wilderness shall greet
They little foot-prints–or by traces know
The fountain, where at noon I thought it sweet
To feed thee with the quarry of my bow,
And pour’d the lotus-horn, or slew the mountain roe.
Adieu! sweet scion of the rising sun!
But should affliction’s storms thy blossom mock,
Then come again–my own adopted one!
And I will graft thee on a noble stock:
The crocodile, the condor of the rock,
Shall be the pastime of thy sylvan wars;
And I will teach thee in the battle’ shock
To pay with Huron blood thy father’s scars,
And gratulate his soul rejoicing in the stars!’
So finish’d he the rhyme (howe’er uncouth)
That true to nature’s fervid feelings ran;
(And song is but the eloquence of truth:)
Then forth uprose that lone wayfaring man;
But dauntless he, nor chart, nor journey’s plan
In woods required, whose trained eye was keen,
As eagle of the wilderness, to scan
His path by mountain, swamp, or deep ravine,
Or ken far friendly huts on good savannas green.
Old Albert saw him from the valley’s side–
His pirogue launch’d–his pilgrimage begun–
Far, like the red-bird’s wing he seem’d to glide;
Then dived, and vanish’d in the woodlands dun.
Oft, to that spot by tender memory won,
Would Albert climb the promontory’s height,
If but a dim sail glimmer’d in the sun;
But never more to bless his longing sight,
Was Outalissi hail’d, with bark and plumage bright.
PART II.
A valley from the river shower withdrawn
Was Albert’s home, two quiet woods between,
Whose lofty verdure overlook’d his lawn
And waters to their resting-place serene
Came freshening, and reflecting all the scene:
(A mirror in the depth of flowery shelves;)
So sweet a spot of earth, you might (I ween,)
Have guess’d some congregation of the elves,
To sport by summer moons, had shaped it for themselves.
Yet wanted not the eye far scope to muse,
Nor vistas open’d by the wandering stream;
Both where at evening Alleghany views
Through ridges burning in her western beam
Lake after lake interminably gleam:
And past those settlers’ haunts the eye might roam
Where earth’s unliving silence all would seem;
Save where on rocks the beaver built his dome,
Or buffalo remote low’d far from human home.
But silent not that adverse eastern path,
Which saw Aurora’s hills th’ horizon crown;
There was the river heard, in bed of wrath,
(A precipice of foam from mountains brown,)
Like tumults heard from some far distant town;
But softening in approach he left his gloom,
And murmur’d pleasantly, and laid him down
To kiss those easy curving banks of bloom,
That lent the windward air an exquisite perfume.
It seem’d as if those scenes sweet influence had
On Gertrude’s soul, and kindness like their own
Inspired those eyes affectionate and glad,
That seem’d to love whate’er they look’d upon;
Whether with Hebe’s mirth her features shone,
Or if a shade more pleasing them o’ercast,
(As if for heavenly musing meant alone;)
Yet so becomingly th’ expression past,
That each succeeding look was lovelier than the last.
Nor guess I, was that Pennsylvanian home,
With all its picturesque and balmy grace,
And fields that were a luxury to roam,
Lost on the soul that look’d from such a face!
Enthusiast of the woods! when years apace
Had bound thy lovely waist with woman’s zone,
The sunrise path, at morn, I see thee trace
To hills with high magnolia overgrown,
And joy to breathe the groves, romantic and alone.
The sunrise drew her thoughts to Europe forth,
That thus apostrophised its viewless scene:
‘Land of my father’s love, my mother’s birth!
The home of kindred I have never seen!
We know not other–oceans are between:
Yet say, far friendly hearts! from whence we came,
Of us does oft remembrance intervene?
My mother sure–my sire a thought may claim;–
But Gertrude is to you an unregarded name.
And yet, loved England! when thy name I trace
In many a pilgrim’s tale and poet’s song,
How can I choose but wish for one embrace
Of them, the dear unknown, to whom belong
My mother’s looks; perhaps her likeness strong?
Oh, parent! with what reverential awe,
From features of thine own related throng,
An image of thy face my soul could draw!
And see thee once again whom I too shortly saw!’
Yet deem not Gertrude sighed for foreign joy;
To soothe a father’s couch her only care,
And keep his reverend head from all annoy:
For this, methinks, her homeward steps repair,
Soon as the morning wreath had bound her hair;
While yet the wild deer trod in spangling dew,
While boatmen carol’d to the fresh-blown air,
And woods a horizontal shadow threw,
And early fox appear’d in momentary view.
Apart there was a deep untrodden grot,
Where oft the reading hours sweet Gertrude wore,
Tradition had not named its lonely spot;
But here (methinks) might India’s sons explore
Their fathers’ dust, or lift, perchance of yore,
Their voice to the great Spirit:–rocks sublime
To human art a sportive semblance bore,
And yellow lichens color’d all the clime,
Like moonlight battlements, and towers decay’d by time.
But high in amphitheatre above,
Gay tinted woods their massy foliage threw:
Breathed but an air of heaven, and all the grove
As if instinct with living spirit grew,
Rolling its verdant gulfs of every hue;
And now suspended was the pleasing din,
Now from a murmur faint it swell’d anew,
Like the first note of organ heard within
Cathedral aisles,–ere yet its symphony begin.
It was in this lonely valley she would charm
The lingering noon, where flowers a couch had strown;
Her cheek reclining, and her snowy arm
On hillock by the pine-tree half o’ergrown:
And aye that volume on her lap is thrown,
Which every heart of human mould endears;
With Shakspear’s self she speaks and smiles alone,
And no intruding visitation fears,
To shame the unconscious laugh, or stop her sweetest tears.
And naught within the grove was heard or seen
But stock-doves plaining through its gloom profound,
Or winglet of the fairy humming-bird,
Like atoms of the rainbow fluttering round;
When, lo! there enter’d to its inmost ground
A youth, the stranger of a distant land;
He was, to weet, for eastern mountains bound;
But late th’ equator suns his cheek had tann’d,
And California’s gales his roving bosom fann’d.
A steed, whose rein hung loosely o’er his arm,
He led dismounted; here his leisure pace,
Amid the brown leaves, could her ear alarm,
Close he had come, and worshipp’d for a space
Those downcast features:–she her lovely face
Uplift on one, whose lineaments and frame
Wore youth and manhood’s intermingled grace:
Iberian seem’d his booth–his robe the same,
And well the Spanish plume his lofty looks became.
For Albert’s home he sought–her finger fair
Has pointed where the father’s mansion stood.
Returning from the copse he soon was there;
And soon has Gertrude hied from dark greenwood:
Nor joyless, by the converse, understood
Between the man of age and pilgrim young,
That gay congeneality of mood,
And early liking from acquaintance sprung;
Full fluently conversed their guest in England’s tongue.
And well could he his pilgrimage of taste
Unfold,–and much they loved his fervid strain,
While he each fair variety retraced
Of climes, and manners, o’er the eastern main.
Now happy Switzer’s hills,–romantic Spain,–
Gay lilied fields of France,–or, more refined,
The soft Ausonia’s monumental reign;
Nor less each rural image he design’d
Than all the city’s pomp and home of humankind.
Anon some wilder portraiture he draws;
Of Nature’s savage glories he would spea,–
The loneliness of earth at overawes,–
Where, resting by some tomb of old Cacique,
The lama-driver on Peruvia’s peak
Nor living voice nor motion marks around;
But storks that to the boundless forest shriek,
Or wild-cane arch high flung o’er gulf profound,
That fluctuates when the storms of El Dorado sound.
Pleased with his guest, the good man still would ply
Each earnest question, and his converse court;
But Gertrude, as she eyed him, knew not why
A strange and troubling wonder stopt her short.
‘In England thou hast been,–and, by report,
An orphan’s name (quoth Albert) may’st have known.
Sad tale!–when latest fell our frontier fort,–
One innocent–one soldier’s child–alone
Was spared, and brought to me, who loved him as my own.
Young Henry Waldegrave! three delightful years
These very walls his infants sports did see,
But most I loved him when his parting tears
Alternately bedew’d my child and me:
His sorest parting, Gertrude, was from thee;
Nor half its grief his little heart could hold;
By kindred he was sent for o’er the sea,
They tore him from us when but twelve years old,
And scarcely for his loss have I been yet consoled!’
His face the wanderer hid–but could not hide
A tear, a smile, upon his cheek that dwell;
‘And speak! mysterious strange!’ (Gertrude cried)
‘It is!–it is!–I knew–I knew him well;
‘Tis Waldegrave’s self, of Waldegrave come to tell!’
A burst of joy the father’s lips declare!
But Gertrude speechless on his bosom fell;
At once his open arms embraced the pair,
Was never group more blest in this wide world of care.
‘And will ye pardon then (replied the youth)
Your Waldegrave’s feign’d name, and false attire?
I durst not in the neighborhood, in truth,
The very fortunes of your house inquire;
Lest one that knew me might some tidings dire
Impart, and I my weakness all betray,
For had I lost my Gertrude and my sire
I meant but o’er your tombs to weep a day,
Unknown I meant to weep, unknown to pass away.
But here ye life, ye bloom,–in each dear face,
The changing hand of time I may not blame;
For there, it hath but shed more reverend grace,
And here, of beauty perfected the frame:
And well I know your hearts are still the same–
They could not change–ye look the very way,
As when an orphan first to you I came.
And have ye heard of my poor guide, I pray?
Nay, wherefore weep ye, friends, on such a joyous day!’
‘And art thou here? or is it but a dream?
And wilt thou, Waldegrave, wilt thou, leave us more!’
‘No, never! thou that yet dost lovelier seem
Than aught on earth–than even thyself of yore–
I will not part thee from thy father’s shore;
But we shall cherish him with mutual arms,
And hand in hand again the path explore
Which every ray of young remembrance warms,
While thou shalt be my own, with all thy truth and charms!’
At morn, as if beneath a galaxy
Of over-arching groves in blossoms white,
Where all was odorous scent and harmony,
And gladness to the heart, nerve, ear, and sight:
There, if, O gentle Love! I read aright
The utterance that seal’d thy sacred bond,
‘Twas listening to these accents of delight,
She hid upon his breast those eyes, beyond
Expression’s power to paint, all languishingly fond–
‘Flower of my life, so lovely, and so lone!
Whom I would rather in this desert meet,
Scorning, and scorn’d by fortune’s power, than own
Her pomp and splendors lavish’d at my feet!
Turn not from me thy breath, move exquisite
Than odors cast on heaven’s own shrine–to please–
Give me thy love, than luxury more sweet,
And more than all the wealth that loads the breeze,
When Coromandel’s ships return from Indian seas.’
Then would that home admit them–happier far
Than grandeur’s most magnificent saloon,
While, here and there, a solitary star
Flush’d in the darkening firmament of June;
And silence brought the soul-felt hour, full soon
Ineffable, which I may not portray;
For never did the hymenean moon
A paradise of hearts more sacred sway,
In all that slept beneath her soft voluptuous ray.
PART III.
O Love! in such a wilderness as this,
Where transport and security entwine,
Here is the empire of thy perfect bliss,
And here thou art a god indeed divine.
Here shall no forms abridge, no hours confine
The views, the walks, that boundless joy inspire!
Nor, blind with ecstacy’s celestial fire,
Shall love behold the spark of earth-born time expire.
Three little moons, how short! amidst the grove
And pastoral savannas they consume!
While she, beside her buskin’d youth to rove,
Delights, in fancifully wild costume,
Her lovely brow to shade with Indian plume;
And forth in hunter-seeming vest they fare;
But not to chase the deer in forest gloom,
‘Tis but the breath of heaven–the blessed air–
And interchange of hearts unknown, unseen to share.
What though the sportive dog oft round them note,
Or fawn, or wild bird bursting on the wing;
Yet who, in Love’s own presence, would devote
To death those gentle throats that wake the spring,
Or writhing from the brook its victim bring?
No!–nor let fear one little warbler rouse;
But, fed by Gertrude’s hand, still let them sing,
Acquaintance of her path, amidst the boughs,
That shade ev’n now her love, and witness’d first her vows.
Now labyrinths, which but themselves can pierce,
Methinks, conduct them to some pleasant ground,
Where welcome hills shut out the universe,
And pines their lawny walk encompass round;
There, if a pause delicious converse found,
‘Twas but when o’er each heart th’ idea stole,
(Perchance a while in joy’s oblivion drown’d)
That come what may, while life’s glad pulses roll,
Indissolubly thus should soul be knit to soul.
And in the visions of romantic youth,
What years of endless bliss are yet to flow!
But mortal pleasure, what art thou in truth?
The torrent’s smoothness, ere it dash below!
And must I change my song? and must I show,
Sweet Wyoming! the day when thou art doom’d,
Guiltless, to mourn thy loveliest bowers laid low!
When were of yesterday a garden bloom’d,
Death overspread his pall, and blackening ashes gloom’d!
Sad was the year, by proud oppression driven,
When Transatlantic Liberty arose,
Not in the sunshine and the smile of heaven,
But wrapt in whirlwinds, and begirt with woes,
Amidst the strife of fratricidal foes;
Her birth star was the light of burning plains;
Her baptism is the weight of blood that flows
From kindred hearts–the blood of British veins–
And famine tracks her steps, and pestilential pains.
Yet, here the storm of death had raged remote,
Or seige unseen in heaven reflects its beams,
Who now each dreadful circumstance shall note,
That fills pale Gertrude’s thoughts, and nightly dreams!
Dismal to her the forge of battle gleams
Portentous light! and music’s voice is dumb;
Save where the fife its shrill reveille screams,
Or midnight streets re-echo to the drum,
That speaks of maddening strife, and blood-stained fields to come.
It was in truth a momentary pang;
Yet how comprising myriad shapes of wo!
First when in Gertrude’s ear the summons rang,
A husband to the battle doom’d to go!
‘Nay meet not thou( she cried) thy kindred foe!
But peaceful let us seek fair England’s strand!’
‘Ah, Gertrude, thy beloved heart, I know,
Would feel like mine the stigmatising brand!
Could I forsake the cause of Freedom’s holy band!
But shame–but flight–a recreant’s name to prove,
To hide in exile ignominous fears;
Say, ev’n if this I brook’d, the public love
Thy father’s bosom to his home endears:
And how could I his few remaining years,
My Gertrude, sever from so dear a child?’
So, day by day, her boding heart he cheers:
At last that heart to hope is half beguiled,
And, pale, through tears suppress’d, the mournful beauty smiled.
Night came,–and in their lighted bower, full late,
The joy of converse had endured–when, hark!
Abrupt and loud, a summons shook their gate;
And heedless of the dog’s obstrep’rous bark,
A form had rush’ed amidst them from the dark,
And spread his arms,–and fell upon the floor:
Of aged strength his limbs retained the mark;
But desolate he look’s and famish’d, poor,
As ever shipwreck’d wretch lone left on desert shore.
Uprisen, each wond’ring brow is knit and arch’d:
A spirit form the dead they deem him first:
To speak he tries; but quivering, pale, and parch’d,
From lips, as by some powerless dream accursed
Emotions unintelligible burst;
And long his filmed eye is red and dim;
At length the pity-proffer’d cup his thirst
Had half assuaged, and nerved his shuddering limb
When Albert’s hand he grasp’d;–but Albert knew not him–
‘And hast thou then forgot,’ (he cried forlorn,
And eyed the group with half indignant air,)
‘Oh! hast thou, Christian chief, forgot the morn
When I with thee the cup of peace did share?
Then stately was this head, and dark this hair,
That now is white as Appalachia’s snow;
But, if the weight of fifteen years’ despair,
And age hath bow’d me, and the torturing foe,
Bring me my boy–and he will his deliverer know!’–
It was not long, with eyes and heart of flame,
Ere Henry to his loved Oneyda flew:
‘Bless thee, my guide!’–but backward as he came,
The chief his old bewilder’d head withdrew,
And grasp’d his arm, and look’d and look’d him through.
‘Twas strange–nor could the group a smile control–
The long, the doubtful scrutiny to view:
At last delight o’er all his features stole,
‘It is–my own,’ he cried, and clasp’d him to his soul.
‘Yes! thou recallest my pride of years, for then
The bowstring of my spirit was not slack,
When, spite of woods and floods, and ambush’d men,
I bore thee like the quiver on my back,
Fleet as the whirlwind hurries on the rack;
Nor foreman then, nor cougar’s crouch I fear’d,
For I was strong as mountain cataract:
And dost thou not remember how we cheer’d,
Upon the last hill-top, when white men’s huts appear’d?
Then welcome be my death-song, and my death
Since I have seen thee, and again embrac’d.’
And longer had he spent his toil-worn breath;
But with affectionate and eager haste,
Was every arm outstretch’d around their guest,
To welcome and to bless his aged head.
Soon was the hospitable banquet placed;
And Gertrude’s lovely hands a balsam shed
On wounds with fever’d joy that more profusely bled.
‘But this is not a time,’–he started up,
And smote his breast with wo-denouncing hand–
‘This is no time to fill the joyous cup,
The Mammoth comes,–the foe,–the Monster Brandt,–
With all his howling desolating band;
These eyes have seen their blade and burning pine
Awake at once, and silence half your land.
Red is the cup they drink; but not with wine:
Awake, and watch to-night, or see no morning shine!
Scorning to wield the hatchet for his bribe,
‘Gainst Brandt himself I went to battle forth:
Accursed Brandt! he left of all my tribe
Nor man, nor child, nor thing of living birth:
No! not the dog that watch’d my household hearth,
Escaped that night of blood, upon our plains!
All perish’d!–I alone am left on earth!
To whom nor relative nor blood remains.
No! not a kindred drop that runs in human veins!
But go!–and rouse your warriors, for, if right
These old bewilder’d eyes could guess, by signs
Of striped, and starred banners, on yon height
Of eastern cedars, o’er the creek of pines–
Some fort embattled by your country shines:
Deep roars th’ innavigable gulf below
Its squared rock, and palisaded lines.
Go! seek the light its warlike beacons show;
Whilst I in ambush wait, for vengeance, and the foe!’
Scarce had he utter’d–when Heaven’s virge extreme
Reverberates the bomb’s descending star,
And sounds that mingled laugh,–and shout,–and scream,–
To freeze the blood in once discordant jar
Rung to the pealing thunderbolts of war.
Whoop after whoop with rack the ear assail’d;
As if unearthly fiends had burst their bar;
While rapidly the marksman’s shot prevail’d:–
And aye, as if for death, some lonely trumpet wail’d.
Then look’d they to the hills, where fire o’erhung
The bandit groups, in one Vesuvian glare;
Or swept, far seen, the tower, whose clock unrung
Told legible that midnight of despair.
She faints,–she falters not,–th’ heroic fair,
As he the sword and plume in haste array’d.
One short embrace–he clasp’d his dearest care–
But hark! what nearer war-drum shakes the glade?
Joy, joy! Columbia’s friends are trampling through the shade!
Then came of every race the mingled swarm,
Far rung the groves and gleam’d the midnight grass,
With Flambeau, javelin, and naked arm;
As warriors wheel’d their culverins of brass,
Sprung from the woods, a bold athletic mass,
Whom virtue fires, and liberty combines:
And first the wild Moravian yagers pass,
His plumed host the dark Iberian joins–
And Scotia’s sword beneath the Highland thistle shines.
And in, the buskin’d hunters of the deer,
To Albert’s home, with shout and cymbal throng–
Roused by their warlike pomp, and mirth, and cheer,
Old Outalissi woke his battle song,
And, beating with his war-club cadence strong,
Tells how his deep-stung indignation smarts,
Of them that wrapt his house in flames, ere long,
To whet a dagger on their stony hearts,
And smile avenged ere yet his eagle spirit parts.
Calm, opposite the Christian father rose,
Pale on his venerable brow its rays
Of martyr light the conflagration throws;
One hand upon his lovely child he lays,
And one th’ uncover’d crowd to silence sways;
While, though the battle flash is faster driven,–
Unaw’d, with eye unstartled by the blaze,
He for his bleeding country prays to Heaven,–
Prays that the men of blood themselves may be forgiven.
Short time is now for gratulating speech:
And yet, beloved Gertrude, ere began
Thy country’s flight, yon distant towers to reach,
Looks not on thee the rudest partisan
With brow relax’d to love? And murmurs ran,
As round and round their willing ranks they drew,
From beauty’s sight to shield the hostile van.
Grateful on them a placid look she threw,
Nor wept, but as she bade her mother’s grave adieu!
Past was the flight, and welcome seem’d the tower,
That like a giant standard-bearer frown’d
Defiance on the roving Indian power,
Beneath, each bold and promontory mound
With embrasure emboss’d, and armor crown’d.
And arrowy frise, and wedg’d ravelin,
Wove like a diadem its tracery round
The loft summit of that mountain green;
Here stood secure the group, and eyed a distant scene–
A scene of death! where fires beneath the sun,
And blended arms, and white pavilions glow;
And for the business of destruction done,
Its requiem the war-horn seem’d to blow:
There, sad spectatress of her country’s wo!
The lovely Gertrude, safe from present harm,
Had laid her cheek, and clasp’d her hands of snow
On Waldegrave’s shoulder, half within his arm
Enclosed, that felt her heart, and hush’d its wild alarm!
But short that contemplation–sad and short
The pause to bid each much-loved scene adieu!
Beneath the very shadow of the fort,
Where friendly swords were drawn, and banners flew;
Ah! who could deem that root of Indian crew
Was near?–yet there, with lust of murd’rous deeds,
Gleam’d like a basilisk, form woods in view,
The ambush’d foeman’s eye, his volley speeds,
And Albert–Albert falls! the dear old father bleeds!
And tranced in giddy horror Gertrude swoon’d;
Yet, while she clasps him lifeless to her zone,
Say, burst they, borrow’d from her father’s wound,
These drops?–Oh, God! the life-blood is her own!
And faltering on her Waldegrave’s bosom thrown;
‘Weep not, O Love!’–she cries, ‘to see me bleed;
Thee, Gertrude’s sad survivor, thee alone
Heaven’s peace commiserate; for scarce I heed
These wounds;–yet thee to leave is death, is death indeed!
Clasp me a little longer on the brink
Of fate! while I can feel thy dear caress;
And when this heart hath ceased to beat–oh! think,
And let it mitigate thy wo’s excess,
That thou hast been to me all tenderness,
And friend no more than human friendship just.
Oh! by that retrospect of happiness,
And by the hopes of an immortal trust,
God shall assuage thy pangs–when I am laid in dust!
Go, Henry, go not back, when I depart,
The scene thy bursting tears too deep will move,
Where my dear father took thee to his heart,
And Gertrude thought it ecstacy to rove
With thee, as with an angel, through the grove
Of peace, imagining her lot was cast
In heaven; for ours was not like earthly love.
And must this parting be our very last!
No! I shall love thee still, when death itself is past.–
Half could I bear, methinks, to leave this earth,–
And thee, more loved than aught beneath the sun,
If I had lived to smile but on the birth
Of one dear pledge;–but shall there then be none
In future times–no gentle little one,
To clasp thy neck, and look, resembling me?
Yet seems it, even while life’s last pulses run,
A sweetness in the cup of death to be,
Lord of my bosom’s love! to die beholding thee!’
Hush’d were his Gertrude’s lips! but still their bland
And beautiful expression seem’d to melt
With love that could not die! and still his hand
She presses to the heart no more that felt.
Ah, heart! where once each fond affection dwelt,
And features yet that spoke a soul more fair.
Mute, gazing, agonizing as he knelt,–
Of them that stood encircling his despair,
He heard some friendly words;–but knew not what they were.
For now, to mourn their judge and child, arrives
A faithful band. With solemn rites between
‘Twas sung, how they were lovely in their lives,
And in their deaths had not divided been.
Touch’d by the music, and the melting scene,
Was scarce one tearless eye amidst the crowd:–
Stern warriors, resting on their swords, were seen
To veil their eyes, as pass’d each much-loved shroud,
While woman’s softer soul in wo, dissolved aloud.
Then mournfully the parting bugle bid
Its farewell, o’er the grave of worth and truth;
Prone to the dust, afflicted Waldegrave hid
His face on earth; him watch’d, in gloomy ruth,
His woodland guide; but words had none to soothe
The grief that knew not consolation’s name;
Casting his Indian mantle o’er the youth,
He watch’d, beneath its folds, each burst that came
Convulsive, ague-like, across his shuddering frame!
‘And I could weep;’–th’ Oneyda chief
His descant wildly thus begun:
‘But that I may not stain with grief
The death-song of my father’s son,
Or bow this head in wo!
For by my wrongs, and by my wrath!
To-morrow Areouski’s breath,
(That fires yon heaven with storms of death,)
Shall light us to the foe:
And we shall share, my Christian boy!
The foeman’s blood, the avenger’s joy!
But thee, my flower whose breath was given
By milder genii o’er the deep,
The spirits of the white man’s heaven
Forbid not thee to weep:–
Nor will the Christian host,
Nor will thy father’s spirit grieve,
To see thee, on the battle’s eve,
Lamenting take a mournful leave
Of her who loved thee most:
She was the rainbow to thy sight!
Thy sun–thy heaven–of lost delight!
To-morrow let us do or die!
But when the bolt of death is hurl’d,
Ah! whither then with thee to fly,
Shall Outalissi roam the world?
Seek we thy once-loved home?
The hand is gone that cropt its flowers;
Unheard their clock repeats its hours!
Cold is the hearth within their bowers!
And should we thither roam,
Its echoes, and its empty tread,
Would sound like voices from the dead!
Or shall we cross yon mountains blue,
Whose streams my kindred nation quaff’d
And by my side, in battle true,
A thousand warriors drew the shaft?
Ah! there, in desolation cold,
The desert serpent dwells alone,
Where grass o’ergrows each mouldering bone
And stones themselves to ruin grown
Like me are death-like old.
Then seek we not their camp,–for there–
The silence dwells of my despair!
But hark, the trump!–to-morrow thou
In glory’s fires shalt dry thy tears:
Ev’n from the land of shadows now
My father’s awful ghost appears,
Amidst the clouds that round us roll;
He bids my soul for battle thirst–
He bids me dry the last–the first–
The only tears that ever burst
From Outalissi’s soul;
Because I may not stain with grief
The death-song of an Indian chief!’

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And the owls have awakened the crowing cock;
Tu-whit!- Tu-whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.
Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.
She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.
The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.-
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek-
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.
Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?
There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she-
Beautiful exceedingly!
‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’
The lady strange made answer meet,
And her voice was faint and sweet:-
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:-
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell-
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’
Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’
She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’
They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.
So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the Virgin all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.
Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff bitch?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff bitch?
They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.
The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’
‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered- ‘Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ‘she were!’
But soon, with altered voice, said she-
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine-
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’
Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue-
‘Alas!’ said she, ‘this ghastly ride-
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ”T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.
And thus the lofty lady spake-
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’
Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.
But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her bosom and half her side-
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!
Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!-
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:
‘In the touch of this bosom there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’
It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale-
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is-
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.
A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine-
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!
And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds-
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.
PART II
Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!
And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke- a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.
The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’
And Christabel awoke and spied
The same who lay down by her side-
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving breasts.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.
So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.
The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!
But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted- ne’er to meet again!
But never either found another
To free the hollow heart from paining-
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.
O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court- that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!
And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again-
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that bosom old,
Again she felt that bosom cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.
The touch, the sight, had passed away,
And in its stead that vision blest,
Which comforted her after-rest,
While in the lady’s arms she lay,
Had put a rapture in her breast,
And on her lips and o’er her eyes
Spread smiles like light!
With new surprise,
‘What ails then my beloved child?’
The Baron said- His daughter mild
Made answer, ‘All will yet be well!’
I ween, she had no power to tell
Aught else: so mighty was the spell.
Yet he who saw this Geraldine,
Had deemed her sure a thing divine.
Such sorrow with such grace she blended,
As if she feared she had offended
Sweet Christabel, that gentle maid!
And with such lowly tones she prayed
She might be sent without delay
Home to her father’s mansion.
‘Nay!
Nay, by my soul!’ said Leoline.
‘Ho! Bracy the bard, the charge be thine!
Go thou, with music sweet and loud,
And take two steeds with trappings proud,
And take the youth whom thou lov’st best
To bear thy harp, and learn thy song,
And clothe you both in solemn vest,
And over the mountains haste along,
Lest wandering folk, that are abroad,
Detain you on the valley road.
‘And when he has crossed the Irthing flood,
My merry bard! he hastes, he hastes
Up Knorren Moor, through Halegarth Wood,
And reaches soon that castle good
Which stands and threatens Scotland’s wastes.
‘Bard Bracy! bard Bracy! your horses are fleet,
Ye must ride up the hall, your music so sweet,
More loud than your horses’ echoing feet!
And loud and loud to Lord Roland call,
Thy daughter is safe in Langdale hall!
Thy beautiful daughter is safe and free-
Sir Leoline greets thee thus through me.
He bids thee come without delay
With all thy numerous array;
And take thy lovely daughter home:
And he will meet thee on the way
With all his numerous array
White with their panting palfreys’ foam:
And, by mine honor! I will say,
That I repent me of the day
When I spake words of fierce disdain
To Roland de Vaux of Tryermaine!-
– For since that evil hour hath flown,
Many a summer’s sun hath shone;
Yet ne’er found I a friend again
Like Roland de Vaux of Tryermaine.’
The lady fell, and clasped his knees,
Her face upraised, her eyes o’erflowing;
And Bracy replied, with faltering voice,
His gracious hail on all bestowing;
‘Thy words, thou sire of Christabel,
Are sweeter than my harp can tell;
Yet might I gain a boon of thee,
This day my journey should not be,
So strange a dream hath come to me;
That I had vowed with music loud
To clear yon wood from thing unblest,
Warned by a vision in my rest!
For in my sleep I saw that dove,
That gentle bird, whom thou dost love,
And call’st by thy own daughter’s name-
Sir Leoline! I saw the same,
Fluttering, and uttering fearful moan,
Among the green herbs in the forest alone.
Which when I saw and when I heard,
I wondered what might ail the bird;
For nothing near it could I see,
Save the grass and herbs underneath the old tree.
And in my dream methought I went
To search out what might there be found;
And what the sweet bird’s trouble meant,
That thus lay fluttering on the ground.
I went and peered, and could descry
No cause for her distressful cry;
But yet for her dear lady’s sake
I stooped, methought, the dove to take,
When lo! I saw a bright green snake
Coiled around its wings and neck.
Green as the herbs on which it couched,
Close by the dove’s its head it crouched;
And with the dove it heaves and stirs,
Swelling its neck as she swelled hers!
I woke; it was the midnight hour,
The clock was echoing in the tower;
But though my slumber was gone by,
This dream it would not pass away-
It seems to live upon my eye!
And thence I vowed this self-same day
With music strong and saintly song
To wander through the forest bare,
Lest aught unholy loiter there.’
Thus Bracy said: the Baron, the while,
Half-listening heard him with a smile;
Then turned to Lady Geraldine,
His eyes made up of wonder and love;
And said in courtly accents fine,
‘Sweet maid, Lord Roland’s beauteous dove,
With arms more strong than harp or song,
Thy sire and I will crush the snake!’
He kissed her forehead as he spake,
And Geraldine in maiden wise
Casting down her large bright eyes,
With blushing cheek and courtesy fine
She turned her from Sir Leoline;
Softly gathering up her train,
That o’er her right arm fell again;
And folded her arms across her chest,
And couched her head upon her breast,
And looked askance at Christabel-
Jesu, Maria, shield her well!
A snake’s small eye blinks dull and shy,
And the lady’s eyes they shrunk in her head,
Each shrunk up to a serpent’s eye,
And with somewhat of malice, and more of dread,
At Christabel she looked askance!-
One moment- and the sight was fled!
But Christabel in dizzy trance
Stumbling on the unsteady ground
Shuddered aloud, with a hissing sound;
And Geraldine again turned round,
And like a thing that sought relief,
Full of wonder and full of grief,
She rolled her large bright eyes divine
Wildly on Sir Leoline.
The maid, alas! her thoughts are gone,
She nothing sees- no sight but one!
The maid, devoid of guile and sin,
I know not how, in fearful wise,
So deeply had she drunken in
That look, those shrunken serpent eyes,
That all her features were resigned
To this sole image in her mind:
And passively did imitate
That look of dull and treacherous hate!
And thus she stood, in dizzy trance,
Still picturing that look askance
With forced unconscious sympathy
Full before her father’s view-
As far as such a look could be
In eyes so innocent and blue!
And when the trance was o’er, the maid
Paused awhile, and inly prayed:
Then falling at the Baron’s feet,
‘By my mother’s soul do I entreat
That thou this woman send away!’
She said: and more she could not say;
For what she knew she could not tell,
O’er-mastered by the mighty spell.
Why is thy cheek so wan and wild,
Sir Leoline? Thy only child
Lies at thy feet, thy joy, thy pride.
So fair, so innocent, so mild;
The same, for whom thy lady died!
O by the pangs of her dear mother
Think thou no evil of thy child!
For her, and thee, and for no other,
She prayed the moment ere she died:
Prayed that the babe for whom she died,
Might prove her dear lord’s joy and pride!
That prayer her deadly pangs beguiled,
Sir Leoline!
And wouldst thou wrong thy only child,
Her child and thine?
Within the Baron’s heart and brain
If thoughts, like these, had any share,
They only swelled his rage and pain,
And did but work confusion there.
His heart was cleft with pain and rage,
His cheeks they quivered, his eyes were wild,
Dishonored thus in his old age;
Dishonored by his only child,
And all his hospitality
To the insulted daughter of his friend
By more than woman’s jealousy
Brought thus to a disgraceful end-
He rolled his eye with stern regard
Upon the gentle ministrel bard,
And said in tones abrupt, austere-
‘Why, Bracy! dost thou loiter here?
I bade thee hence!’ The bard obeyed;
And turning from his own sweet maid,
The aged knight, Sir Leoline,
Led forth the lady Geraldine!
THE CONCLUSION TO PART II
A little child, a limber elf,
Singing, dancing to itself,
A fairy thing with red round cheeks,
That always finds, and never seeks,
Makes such a vision to the sight
As fills a father’s eyes with light;
And pleasures flow in so thick and fast
Upon his heart, that he at last
Must needs express his love’s excess
With words of unmeant bitterness.
Perhaps ’tis pretty to force together
Thoughts so all unlike each other;
To mutter and mock a broken charm,
To dally with wrong that does no harm.
Perhaps ’tis tender too and pretty
At each wild word to feel within
A sweet recoil of love and pity.
And what, if in a world of sin
(O sorrow and shame should this be true!)
Such giddiness of heart and brain
Comes seldom save from rage and pain,
So talks as it’s most used to do.
THE END

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And she was young and fair;
And forward on her shoulders fell
The heavy braids of hair:
No gold was ever dug from earth
Like that burnished there –
No sky so blue as were her eyes
Had man seen anywhere.
‘Twas so her gay court poets sang,
And we believed it true.
But men must fight for golden hair
And die for eyes of blue!
Cheer after cheer, the long half mile
(It has been ever thus),
And evermore her winsome smile
She turned and turned on us.
The Spring-burst over wood and sea,
The day was warm and bright –
Young Clarence stood on my left hand,
Old Withen on the right.
With fifteen thousand men, or more,
With plumes and banners gay,
To sail that day to foreign war,
And our ships swarmed on the bay.
Old Withen muttered in his beard I listened with a sigh –
‘Good Faith! for such a chit as that
Strong men must kill and die.
She’ll back to her embroideree,
And fools that bow and smirk,
And we must sail across the sea
And go to other work.
‘And wherefore? Wherefore,’ Withen said,
‘Is this red quarrel sought?
Because of clacking painted hags
And foreign fops at Court!
Because ’tis said a drunken king,
In lands we’ve never seen,
Said something foolish in his cups
Of our young silly queen!
‘Good faith! in her old great-aunt’s time
‘Twere different, I vow:
If old Dame Ruth were here, she’d get
Some sharp advising now!’
(At this a grim smile went about
For men could say in sooth
That none who’d seen her face could doubt
The fair fame of Dame Ruth.)
If Clarence heard, he said no word;
His soul was fresh and clean;
The glory in his boyish eyes
Was shining for his Queen!
And as she passed, he gazed as one
An angel might regard.
(Old Withen looked as if he’d like
To take and smack her hard.)
We only smiled at anything
That good old Withen said,
For he, half blind, through smoke and flame
Had borne her grandsire dead;
And he, in Virland’s danger time,
Where both her brothers died,
Had ridden to red victory
By her brave father’s side.
Queen Hilda rode along the lines
‘Mid thundering cheers the while,
And each man sought – and seemed to get –
Her proud and happy smile.
Queen Hilda little dreamed – Ah, me! –
On what dark miry plain,
And what blood-blinded eyes would see
Her girlish smile again!
Queen Hilda rode on through the crowd,
We heard the distant roar;
We heard the clack of gear and plank,
The sailors on the shore.
Queen Hilda sought her ‘bower’ to rest,
(For her day’s work was done),
We kissed our wives – or others’ wives –
And sailed ere set of sun.
(Some sail because they’re married men,
And some because they’re free –
To come or not come back agen,
And such of old were we.
Some sail for fame and some for loot
And some for love – or lust –
And some to fish and some to shoot
And some because they must.
(Some sail who know not why they roam
When they are come aboard,
And some for wives and loves at home,
And some for those abroad.
Some sail because the path is plain,
And some because they choose,
And some with nothing left to gain
And nothing left to lose.
(And we have sailed from Virland, we,
For a woman’s right or wrong,
And we are One, and One, and Three,
And Fifteen Thousand strong.
For Right or Wrong and Virland’s fame –
You dared us and we come
To write in blood a woman’s name
And take a letter home.)
PART II
King Death came riding down the lines
And broken lines were they,
With scarce a soldier who could tell
Where friend or foeman lay:
The storm cloud looming over all,
Save where the west was red,
And on the field, of friend and foe,
Ten thousand men lay dead.
Boy Clarence lay in slush and blood
With his face deathly white;
Old Withen lay by his left side
And I knelt at his right.
And Clarence ever whispered,
Though with dying eyes serene:
‘I loved her for her girlhood,.
Will someone tell the Queen?’
And this old Withen’s message,
When his time shortly came:
‘I loved her for her father’s sake
But I fought for Virland’s fame:
Go, take you this, a message
From me,’ Old Withen said,
‘Who knelt beside her father,
And his when they were dead:
‘I who in sport or council,
I who as boy and man,
Would aye speak plainly to them
Were it Court, or battle’s van –
(Nay! fear not, she will listen
And my words be understood,
And she will heed my message,
For I know her father’s blood.)
‘If shame there was – (I judge not
As I’d not be judged above:
The Royal blood of Virland
Was ever hot to love,
Or fight.) – the slander’s wiped out,
As witness here the slain:
But, if shame there was, then tell her
Let it not be again.’
At home once more in Virland
The glorious Spring-burst shines:
Queen Hilda rides right proudly
Down our victorious lines.
The gaps were filled with striplings,
And Hilda wears a rose:
And what the wrong or right of it
Queen Hilda only knows.
But, be it state or nation
Or castle, town, or shed,
Or be she wife or monarch
Or widowed or unwed –
Now this is for your comfort,
And it has ever been:
That, wrong or right, a man must fight
For his country and his queen.

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Who figured much about the town,
Had pass’d, with general approbation,
The modish forms of education;
Knew what was proper to be known,
The establish’d jargon of Bon-ton;
Had learnt, with very moderate reading,
The whole new system of good breeding:
He studied to be cold and rude,
Though native feeling would intrude.
Unlucky sense and sympathy,
Spoilt the vain thing he strove to be:
For Florio was not meant by nature,
A silly, or a worthless creature:
He had a heart disposed to feel,
Had life and spirit, taste and zeal;
Was handsome, generous; but, by fate,
Predestined to a large estate!
Hence, all that graced his opening days,
Was marr’d by pleasure, spoilt by praise.
The Destiny, who wove the thread
Of Florio’s being, sigh’d, and said,
‘Poor Youth! this cumbrous twist of gold,
More than my shuttle well can hold,
For which thy anxious fathers toil’d,
Thy white and even thread has spoil’d:
‘Tis this shall warp thy pliant youth
From sense, simplicity, and truth,
Thy erring sire, by wealth misled,
Shall scatter pleasures round thy head,
When wholesome discipline’s control,
Should brace the sinews of thy soul;
Coldly thou’lt toil for learning’s prize,
For why should he that’s rich be wise?’
The gracious Master of womankind,
Who knew us vain, corrupt, and blind,
In mercy, tho’ in anger said,
That man should earn his daily bread;
His lot inaction renders worse,
While labour mitigates the curse.
The idle, life’s worst burthens bear,
And meet, what toil escapes, despair.
Forgive, nor lay the fault on me,
This mixture of mythology;
The Muse of Paradise has deign’d
With truth to mingle fables feign’d;
And tho’ the Bard who would attain
The glories, Milton, of thy strain,
Will never reach thy style or thoughts,
He may be like thee — in thy faults.
Exhausted Florio, at the age
When youth should rush on glory’s stage;
When life should open fresh and new,
And ardent hope her schemes pursue;
Of youthful gayety bereft,
Had scarce an unbroach’d pleasure left;
He found already to his cost,
The shining gloss of life was lost;
And pleasure was so coy a prude,
She fled the more, the more pursued;
Or if, o’ertaken and caress’d
He loath’d and left her when possess’d.
But Florio knew the World; that science
Sets sense and learning at defiance;
He thought the World to him was known,
Whereas he only knew the Town
In men this blunder still you find,
All think their little set — Mankind.
Tho’ high renown the youth had gain’d,
No flagrant crimes his life had stain’d;
No tool of falsehood, slave of passion,
But spoilt by Custom and the Fashion.
Tho’ known among a certain set;
He did not like to be in debt!
He shudder’d at the dicer’s box,
Nor thought it very heterodox,
That tradesmen should be sometimes paid,
And bargains kept as well as made.
His growing credit, as a sinner,
Was that he liked to spoil a dinner;
Made pleasure and made business wait,
And still, by system, came too late;
Yet ’twas a hopeful indication,
On which to be found a reputation:
Small habits, well pursued betimes,
May reach the dignity of crimes.
And who a juster claim preferr’d,
Than one who always broke his word?
His mornings were not spent in vice,
‘Twas lounging, sauntering, eating ice:
Walk up and down St. James’s-Street,
Full fifty times the youth you’d meet:
He hated cards, detested drinking,
But stroll’d to shun the toil of thinking;
‘Twas doing nothing was his curse,
Is there a vice can plague us worse?
The wretch who digs the mine for bread,
Or ploughs, that others may be fed,
Feels less fatigue than that decreed
To him who cannot think, or read.
Not all the peril of temptations,
Not all the conflict of the passions,
Can quench the spark of glory’s flame,
Or quite extinguish Virtue’s name;
Like the true taste for genuine saunter,
Like sloth, the soul’s most dire enchanter.
The active fires that stir the breast,
Her poppies charm to fatal rest;
They rule in short and quick succession,
But Sloth keeps one long, fast possession;
Ambition’s reign is quickly clos’d,
Th’ usurper Rage is soon depos’d;
Intemperance, where there’s no temptation,
Makes voluntary abdication;
Of other tyrants short the strife,
But Indolence is king for life.
The despot twists with soft control,
Eternal fetters round the soul.
Yet tho’ so polish’d Florio’s breeding,
Think him not ignorant of reading;
For he to keep him from the vapours,
Subscrib’d at Hookham’s, saw the papers;
Was deep in poet’s-corner wit;
Knew what was in Italics writ;
Explain’d fictitious names at will,
Each gutted syllable could fill;
There oft, in paragraphs, his name
Gave symptom sweet of growing fame;
Tho’ yet they only serv’d to hint
That Florio lov’d to see in print,
His ample buckles’ alter’d shape,
His buttons chang’d, his varying cape.
And many a standard phrase was his
Might rival bore, or banish quiz;
The man who grasps this young renown,
And early starts for fashion’s crown;
In time that glorious prize may wield.
Which clubs, and ev’n Newmarket yield.
He studied while he dress’d, for true ’tis,
He read Compendiums, Extracts, Beauties,
Abreges, Dictionaires, Recueils,
Mercures, Journaux, Extraits, and Feuilles:
No work in substance now is follow’d,
The Chemic Extract only ‘s swallow’d.
He lik’d those literary cooks
Who skim the cream of others’ books;
And ruin half an Author’s graces,
By plucking bon-mots from their places;
He wonders any writing sells,
But these spic’d mushrooms and morells;
His palate these alone can touch,
Where every mouthful is bonne bouche.
Some phrase, that with the public took,
Was all he read of any book;
For plan, detail, arrangement, system,
He let them go, and never miss’d ’em.
Of each new Play he saw a part,
And all the Anas had my heart;
He found whatever they produce
Is fit for conversation-use;
Learning so ready for display,
A page would prime him for a day:
They cram not with a mass of knowledge,
Which smacks of toil, and smells of college,
Which in the memory useless lies,
Or only makes men — good and wise.
This might have merit once indeed,
But now for other ends we read.
A friend he had, Bellario hight,
A reasoning, reading, learned wight;
At least, with men of Florio’s breeding,
He was a prodigy of reading.
He knew each stale and vapid lie
In tomes of French Philosophy;
And then, we fairly may presume,
From Pyrrho down to David Hume,
‘Twere difficult to single out
A man more full of shallow doubt;
He knew the little sceptic prattle,
The sophist’s paltry arts of battle;
Talk’d gravely of the Atomic dance,
Of moral fitness, fate, and chance;
Admired the system of Lucretius,
Whose matchless verse makes nonsense specious!
To this his doctrine owes its merits,
Like poisonous reptiles kept in spirits.
Though sceptics dull his schemes rehearse,
Who have not souls to taste his verse.
Bellario founds his reputation
On dry, stale jokes, about Creation;
Would prove, by argument circuitous,
The combination was fortuitous.
Swore Priests’ whole trade was to deceive,
And prey on bigots who believe;
With bitter ridicule could jeer,
And had the true free-thinking jeer.
Grave arguments he had in store,
Which have been answer’d o’er and o’er;
And used, with wondrous penetration
The trite old trick of false citation;
From ancient Authors fond to quote
A phrase or thought they never wrote.
Upon his highest shelf there stood
The Classics neatly cut in wood;
And in a more commodious station,
You’d found them in a French translation:
He swears, ’tis from the Greek he quotes,
But keeps the French — just for the notes.
He worshipp’d certain modern names
Who History write in Epigrams,
In pointed periods, shining phrases,
And all the small poetic daisies,
Which crowd the pert and florid style,
Where fact is dropt to raise a smile;
Where notes indecent or profane
Serve to raise doubts, but not explain:
Where all is spangle, glitter, show,
And truth is overlaid below:
Arts scorn’d by History’s sober muse
Arts Clarendon disdain’d to use.
Whate’er the subject of debate,
‘Twas larded still with sceptic prate;
Begin whatever theme you will,
In unbelief he lands you still;
The good, with shame I speak it, feel
Not half this proselyting zeal;
While cold their Master’s cause to own
Content to go to Heaven alone;
The infidel in liberal trim,
Would carry all the World with him;
Would treat his wife, friend, kindred, nation,
Mankind — with what? — Annihilation.
Though Florio did not quite believe him,
He thought, why should a friend deceive him?
Much as he prized Bellario’s wit,
He liked not all his notions yet;
He thought him charming, pleasant, odd,
But hoped one might believe in God;
Yet such the charms that graced his tongue,
He knew not how to think him wrong.
Though Florio tried a thousand ways,
Truth’s insuppressive torch would blaze;
Where once her flame was burnt, I doubt
If ever it go fairly out.
Yet, under great Bellario’s care,
He gain’d each day a better air;
With many a leader of renown,
Deep in the learning of the Town,
Who never other science knew,
But what from that prime source they drew;
Pleased to the Opera, they repair,
To get recruits of knowledge there,
Mythology gain at a glance,
And learn the Classics from a dance:
In Ovid they ne’er cared a groat,
How fared the venturous Argonaut;
Yet charm’d they see Medea rise
On fiery dragons to the skies.
For Dido, though they never knew her
As Maro’s magic pencil drew her,
Faithful and fond, and broken-hearted,
Her pious vagabond departed;
Yet, for Didone how they roar!
And Cara! Cara! loud encore.
One taste, Bellario’s soul possess’d,
The master passion of his breast;
It was not one of those frail joys,
Which, by possession, quickly cloys;
This bliss was solid, constant, true;
‘Twas action, and ’twas passion too;
For though the business might be finish’d,
The pleasure scarcely was diminish’d;
Did he ride out, or sit, or walk?
He lived it o’er again in talk;
Prolong’d the fugitive delight,
In words by day, in dreams by night.
‘Twas eating did his soul allure,
A deep, keen, modish Epicure;
Though once his name, as I opine,
Meant not such men as live to dine.
Yet all our modern Wits assure us,
That’s all they know of Epicurus:
They fondly fancy, that repletion
Was the chief good of that famed Grecian.
To live in gardens full of flowers,
And talk philosophy in bowers.
Or, in the covert of a wood,
To descant on the sovereign good,
Might be the notion of their founder,
But they have notions vastly sounder;
Their bolder standards they erect,
To form a more substantial sect;
Old Epicurus would not own ’em,
A dinner is their summum bonum.
More like you’ll find such sparks as these
To Epicurus’ deities;
Like them they mix not with affairs,
But loll and laugh at human cares,
To beaux this difference is allow’d,
They choose a sofa for a cloud;
Bellario had embraced with glee,
This practical philosophy.
Young Florio’s father had a friend,
And ne’er did Heaven a worthier send;
A cheerful knight of good estate,
Whose heart was warm, whose bounty great.
Where’er his wide protection spread,
The sick were cheer’d the hungry fed;
Resentment vanish’d where he came,
And law-suits fled before his name:
The old esteem’d, the young caress’d him,
And all the smiling village bless’d him.
Within his castle’s Gothic gate,
Sate plenty, and old-fashion’d State:
Scarce Prudence could his bounties stint;
Such characters are out of print;
O! would kind Heaven, the age to mend,
A new edition of them send,
Before our tottering Castles fall,
And swarming Nabobs seize on all!
Some little whims he had, ’tis true,
But they were harmless, and were few;
He dreaded nought like alteration,
Improvement still was innovation;
He said, when any change was brewing,
Reform was a fine name for ruin;
This maxim firmly he would hold,
‘That always must be good that’s old.’
The acts which dignify the day
He thought portended its decay:
And fear’d ‘twould show a falling State,
If Sternhold should give way to Tate:
The Church’s downfal he predicted,
Were modern tunes not interdicted;
He scorn’d them all, but crown’d with palm
The man who set the hundredth Psalm.
Of moderate parts, of moderate wit,
But parts for life and business fit,
Whate’er the theme, he did not fail,
At Popery and the French to rail;
And started wide, with fond digression,
To praise the Protestant succession;
Of Blackstone he had read a part,
And all Burns’ Justice knew by heart.
He thought man’s life too short to waste
On idle things call’d wit and taste.
In books that he might lose no minute,
His very verse had business in it.
He ne’er had heard of Bards of Greece,
But had read half of Dyer’s Fleece.
His sphere of knowledge still was wider,
His Georgics, ‘Philips upon Cyder;’
He could produce in proper place,
Three apt quotations from the ‘Chace,’
Ad in the hall from day to day,
Old Isaac Walton’s Angler lay.
This good and venerable knight,
One daughter had, his soul’s delight;
For face, no mortal could resist her,
She smiled like Hebe’s youngest sister;
Her life, as lovely as her face,
Each duty mark’d with every grace;
Her native sense improved by reading,
Her native sweetness by good-breeding:
She had perused each choicer sage
Of ancient date, or later age;
But her best knowledge still she found
On sacred, not on Classic ground;
‘Twas thence her noblest stores she drew,
And well she practised what she knew.
Let by Simplicity divine,
She pleased, and never tried to shine;
She gave to chance each unschool’d feature,
And left her cause to sense and Nature.
The Sire of Florio, ere he died,
Decreed fair Celia Florio’s bride;
Bade him his latest wish attend,
And win the daughter of his friend;
When the last rites to him were paid,
He charged him to address the maid;
Sir Gilbert’s heart the wish approved,
For much his ancient friend he loved.
Six rapid months like lightning fly,
And the last gray was now thrown by;
Florio, reluctant, calls to mind
The orders of a Sire too kind;
Yet go he must; he must fulfil
The hard conditions of the will:
Go, at that precious hour of prime,
Go, at that swarming, bustling time,
When the full town to joy invites,
Distracted with its own delights;
When pleasure pours from her full urn,
Each tiresome transport in its turn;
When Dissipation’s altars blaze,
And men run mad a thousand ways;
When, on his tablets, there were found
Engagements for full six weeks round;
Must leave, with grief and desperation,
Three packs of cards of invitation,
And all the ravishing delights
Of slavish days, and sleepless nights.
Ye nymphs, whom tyrant Power drags down,
With hand despotic, from the town,
When Almack’s doors wide open stand,
And the gay partner’s offer’d hand
Courts to the dance; when steaming rooms
Fetid with unguents and perfumes,
Invite you to the mobs polite
Of three sure balls in one short night;
You may conceive what Florio felt,
And sympathetically melt;
You may conceive the hardship dire,
To lawns and woodlands to retire,
When freed from Winter’s icy chain,
Glad Nature revels on the plain;
When blushing Spring leads on the hours,
And May is prodigal of flowers;
When Passion warbles through the grove,
And all is song, and all is love;
When new-born breezes sweep the vale,
And health adds fragrance to the vale.
PART II.
Six boys, unconscious of their weight,
Soon lodged him at Sir Gilbert’s gate;
His trusty Swiss, who flew still faster,
Announced the arrival of his Master:
So loud the rap which shook the door,
The hall re-echoed to the roar;
Since first the castle walls were rear’d,
So dread a sound had ne’er been heard;
The din alarm’d the frighten’d deer
Who in a corner slunk for fear,
The Butler thought ’twas beat of drum,
The Steward swore the French were come;
It ting’d with red Poor Florio’s face,
He thought himself in Portland-Place.
Short joy! he enter’d, and the gate
Closed on him with its ponderous weight.
Who, like Sir Gilbert, now was blest?
With rapture he embraced his guest.
Fair Celia blush’d, and Florio utter’d
Half sentences, or rather mutter’d
Disjointed words — as, ‘honour! pleasure!
‘Kind! — vastly good, Ma’am! — beyond measure:’
Tame expletives, with which dull Fashion
Fills vacancies of sense and passion.
Yet, though disciple of cold Art,
Florio soon found he had a heart,
He saw; and but that Admiration
Had been too active, too like passion;
Or had he been to Ton less true,
Cupid had shot him through and through;
But, vainly speeds the surest dart,
Where Fashion’s mail defends the heart
The shaft her cold repulsion found,
And fell, without the power to wound;
For fashion, with a mother’s joy,
Dipp’d in her lake the darling boy;
That lake whose chilling waves impart
The gift to freeze the warmest heart:
Yet guarded as he was with phlegm,
With such delight he eyed the dame,
Found his cold heart so melt before her,
And felt so ready to adore her;
That fashion fear’d her son would yield,
And flew to snatch him from the field;
O’er his touch’d heart her AEgis threw,
The Goddess Mother straight he knew;
Her power he own’d, she saw and smiled,
And claim’d the triumph of her child.
Celia a table still supplied,
Which modish luxury might deride;
A modest feast the hope conveys,
The Master eats on other days;
While gorgeous banquets oft bespeak
A hungry household all the week;
And decent elegance was there,
And Plenty with her liberal air.
But vulgar Plenty gave offence,
And shock’d poor Florio’s nicer sense.
Patient he yielded to his fate,
When good Sir Gilbert piled his plate;
He bow’d submissive, made no question,
But that ’twas sovereign for digestion;
But, such was his unlucky whim,
Plain meats would ne’er agree with him;
Yet feign’d to praise the gothic treat,
And, if he ate not, seem’d to eat.
In sleep sad Florio hoped to find,
The pleasures he had left behind,
He dreamt, and, lo! to charm his eyes,
The form of Weltje seem’d to rise;
The gracious vision waved his wand,
And banquets sprung to Florio’s hand;
Th’ imaginary savours rose
In tempting odours to his nose.
A bell, not Fancy’s false creation,
Gives joyful ‘note of preparation;’
He starts, he wakes, the bell he hears;
Alas! it rings for morning prayers.
But how to spend next tedious morning,
Was past his possible discerning;
Unable to amuse himself,
He tumbled every well-ranged shelf;
This book was dull, and that was wise,
And this was monstrous as to size.
With eager joy he gobbled down
Whate’er related to the town;
Whate’er look’d small, whate’er look’d new,
Half-bound, or stitch’d in pink or blue;
Old play-bills, Astley’s last year’s feats,
And Opera disputes in sheets,
As these dear records meet his eyes,
Ghosts of departed pleasures rise;
He lays the book upon the shelf,
And leaves the day to spend itself.
To cheat the tedious hours, whene’er
He sallied forth to take the air,
His sympathetic ponies knew
Which way their Lord’s affections drew;
And, every time he went abroad,
Sought of themselves the London road:
He ask’d each mile of every clown,
How far they reckon’d it to town?
And still his nimble spirits rise,
Whilst thither he directs his eyes;
But when his coursers back he guides,
The sinking Mercury quick subsides.
A week he had resolved to stay,
But found a week in every day;
Yet if the gentle maid was by,
Faint pleasure glisten’d in his eye;
Whene’er she spoke, attention hung
On the mild accents of her tongue;
But when no more the room she graced,
The slight impression was effaced.
Whene’er Sir Gilbert’s sporting guests
Retail’d old news, or older jests,
Florio, quite calm, and debonair,
Still humm’d a new Italian air;
He did not even feign to hear them,
But plainly show’d he could not bear them.
Celia perceived his secret thoughts,
But liked the youth with all his thoughts,
Yet ’twas unlike, she softly said,
The tales of love which she had read,
Where heroes vow’d, and sigh’d, and knelt;
Nay, ’twas unlike the love she felt;
Though when her Sire the youth would blame,
She clear’d his but suspected fame,
Ventured to hope, with faultering tongue,
‘He would reform, he was but young;’
Confess’d his manners wrong in part,
‘But then — he had so good a heart!’
She sunk each fault, each virtue raised,
And still, where truth permitted, praised;
His interest farther to secure,
She praised his bounty to the poor;
For, votary as his he was of art,
He had a kind and melting heart;
Though, with a smile, he used to own
He had not time to feel in town;
Not that he blush’d to show compassion,–
It chanced that year to be the fashion.
And equally the modish tribe,
To Clubs or Hospitals subscribe.
At length, to wake Ambition’s flame,
A letter from Bellario came;
Announcing the supreme delight,
Preparing for a certain night,
By Flavia fair, return’d from France,
Who took him captive at a glance:
The invitations all were given!
Five hundred cards! — a little heaven!–
A dinner first — he would present him,
And nothing, nothing must prevent him.
Whosever wish’d a noble air,
Must gain it by an entree there;
Of all the glories of the town,
‘Twas the first passport to renown.
Then ridiculed his rural schemes,
His pastoral shades, and purling streams;
Sneer’d at his present brilliant life,
His polish’d Sire, and high-bred Wife!
Thus doubly to inflame, he tried,
His curiosity, and pride.
The youth, with agitated heart,
Prepared directly to depart;
But, bound in honour to obey
His father, at no distant day,
He promised soon to hasten down,
Though business call’d him now to town;
Then faintly hints a cold proposal–
But leaves it to the Knight’s disposal–
Stammer’d half words of love and duty,
And mutter’d much of — ‘worth and beauty;’
Something of ‘passion’ then he dropt,
‘And hoped his ardour’– Here he stopt;
For some remains of native truth
Flush’d in his face, and check’d the youth;
Yet still the ambiguous suffusion,
Might pass for artless love’s confusion.
The doating father thought ’twas strange,
But fancied men like times might change;
Yet own’d, nor could he check his tongue,
It was not so when he was young.
That was the reign of Love, he swore,
Whose halcyon days are now no more.
In that bless’d age, for honour famed,
Love paid the homage Virtue claim’d;
Not that insipid, daudling Cupid,
With heart so hard, and air so stupid,
Who coldly courts the charms which lie
In Affectation’s half closed eye.
Love then was honest, genuine passion,
And manly gallantry the fashion;
Yet pure as ardent was the flame
Excited by the beauteous dame;
Hope should subsist on slender bounties,
And Suitors gallop’d o’er two counties,
The Ball’s fair partner to behold,
Or humbly hope — she caught no cold.
But mark how much Love’s annals mend!
Should Beauty’s Goddess now descend;
On some adventure should she come,
To grace a modish drawing-room;
Spite of her form and heavenly air,
What Beau would hand her to her chair?
Vain were that grace, which, to her son,
Disclosed what Beauty had not done:
Vain were that motion which betray’d,
The goddess was no earth-born maid;
If noxious Faro’s baleful spright,
With rites infernal ruled the night,
The group absorb’d in play and pelf,
Venus might call her doves herself.
As Florio pass’d the Castle-gate,
His spirits seem to lose their weight;
He feasts his lately vacant mind
With all the joys he hopes to find;
Yet on whate’er his fancy broods,
The form of Celia still intrudes;
Whatever other sounds he hears,
The voice of Celia fills his ears;
Howe’er his random thoughts might fly,
Nor was the obstrusive vision o’er,
Even when he reach’d Bellario’s door;
The friends embraced with warm delight,
And Flavia’s praises crown’d the night.
Soon dawn’d the day which was to show
Glad Florio what was heaven below.
Flavia, admired wherever known,
The acknowledged Empress of bon-ton;
O’er Fashion’s wayward kingdom reigns,
And holds Bellario in her chains:
Various her powers; a wit by day,
By night unmatch’d for lucky play.
The flattering, fashionable tribe,
Each stray bon-mot to her ascribe;
And all her ‘little senate’ own
She made the best Charade in town;
Her midnight suppers always drew
Whate’er was fine, whate’er was new.
There oft the brightest fame you’d see
The victim of a repartee;
For slander’s Priestess still supplies
The Spotless for the sacrifice.
None at her polish’d table sit,
But who aspired to modish wit;
The persiflage, th’ unfeeling jeer,
The civil, grave, ironic sneer;
The laugh, which more than censure wounds,
Which, more than argument, confounds.
There the fair deed, which would engage
The wonder of a nobler age,
With unbelieving scorn is heard,
Or still to selfish ends referr’d;
If in the deed no flaw they find,
To some base motive ’tis assign’d;
When Malice longs to throw her dart,
But finds no vulnerable part,
Because the Virtues all defend,
At every pass, their guarded friend;
Then by one slight insinuation,
One scarce perceived exaggeration;
Sly Ridicule, with half a word,
Can fix her stigma of — absurd;
Nor care, nor skill, extracts the dart,
With which she stabs the feeling heart;
Her cruel caustics inly pain,
And scars indelible remain.
Supreme in wit, supreme in play,
Despotic Flavia all obey;
Small were her natural charms of face,
Till heighten’d with each foreign grace;
But what subdued Bellario’s soul
Beyond Philosophy’s control,
Her constant table was as fine
As if ten Rajahs were to dine;
She every day produced such fish as
Would gratify the nice Apicius,
Or realize what we think fabulous
I’ th’ bill of fare of Heliogabalus.
Yet still the natural taste was cheated,
‘Twas deluged in some sauce one hated.
‘Twas sauce! ’twas sweetmeat! ’twas confection!
All poignancy! and all perfection!
Rich Entrements, whose name none knows,
Ragouts, Tourtes, Tendrons, Fricandeaux,
Might picque the sensuality
O’ th’ hogs of Epicurus’ sty;
Yet all so foreign, and so fine,
‘Twas easier to admire, than dine.
O! if the Muse had power to tell
Each dish, no Muse has power to spell!
Great Goddess of the French Cuisine!
Not with unhallow’d hands I mean
To violate thy secret shade,
Which eyes profane shall ne’er invade;
No! of thy dignity supreme,
I, with ‘mysterious reverence,’ deem!
Or, should I venture with rash hand,
The vulgar would not understand;
None but th’ initiated know
The raptures keen thy rites bestow.
Thus much to tell I lawful deem,
Thy works are never what they seem;
Thy will this general law has past,
That nothing of itself shall taste.
Thy word this high decree enacted,
‘In all be Nature counteracted!’
Conceive, who can, the perfect bliss,
For ’tis not given to all to guess,
The rapturous joy Bellario found,
When thus his every wish was crown’d.
To Florio, as the best of friends,
One dish he secretly commends;
Then hinted, as a special favour,
What gave it that delicious flavour;
A mystery he so much reveres,
He never to unhallow’d ears
Would trust it, but to him would show
How far true Friendship’s power could go.
Florio, though dazzled by the fete,
With far inferior transport eat;
A little warp his taste had gain’d,
Which, unperceived, till now, remain’d;
For, from himself he would conceal
The change he did not choose to feel;
He almost wish’d he could be picking
An unsophisticated chicken;
And when he cast his eyes around,
And not one simple morsel found,
O give me, was his secret wish,
My charming Celia’s plainest dish!
Thus Nature, struggling for her rights,
Lets in some little, casual lights,
And Love combines to war with Fashion,
Though yet ’twas but an infant passion;
The practised Flavia tried each art
Of sly attack to steal his heart;
Her forced civilities oppress,
Fatiguing through mere graciousness;
While many a gay, intrepid dame,
By bold assault essay’d the same.
Fill’d with disgust, he strove to fly
The artful glance and fearless eye;
Their jargon now no more he praises,
Nor echoes back their flimsy phrases.
He felt not Celia’s powers of face,
Till weigh’d against bon-ton grimage;
Nor half her genuine beauties tasted,
Till with factitious charms contrasted.
Th’ industrious harpies hover’d round,
Nor peace nor liberty he found;
By force and flattery circumvented,
To play, reluctant, he consented;
Each Dame her power of pleasing tried,
To fix the novice by her side;
Of Pigeons, he the very best,
Who wealth, with ignorance, possest:
But Flavia’s rhetoric best persuades,
That Sibyl leads him to the shades;
The fatal leaves around the room,
Prophetic, tell th’ approaching doom!
Yet, different from the tale of old,
It was the fair one pluck’d the gold;
Her arts the ponderous purse exhaust;
A thousand borrow’d, staked, and lost,
Wakes him to sense and shame again,
Nor force, nor fraud, could more obtain.
He rose, indignant, to attend
The summons of a ruin’d friend,
Whom keen Bellario’s arts betray
To all the depths of desperate play;
A thoughtless youth who near him sate,
Was plunder’d of his whole estate;
Toll late he call’d for Florio’s aid,
A beggar in a moment made.
And now, with horror, Florio views
The wild confusion which ensues;
Marks how the Dames, of late so fair,
Assume a fierce demoniac air;
Marks where th’ infernal furies hold
Their orgies foul o’er heaps of gold;
And spirits dire appear to rise,
Guarding the horrid mysteries;
Marks how deforming passions tear
The bosoms of the losing fair;
How looks convulsed, and haggar’d faces
Chase the scared Loves and frighten’d Graces!
Touch’d with disdain, with horror fired,
Celia! he murmur’d, and retired.
That night no sleep his eyelids prest,
He thought; and thought ‘s a foe to rest:
Or if, by chance, he closed his eyes,
What hideous spectres round him rise!
Distemper’d Fancy wildly brings
The broken images of things;
His ruin’d friend, with eye-ball fixt,
Swallowing the draught Despair had mixt;
The frantic wife beside him stands,
With bursting heart, and wringing hands;
And every horror dreams bestow,
Of pining Want, or raving Woe.
Next morn, to check, or cherish thought,
His library’s retreat he sought;
He view’d each book, with cold regard,
Of serious sage, or lighter bard;
At length among the motley band,
The Idler fell into his hand;
Th’ alluring title caught his eye,
It promised cold inanity:
He read with rapture and surprise,
And found ’twas pleasant, though ’twas wise;
His tea grew cold, whilst he, unheeding,
Pursued this reasonable reading.
He wonder’d at the change he found,
Th’ elastic spirits nimbly bound;
Time slipt, without disgust, away,
While many a card unanswer’d lay;
Three papers, reeking from the press,
Three Pamphlets thin, in azure dress,
Ephemeral literature well known,
The lie and scandal of the town;
Poison of letters, morals, time!
Assassin of our day’s fresh prime!
These, on his table, half the day,
Unthought of, and neglected lay.
Florio had now full three hours read,
Hours which he used to waste in bed;
His pulse beat Virtue’s vigorous tone,
The reason to himself unknown;
And if he stopp’d to seek the cause,
Fair Celia’s image fill’d the pause.
And now, announced, Bellario’s name
Had almost quench’d the new-born flame:
‘Admit him,’ was the ready word
Which first escaped him not unheard;
When sudden to his mental sight,
Uprose the horrors of last night;
His plunder’d friend before him stands,
And — ‘not at home,’ his firm commands.
He felt the conquest as a joy
The first temptation would destroy.
He knew next day that Hymen’s hand,
Would tack the slight and slippery band,
Which, in loose bondage, would ensnare
Bellario bright and Flavia fair.
Oft had he promised to attend
The Nuptials of his happy friend:
To go — to stay — alike he fears;
At length a bolder flight he dares;
To Celia he resolves to fly,
And catch fresh virtue from her eye;
Though three full weeks did yet remain,
Ere he engaged to come again.
This plan he tremblingly embraced,
With doubtful zeal, and uttering haste;
Nor ventured he one card to read,
Which might his virtuous scheme impede;
Each note, he dreaded might betray him,
And shudder’d lest each rap should stay him.
Behold him seated in his chaise:
With face that self-distrust betrays;
He hazards not a single glance,
Nor through the glasses peeps by chance,
Lest some old friend, or haunt well known,
Should melt his resolution down.
Fast as his foaming coursers fly,
Hyde-Park attracts his half-raised eye;
He steals one fearful, conscious look,
Then drops his eye upon his book.
Triumphant he persists to go;
But gives one sigh to Rotten Row.
Long as he view’d Augusta’s towers
The sight relax’d his thinking powers;
In vain he better plans revolves,
While the soft scene his soul dissolves;
The towers once lost, his view he bends,
Where the receding smoke ascends;
But when nor smoke, nor towers arise,
To charm his heart or cheat his eyes;
When once he got entirely clear
From this enfeebling atmosphere;
His mind was braced, his spirits light,
His heart was gay, his humour bright;
Thus feeling, at his inmost soul,
The sweet reward of self-control.
Impatient now, and all alive,
He thought he never should arrive;
At last he spies Sir Gilbert’s trees;
Now the near battlements he sees;
The gates he enter’d with delight,
And, self-announced, embraced the knight:
The youth his joy unfeign’d express’d,
The knight with joy received his guest,
And own’d, with no unwilling tongue,
‘Twas done like men when he was young.
Three weeks subducted, went to prove,
A feeling like old-fashion’d love.
For Celia, not a word she said,
But blush’d, ‘celestial, rosy red!’
Her modest charms transport the youth,
Who promised everlasting truth.
Celia, in honour of the day,
Unusual splendour would display:
Such was the charm her sweetness gave,
He thought her Wedgwood had been seve;
Her taste diffused a gracious air,
And chaste Simplicity was there,
Whose secret power, though silent, great is,
The loveliest of the sweet Penates.
Florio, now present to the scene,
With spirits light and gracious mien,
Sir Gilbert’s port politely praises,
And carefully avoids French phrases;
Endures the daily dissertation
On Land-tax, and a ruin’d Nation;
Listens to many a tedious tale
Of poachers, who deserved a jail;
Heard of all the business of the Quorum,
Each cause and crime produced before ’em;
Heard them abuse with complaisance
The language, wines, and wits of France;
Nor did he hum a single air,
While good Sir Gilbert fill’d his chair.
Abroad, with joy and grateful pride
He walks, with Celia by his side:
A thousand cheerful thoughts arise,
Each rural scene enchants his eyes:
With transport he begins to look
On Nature’s all-instructive book;
No objects now seem mean, or low,
Which point to Him from whom they flow.
A berry or a bud excites
A chain of reasoning which delights,
Which, spite of sceptic ebullitions
Proves Atheists not the best Logicians.
A tree, a brook, a blade of grass,
Suggests reflections as they pass,
Till Florio, with a sigh, confest
The simplest pleasures are the best!
Bellario’s systems sink in air,
He feels the perfect, good, and fair.
As pious Celia raised the theme
To holy faith and love supreme;
Enlighten’d Florio learn’d to trace
In Nature’s God the God of Grace.
In wisdom as the convert grew,
The hours on rapid pinions flew;
When call’d to dress, that Titus wore
A wig the alter’d Florio swore;
Or else, in estimating time,
He ne’er had mark’d it as a crime,
That he had lost but one day’s blessing,
When we so many lose, by dressing.
The rest, suffice it now to say,
Was finish’d in the usual way.
Cupid impatient for his hour,
Reviled slow Themis’ tedious power,
Whose parchment legends, signing, sealing,
Are cruel forms for Love to deal in.
At length to Florio’s eager eyes,
Behold the day of bliss arise!
The golden sun illumes the globe,
The burning torch, the saffron robe,
Jus as of old, glad Hymen wears,
And Cupid as of old, appears
In Hymen’s train; so strange the case,
They hardly knew each other’s face;
Yet both confess’d with glowing heart,
They never were design’d to part;
Quoth Hymen, Sure you’re strangely slighted,
At weddings not to be invited;
The reason’s clear enough, quoth Cupid,
My company is thought but stupid,
Where Plutus is the favourite guest,
For he and I scarce speak at best.
The self-same sun which joins the twain
Sees Flavia sever’d from her swain:
Bellario sues for a divorce,
And both pursue their separate course.
Oh wedded love; Thy bliss how rare!
And yet the ill-assorted pair,
The pair who choose at Fashion’s voice,
Or drag the chain of venal choice,
Have little cause to curse the state;
Who make, should never blame their fate;
Such flimsy ties, say where’s the wonder,
If Doctors Commons snap asunder.
In either case, ’tis still the wife,
Gives cast and colour to the life.
Florio escaped from Fashion’s school,
His heart and conduct learns to rule;
Conscience his useful life approves;
He serves his God, his country loves;
Reveres her laws, protects her rights,
And, for her interests, pleads or fights:
Reviews with scorn his former life,
And, for his rescue, thanks his Wife.

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Sir Eldred was his name;
And never did a worthier wight
The rank of knighthood claim.
Where gliding Tay, her stream sends forth,
To feed the neighbouring wood,
The ancient glory of the North,
Sir Eldred’s castle stood.
The Knight was rich as Knight might be
In patrimonial wealth;
And rich in nature’s gifts was he,
In youth, and strength, and health.
He did not think, as some have thought,
Whom honour never crown’d,
The fame a father dearly bought,
Could make the son renown’d.
He better thought, a noble sire,
Who gallant deeds had done,
To deeds of hardihood should fire
A brave and gallant son.
The fairest ancestry on earth
Without desert is poor;
And every deed of former worth
Is but a claim for more.
Sir Eldred’s heart was ever kind,
Alive to Pity’s call;
A crowd of virtues grac’d his mind,
He loved, and felt for all.
When merit rais’d the sufferer’s name,
He shower’d his bounty then;
And those who could not prove that claim,
He succour’d still as men.
But sacred truth the Muse compels
His errors to impart;
And yet the Muse reluctant tells
The fault of Eldred’s heart.
The mild and soft as infant love
His fond affections melt;
Tho’ all that kindest spirits prove
Sir Eldred keenly felt:
Yet if the passions storm’d his soul,
By jealousy led on;
The fierce resentment scorn’d control,
And bore his virtues down.
Not Thule’s waves so wildly break
To drown the northern shore;
Not Etna’s entrails fiercer shake,
Or Scythia’s tempests roar.
As when in summer’s sweetest day
To fan the fragrant morn,
The sighing breezes softly stray
O’er fields of ripen’d corn;
Sudden the lightning’s blast descends,
Deforms the ravag’d fields;
At once the various ruin blends,
And all resistless yields.
But when, to clear his stormy breast,
The sun of reason shone,
And ebbing passions sunk to rest,
And show’d what rage had done:
O then what anguish he betray’d!
His shame how deep, how true!
He view’d the waste his rage had made,
And shudder’d at the view.
The meek-ey’d dawn, in saffron robe,
Proclaim’d the opening day,
Up rose the sun to gild the globe,
And hail the new-born May;
The birds their vernal notes repeat,
And glad the thickening grove,
And feather’d partners fondly greet
With many a song of love:
When pious Eldred early rose
The Lord of all to hail;
Who life with all its gifts bestows,
Whose mercies never fail!
That done — he left his woodland glade,
And journey’d far away;
He lov’d to court the distant shade,
And thro’ the lone vale stray.
Within the bosom of a wood,
By circling hills embrac’d,
A little, modest mansion stood,
Built by the hand of taste:
While many a prouder castle fell,
This safely did endure;
The house where guardian virtues dwell
Is sacred and secure.
Of Eglantine an humble fence
Around the mansion stood,
Which serv’d at once to charm the sense,
And screen an infant wood.
The wood receiv’d an added grace,
As pleas’d it bent to look,
And view’d its ever verdant face
Reflected in a brook:
The smallness of the stream did well
The master’s fortunes show;
But little streams may serve to tell
The source from which they flow.
This mansion own’d an aged Knight,
And such a man was he,
As heaven just shows to human sight,
To tell what man should be.
His youth in many a well-fought field
Was train’d betimes to war;
His bosom, like a well-worn shield,
Was grac’d with many a scar.
The vigour of a green old age
His reverend form did bear;
And yet, alas! the warrior-sage
Had drain’d the dregs of care.
And sorrow more than age can break,
And wound its hapless prey,
‘Twas sorrow furrow’d his firm cheek,
And turn’d his bright locks grey.
One darling daughter sooth’d his cares,
A young and beauteous dame,
Sole comfort of his failing years,
And Birtha was her name.
Her heart a little sacred shrine,
Where all the Virtues meet,
And holy Hope and Faith divine
Had claim’d it for their seat.
She lov’d to raise her fragrant bower
Of wild and rustic taste,
And there she screen’d each fav’rite flower
From ev’ry ruder blast:
And not a shrub or plant was there
But did some moral yield,
For wisdom, by a father’s care,
Was found in ev’ry field.
The trees, whose foliage fell away,
And with the summer died,
He thought an image of decay
Might lecture human pride:
While fair perennial greens that stood,
And brav’d the wintry blast,
As types of the fair mind he view’d,
Which shall for ever last.
He taught her that the gaudiest flowers
Were seldom fragrant found,
But, wasted soon their little powers,
Dropt useless on the ground:
While the sweet-scented rose shall last,
And still retain its power
When life’s imperfect day is past,
And beauty’s shorter hour.
And here the virgin lov’d to lead
Her inoffensive day,
And here she oft retir’d to read,
And oft retir’d to pray.
Embower’d, she grac’d the woodland shades,
From courts and cities far,
The pride of Caledonian maids,
The peerless northern star.
As shines that bright and lucid star,
The glory of the night,
When beaming thro’ the cloudless air,
She sheds her silver light:
So Birtha shone! — But when she spoke
The Muse herself was heard,
As on the ravish’d air she broke,
And thus her prayer preferr’d:
‘O bless thy Birtha, Power Supreme,
In whom I live and move,
And bless me most by blessing him
Whom more than life I love.’
She starts to hear a stranger’s voice,
And with a modest grace,
She lifts her meek eye in surprise,
And sees a stranger’s face:
The stranger lost in transport stood,
Bereft of voice and power,
While she with equal wonder view’d
Sir Eldred of the bower.
The virgin blush which spreads her cheek
With nature’s purest dye,
And all those dazzling beams which break
Like morning from her eye.
He view’d them all, and as he view’d,
Drank deeply of delight;
And still his raptur’d eye pursued,
And feasted on the sight.
With silent wonder long they gaz’d,
And neither silence broke;
At length the smother’d passion blaz’d,
Enamour’d Eldred spoke:
‘O sacred Virtue, heav’nly power!
Thy wondrous force I feel:
I gaze, I tremble, I adore,
Yet die my love to tell.
‘My scorn has oft the dart repell’d
Which guileful beauty threw;
But goodness heard, and grace beheld,
Must every heart subdue.’
Quick on the ground her eyes were cast,
And now as quickly rais’d:–
Just then her father haply past,
On whom she trembling gaz’d.
Good Ardolph’s eye his Birtha meets
With glances of delight;
And thus with courteous speech he greets
The young and graceful Knight:
‘O gallant youth, whoe’er thou art,
Right welcome to this place!
There’s something rises at my heart
Which says I’ve seen that face.’
‘Thou generous Knight,’ the youth rejoin’d,
‘Though little known to fame,
I trust I bear a grateful mind–
Sir Eldred is my name.’
‘Sir Eldred?’ — Ardolph loud exclaim’d,
‘Renown’d for worth and power?
For valour and for virtue famed,
Sir Eldred of the Bower?
‘Now make me grateful, righteous Heaven,
As thou art good to me,
Since to my aged eyes ’tis given
Sir Eldred’s son to see!’
Then Ardolph caught him by the hand,
And gazed upon his face,
And to his aged bosom strain’d,
With many a kind embrace.
Again he view’d him o’er and o’er,
And doubted still the truth,
And ask’d what he had ask’d before,
Then thus addrest the youth:
‘Come now beneath my roof, I pray,
Some needful rest to take,
And with us many a cheerful day
Thy friendly sojourn make.’
He enter’d at the gate straightway
Some needful rest to take;
And with them many a cheerful day
Did friendly sojourn make.
PART II.
Once — in a social summer’s walk,
The gaudy day was fled;
They cheated time with cheerful talk
When thus Sir Ardolph said:
‘Thy father was the firmest friend
That e’er my beign blest;
And every virtue heaven could send,
Fast bound him to my breast.
‘Together did we learn to bear
The casque and ample shield;
Together learn’d in many a war
The deathful spear to wield.
‘To make our union still more dear,
We both were doom’d to prove,
What is most sweet and most severe
In heart-dissolving love.
‘The daughter of a neighbouring Knight
Did my fond heart engage,
And ne’er did Heaven the virtues write
Upon a fairer page.
‘His bosom felt an equal qound,
Nor sigh’d we long in vain;
One summer’s sun beheld us bound
In Hymen’s holy chain.
‘Thou wast Sir Eldred’s only child,
Thy father’s darling joy;
On me a lovely daughter smiled,
On me a blooming boy.
‘But man has woes — has clouds of care,
That dim his star of life —
My arms received the little pair,
The earth’s cold breast my wife.
‘Forgive, thou gentle Knight, forgive,
Fond foolish tears will flow;
One day like mine thy heart may heave,
And mourn its lot of wo.
‘But grant, kind Heaven! thou ne’er may’st know
The pangs I now impart;
Nor ever feel the parting blow
That rives a husband’s heart.
‘Beside the blooming banks of Tay;
My angel’s ashes sleep;
And wherefore should her Ardolph stay
Except to watch and weep?
‘I bore my beauteous babes away
With many a gushing tear;
I left the blooming banks of Tay,
And brought my darlings here.
‘I watch’d my little household cares
And form’d their growing youth,
And fondly train’d their infant years
To piety and truth.’
‘Thy blooming Birtha here I see,’
Sir Eldred straight rejoin’d;
‘But why the son is not with thee,
Resolve my doubting mind.’
When Birtha did the question hear,
She sigh’d, but could not speak:
And many a soft and tender tear
Stray’d down her damask cheek.
Then pass’d o’er good Sir Ardolph’s face
A cast of deadly pale;
But soon composed with manly grace,
He thus renew’d his tale:
‘For him my heart too much has bled;
For him, my darling son,
Has sorrow prest my hoary head,
But Heaven’s high will be done!
‘Scarce eighteen winters had revolved,
To crown the circling year,
Before my valiant boy resolved
The warrior’s lance to bear.
‘For high I prized my native land,
Too dear his fame I held,
T’oppose a parent’s stern command,
And keep him from the field.
‘He left me — left his sister too,
Yet tears bedew’d his face —
What could a feeble old man do?
He burst from my embrace.
‘O thirst of glory, fatal flame!
O laurels dearly bought!
Yet sweet is death when earn’d with fame–
So virtuous Edwy thought.
‘Full manfully the brave boy strove,
Though pressing ranks oppose;
But weak the strongest arm must prove
Against an host of foes.
‘A deadly wound my son receives,
A spear assails his side:
Grief does not kill — for Adolph lives
To tell that Edwy died.
‘His long-loved mother died again
In Edwy’s parting groan;
I wept for her, yet wept in vain–
I wept for both in one.
‘I would have died — I sought to die,
But Heaven restrain’d the thought,
And to my passion-clouded eye
My helpless Birtha brought.
‘When lo! array’d in robes of light,
A nymph celestial came,
She clear’d the mists that dimm’d my sight–
Religion was her name.
‘She proved the chastisement divine,
And bade me kiss the rod:
She taught this rebel heart of mine
Submission to its God.
Religion taught me to sustain
What Nature bade me feel;
And Piety relieved the pain
Which Time can never heal.’
He ceased — with sorrow and delight
The tale Sir Eldred hears;
Then weeping cries — ‘Thou noble Knight,
For thanks accept my tears.
‘O Ardolph, might I dare aspire
To claim so bright a boon!–
Good old Sir Eldred was my sire–
And thou hast lost a son.
‘And though I want a worthier plea
To urge so dear a cause;
Yet let me to thy bosom be
What once thy Edwy was.
‘My trembling tongue its aid denies;
For thou may’st disapprove;
Then read it in my ardent eyes,
Oh! read the tale of love.
‘Thy beauteous Birtha!’ — ‘Gracious Power
How could I e’er repine,
Cries Ardolph, ‘since I see this hour?
Yes — Birtha shall be thine.’
A little transient gleam of red
Shot faintly o’er her face,
And every trembling feature spread
With sweet disorder’d grace.
The tender father kindly smiled
With fulness of content:
And fondly eyed his darling child,
Who, bashful, blush’d consent.
O then to paint the vast delight
That fill’d Sir Eldred’s heart,
To tell the transports of the Knight,
Would mock the Muse’s art.
But every kind and gracious soul,
Where gentle passions dwell,
Will better far conceive the whole,
Than any Muse can tell.
The more the Knight his Birtha knew,
The more he prized the maid;
Some worth each day produced to view,
Some grace each hour betray’d.
The virgin too was fond to charm
The dear accomplish’d youth;
His single breast she strove to warm,
And crown’d, with love, his truth.
Unlike the dames of modern days,
Who general homage claim;
Who court the universal gaze,
And pant for public fame.
Then beauty but on merit smiled,
Nor were her chaste smiles sold;
No venal father gave his child
For grandeur, or for gold.
The ardour of young Eldred’s flame
But ill could brook delay,
And oft he press’d the maid to name
A speedy nuptial day.
The fond impatience of his breast
‘Twas all in vain to hide,
But she his eager suit represt
With modest maiden pride.
When oft Sir Eldred press’d the day
Which was to crown his truth,
The thoughtful Sire would sigh and say,
‘O happy state of youth!
‘It little recks the woes which wait
To scare its dreams of joy;
Nor thinks to-morrow’s alter’d fate
May all those dreams destroy.
‘And though the flatterer Hope deceives,
And painted prospects shows;
Yet man, still cheated, still believes,
Till death the bright scene close.
‘So look’d my bride, so sweetly mild,
On me her beauty’s slave;
But whilst she look’d, and whilst she smiled,
She sunk into the grave.
‘Yet, O forgive an old man’s care
Forgive a father’s zeal:
Who fondly loves, must greatly fear;
Who fears, must greatly feel.
‘Once more in soft and sacred bands
Shall Love and Hymen meet;
To-morrow shall unite your hands,
And — be your bliss complete!’
The rising sun inflamed the sky,
The golden orient blush’d;
But Birtha’s cheeks a sweeter die,
A brighter crimson flush’d.
The Priest, in milk-white vestments clad,
Perform’d the mystic rite;
Love lit the hallow’d torch that led
To Hymen’s chaste delight.
How feeble language were to speak
Th’ immeasurable joy,
That fired Sir Eldred’s ardent cheek,
And triumph’d in his eye!
Sir Ardolph’s pleasure stood confest,
A pleasure all his own;
The guarded pleasure of a breast
Which many a grief had known.
‘Twas such a sober sense of joy
As Angels well might keep;
A joy chastised by piety,
A joy prepared to weep.
To recollect her scatter’d thought,
And shun the noon-tide hour,
The lovely bride in secret sought
The coolness of her Bower.
Long she remain’d — th’ enamour’d Knight,
Impatient at her stay;
And all unfit to taste delight
When Birtha was away;
Betakes him to the secret bower;
His footsteps softly move;
Impell’d by every tender power,
He steals upon his love.
O, horror! horror! blasting sight!
He sees his Birtha’s charms,
Reclined with melting fond delight,
Within a stranger’s arms.
Wild phrenzy fires his frantic hand;
Distracted at the sight,
He flies to where the lovers stand,
And stabs the stranger Knight.
‘Die, traitor, die! thy guilty flames
Demand th’ avenging steel!’–
‘It is my brother,’ she exclaims,
”Tis Edwy — Oh farewell.’
An aged peasant, Edwy’s guide,
The good old Ardolph sought;
He told him that his bosom’s pride,
His Edwy he had brought.
O how the father’s feelings melt!
How faint, and how revive!
Just so the Hebrew Patriarch felt,
To find his son alive.
‘Let me behold my darling’s face,
And bless him ere I die!’
Then with a swift and vigorous pace,
He to the bower did hie:
O sad reverse! — Sunk on the ground;
His slaughter’d son he view’d;
And dying Birtha, close he found,
In brother’s blood imbrued.
Cold, speechless, senseless, Eldred near
Gazed on the deed he had done;
Like the blank statue of Despair,
Or Madness graved in stone.
The father saw — so Jephthah stood,
So turn’d his wo-fraught eye,
When the dear destined child he view’d,
His zeal had doom’d to die.
He look’d the wo he could not speak,
And on the pale corse prest
His wan, discolour’d, dying cheek
And silent, sunk to rest.
Then Birtha faintly rais’d her eye,
Which long had ceased to stream,
On Eldred fix’d, with many a sigh,
Its dim departing beam.
The cold, cold dews of hastening death,
Upon her pale face stand;
And quick and short her failing breath,
And tremulous her hand.
The cold, cold dews of hastening death,
The dim departing eye,
The quivering hand, the short quick breath
He view’d — and did not die.
He saw her spirit mount in air,
Its kindred skies to seek!
His heart its anguish could not bear,
And yet it would not break.
The mournful Muse forbears to tell
How wretched Eldred died;
She draws the Grecian Painter’s veil,
The vast distress to hide.
* * * * * * * * * * * * * * * *
Yet Heaven’s decrees are just and wise,
And man is born to bear:
Joy is the portion of the skies,
Beneath them all is care.
Yet blame not Heaven; ’tis erring man,
Who mars his own best joys;
Whose passions uncontroll’d, the plan
Of promised bliss destroys.
Had Eldred paused, before the blow,
His hand had never err’d;
What guilt, what complicated wo,
His soul had then been spared!
The deadliest wounds with which we bleed,
Our crimes inflict alone;
Man’s mercies from God’s hand proceed,
His miseries from his own.

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From the burdened spray;
Heavy broods the damp mist
On Uplands far away;
Heavy looms the dull sky,
Heavy rolls the sea –
And heavy beats the young heart
Beneath that lonely Tree –
Never has a blue streak
Cleft the clouds since morn –
Never has his grim Fate
Smiled since he was born –
Frowning on the infant,
Shadowing childhood’s joy;
Guardian angel knows not
That melancholy boy.
Day is passing swiftly
Its sad and sombre prime;
Youth is fast invading
Sterner manhood’s time –
All the flowers are praying
For sun before they close,
And he prays too, unknowing,
That sunless human rose!
Blossoms, that the westwind
Has never wooed to blow,
Scentless are your petals,
Your dew as cold as snow –
Soul, where kindred kindness
No early promise woke,
Barren is your beauty
As weed upon the rock –
Wither, Brothers, wither,
You were vainly given –
Earth reserves no blessing
For the unblessed of Heaven!
Part II
Child of Delight! with sunbright hair
And seablue, sea-deep eyes;
Spirit of Bliss, what brings thee here,
Beneath these sullen skies?
Thou shouldest live in eternal spring,
Where endless day is never dim;
Why, seraph, has thy erring wing
Borne thee down to weep with him?
‘Ah, not from heaven am I descended,
And I do not come to mingle tears;
But sweet is day though with shadows blended;
And, though clouded, sweet are youthful years –
I, the image of light and gladness,
Saw and pitied that mournful boy;
And I swore to take his gloomy sadness,
And give to him my beamy joy –
‘Heavy and dark the night is closing;
Heavy and dark may its biding be;
Better for all from grief reposing,
And better for all who watch like me –
‘Guardian angel, he lacks no longer;
Evil fortune he need not fear;
Fate is strong–but Love is stronger,
And more unsleeping than angel’s care.
(May 28, 1845)
Emily’s name for these two poems in the Gondal saga was ‘A. E. and R. C’; it was Charlotte who gave them this title. The image of two children appears a number of times in Emily Brontë’s poetry as well as in her novel. In this poem, the ‘melancholy boy’ resembles Heathcliff and Hareton, while the ‘Child of Delight! with sunbright hair’ resembles Catherine Earnshaw and Cathy Linton; the poem hints that they are to redeem the ‘melancholy boy.’ The dark-light, male-female pair appears in the novel and in the Gondal saga as well.

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UNDER the shade of convent towers,
Where fast and vigil mark the hours,
From childhood into youth there grew
A maid as fresh as April dew,
And sweet as May’s ideal flowers,
Brighter than dawn in wind-swept skies,
Like children’s dreams most pure, unwise,
Yet with a slumbering soul-fire too,
That sometimes shone a moment through
Her wondrous unawakened eyes.
The nuns, who loved her coldly, meant
The twig should grow as it was bent;
That she, like them, should watch youth’s bier,
Should watch her day-dreams disappear,
And go the loveless way they went.
The convent walls were high and grey;
How could Love hope to find a way
Into that citadel forlorn,
Where his dear name was put to scorn,
Or called a sinful thing to say?
Yet Love did come; what need to tell
Of flowers downcast, that sometimes fell
Across her feet when dreamily
She paced, with unused breviary,
Down paths made still with August’s spell–
Of looks cast through the chapel grate,
Of letters helped by Love and Fate,
That to cold fingers did not come
But lay within a warmer home,
Upon her heart inviolate?
Somehow he loved her–she loved him:
Then filled her soul’s cup to the brim,
And all her daily life grew bright
With such a flood of rosy light
As turned the altar candles dim.
But love that lights is love that leads,
And lives upon the heart it feeds;
Soon grew she pale though not less fair,
And sighed his name instead of prayer,
And told her heart-throbs, not her beads.
How could she find the sunlight fair,
A sunlight that he did not share?
How could a rose smell sweet within
The cruel bars that shut her in,
And shut him out while she was there?
He vowed her fealty firm and fast,
Then to the winds her fears she cast;
They found a way to cheat the bars,
And in free air, beneath free stars,
Free, and with him, she stood at last.
‘Now to some priest,’ he said, ‘that he
May give thee–blessing us–to me.’
‘No priest,’ she cried in doubt and fear,
‘He would divide, not join us, dear.
I am mine–I give myself to thee.
‘Since thou and I are mine and thine,
What need to swear it at a shrine?
Would love last longer if we swore
That we would love for evermore?
God gives me thee–and thou art mine.’
‘God weds us now,’ he said, ‘yet still
Some day shall we all forms fulfil.
Eternal truth affords to smile
At laws wherewith man marks his guile,
Yet law shall join us–when you will.
‘So look your last, my love, on these
Forbidding walls and wooing trees.
Farewell to grief and gloom,’ said he;
‘Farewell to childhood’s joy,’ said she;
But neither said, ‘Farewell to peace.’
Song.
My sweet, my sweet,
She is complete
From dainty head to darling feet;
So warm and white,
So brown and bright,
So made for love and love’s delight.
God could but spare
One flower so fair,
There is none like her anywhere;
Beneath wide skies
The whole earth lies,
But not two other such brown eyes.
The world we’re in,
If one might win?
Not worth that dimple in her chin
A heaven to know?
I’ll let that go
But once to see her lids droop low
Over her eyes,
By love made wise:
To see her bosom fall and rise
Is more than worth
The angels’ mirth,
And all the heaven-joys of earth.
This is the hour
Which gives me power
To win and wear earth’s whitest flower.
Oh, Love, give grace,
Through all life’s ways
Keep pure this heart, her dwelling place.
II
The fields were reaped and the pastures bare,
And the nights grown windy and chill,
When the lovers passed through the beech woods fair,
And climbed the brow of the hill.
In the hill’s spread arm the Moat House lies
With elm and willow tree;
‘And is that your home at last?’ she sighs.
‘Our home at last,’ laughs he.
Across the bridge and into the hall
Where the waiting housefolk were.
‘This is my lady,’ he said to them all,
And she looked so sweet and fair
That every maid and serving-boy
God-blessed them then and there,
And wished them luck, and gave them joy,
For a happy, handsome pair.
And only the old nurse shook her head:
‘Too young,’ she said, ‘too young.’
She noted that no prayers were read,
No marriage bells were rung;
No guests were called, no feast was spread,
As was meet for a marriage tide;
The young lord in the banquet hall broke bread
Alone with his little bride.
Yet her old heart warmed to the two, and blessed,
They were both so glad and gay,
By to-morrow and yesterday unoppressed,
Fulfilled of the joy of to-day;
Like two young birds in that dull old nest,
So careless of coming care,
So rapt in the other that each possessed,
The two young lovers were.
He was heir to a stern hard-natured race,
That had held the Moat House long,
But the gloom of his formal dwelling place
Dissolved at her voice and song;
So bright, so sweet, to the house she came,
So winning of way and word,
The household knew her by one pet name,
‘My Lady Ladybird.’
First love so rarely gets leave to bring,
In our world where money is might,
Its tender buds to blossoming
With the sun of its own delight.
We love at rose or at vintage prime,
In the glare and heat of the day,
Forgetting the dawn and the violet time,
And the wild sweet scent of the may.
These loved like children, like children played,
The old house laughed with delight
At her song of a voice, at the radiance made
By her dress’s flashing flight.
Up the dark oak stair, through the gallery’s gloom,
She ran like a fairy fleet,
And ever her lover from room to room
Fast followed her flying feet.
They gathered the buds of the late-lived rose
In the ordered garden ways,
They walked through the sombre yew-walled close
And threaded the pine woods maze,
They rode through woods where their horses came
Knee-deep through the rustling leaves,
Through fields forlorn of the poppies’ flame
And bereft of their golden sheaves.
In the mellow hush of October noon
They rowed in the flat broad boat,
Through the lily leaves so thickly strewn
On the sunny side of the moat.
They were glad of the fire of the beech-crowned hill,
And glad of the pale deep sky,
And the shifting shade that the willows made
On the boat as she glided by.
They roamed each room of the Moat House through
And questioned the wraiths of the past,
What legends rare the old dresses knew,
And the swords, what had wet them last?
What faces had looked through the lozenge panes,
What shadows darkened the door,
What feet had walked in the jewelled stains
That the rich glass cast on the floor?
She dressed her beauty in old brocade
That breathed of loss and regret,
In laces that broken hearts had swayed,
In the days when the swords were wet;
And the rubies and pearls laughed out and said,
‘Though the lovers for whom we were set,
And the women who loved us, have long been dead,
Yet beauty and we live yet.’
When the wild white winter’s spectral hand
Effaced the green and the red,
And crushed the fingers brown of the land
Till they grew death-white instead,
The two found cheer in their dark oak room,
And their dreams of a coming spring,
For a brighter sun shone through winter’s gloom
Than ever a summer could bring.
They sat where the great fires blazed in the hall,
Where the wolf-skins lay outspread,
The pictured faces looked down from the wall
To hear his praise of the dead.
He told her ghostly tales of the past,
And legends rare of his house,
Till she held her breath at the shade fire-cast,
And the scamper-rush of the mouse,
Till she dared not turn her head to see
What shape might stand by her chair–
Till she cried his name, and fled to his knee,
And safely nestled there.
Then they talked of their journey, the city’s crowd,
Of the convent’s faint joy and pain,
Till the ghosts of the past were laid in the shroud
Of commonplace things again.
So the winter died, and the baby spring,
With hardly voice for a cry,
And hands too weak the signs to bring
That all men might know her by,
Yet woke, and breathed through the soft wet air
The promise of all things dear,
And poets and lovers knew she was there,
And sang to their hearts, ‘She is here.’
Song.
Soft is the ground underfoot,
Soft are the skies overhead,
Green is the ivy round brown hedge root,
Green is the moss where we tread.
Purple the woods are, and brown;
The blackbird is glossy and sleek,
He knows that the worms are no more kept down
By frost out of reach of his beak.
Grey are the sheep in the fold,
Tired of their turnip and beet,
Dreaming of meadow and pasture and wold,
And turf the warm rain will make sweet.
Leaves sleep, no bud wakens yet,
But we know by the song of the sun,
And the happy way that the world smiles, wet,
That the spring–oh, be glad!–is begun.
What stirs the heart of the tree?
What stirs the seed the earth bears?
What is it stirring in you and in me
Longing for summer, like theirs?–
Longing you cannot explain,
Yearning that baffles me still!
Ah! that each spring should bring longings again
No summer can ever fulfil!
III
When all the world had echoed the song
That the poet and lover sang,
When ‘Glory to spring,’ sweet, soft, and strong,
From the ferny woods outrang,
In wet green meadow, in hollow green,
The primrose stars outshone,
And the bluebells balanced their drooping sheen
In copses lovely and lone.
The green earth laughed, full of leaf and flower,
The sky laughed too, full of sun;
Was this the hour for a parting hour,
With the heaven of spring just won?
The woods and fields were echoing
To a chorus of life and bliss.
Oh, hard to sting the face of the spring
With the smart of a parting kiss!
A kinsman ailing, a summons sent
To haste to his dying bed.
‘Oh, cruel sentence of banishment!
For my heart says ‘Go’!’ he said.
‘So now good-bye to my home, my dear,
To the spring we watched from its birth;
There is no spring, oh, my sweet, but here,
‘Tis winter all over the earth.
‘But I come again, oh, spring of my life,
You hold the cord in your hand
That will draw me back, oh, my sweetheart wife,
To the place where your dear feet stand;
But a few short days, and my arms shall be
Once more round your little head,
And you will be weeping glad tears with me
On the grave of our parting, dead!
‘I leave you my heart for a short short while,
It will ache if ’tis wrapped in fears;
Keep it safe and warm in the sun of your smile,
Not wet with the rain of your tears.
Be glad of the joy that shall soon be won,
Be glad to-day, though we part;
You shall weep for our parting when parting is done,
And drop your tears on my heart.’
Song.
Good-bye, my love, my only dear, I know your heart is true
And that it lingers here with me while mine fares forth with you.
We part? Our hearts are almost one, and are so closely tied
‘Tis yours that stirs my bosom-lace, mine beats against your side.
So not at losing you I grieve, since heart and soul stay here,
But all the gladness of my life, I cry to lose it, dear;
Warmth of the sun, sweet of the rose, night’s rest and light of day,
I mourn for these, for if you go, you take them all away.
You are sad too–not at leaving me, whose heart must with you go,
But at the heaven you leave behind–ah, yes–you told me so,
You said wherever you might go you could not ever find
A spring so sweet, love so complete, as these you leave behind.
No future joy will ever pay this moment’s bitter ache,
Yet I am glad to be so sad, since it is for your sake.
You take so much, I do but wish that you could take the whole,
Could take me, since you take my rest, my light, my joy, my soul.
Song.
Oh, love, I leave
This springtide eve,
When woods in sunset shine blood-red;
The long road lies
Before my eyes,
My horse goes on with even tread.
I dare not turn
These eyes that burn
Back to the terrace where you lean;
If I should see
Your tears for me,
I must turn back to dry them, O my queen!
Yet I must go,
Fate has it so,
Duty spoke once, and I obey;
Sadly I rise,
Leave paradise,
And turn my face the other way.
Nothing is dear
On earth but here,
There is no joy away from you;
What though there be
New things to see,
New friends, new faces, and adventures new?
Yet since I may
Not with you stay,
Hey for the outer world of life!
Brace limbs, shake rein,
And seek again
The hurry, jostle, jar and strife.
Hey for the new!
Yet, love, for you–
I have loved you so–the last hand-kiss.
How vast a world
Lies here unfurled!
How small, if sweet, home’s inner round of bliss!
The road bends right,
Leads out of sight,
Here I may turn, nor fear to see;
So far away,
One could not say
If you are weeping now for me.
Behind this eve
My love I leave,
The big bright world spreads out before;
Yet will I come,
To you and home,
Oh, love, and rest beneath your yoke once more.
IV
She stood upon the terrace, gazing still
Down the long road to watch him out of sight,
Dry-eyed at first, until the swelling hill
Hid him. Then turned she to the garden bright,
Whose ways held memories of lover’s laughter,
And lover’s sadness that had followed after,
Both born of passion’s too intense delight.
The garden knew her secrets, and its bowers
Threw her her secrets back in mocking wise;
”Twas here he buried you in lilac flowers.
Here while he slept you covered up his eyes
With primroses. They died; and by that token
Love, like a flower whose stalk has once been broken,
Will live no more for all your tears and sighs.’
The sundial that had marked their happy hours
Cried out to her, ‘I know that he is gone;
So many twos have wreathed me round with flowers,
And always one came afterwards alone,
And always wept–even as you are weeping.
The flowers while they lived were cold, shade keeping,
But always through the tears the sun still shone.’
She left the garden; but the house still more
Whispered, ‘You love him–he has gone away.’
Where fell her single footstep sighed the floor,
‘Another foot than yours fell here to-day.’
The very hound she stroked looked round and past her,
Then in her face, and whined, ‘Where is our master?’
The whole house had the same one thing to say.
Empty, without its soul, disconsolate,
The great house was: through all the rooms went she,
And every room was dark and desolate,
Nothing seemed good to do or good to see.
At last, upon the wolf-skins, worn with weeping,
The old nurse found her, like a tired child, sleeping
With face tear-stained, and sobbing brokenly.
Wearily went the days, all sad the same,
Yet each brought its own added heaviness.
Why was it that no letter from him came
To ease the burden of her loneliness?
Why did he send no message, word, or greeting,
To help her forward to their day of meeting,
No written love–no black and white caress?
At last there came a letter, sweet but brief,
‘He was so busy–had no time for more.’
No time! She had had time enough for grief,
There never had been so much time before;
And yet the letter lay within her bosom,
Pressed closely to her breathing beauty’s blossom,
Worn for a balm, because her heart was sore.
She knew not where he stayed, and so could send,
Of all the letters that she wrote, not one;
Hour after soft spring hour the child would spend
In pouring out her soul, for, once begun,
The tale of all her love and grief flowed over
Upon the letters that she wrote her lover,
And that the fire read when the tale was done.
And yet she never doubted he would come,
If not before, yet when a baby’s eyes
Should look for him, when his deserted home
Should waken to a baby’s laughs and cries.
‘He judges best–perhaps he comes to-morrow,
But come he will, and we shall laugh at sorrow
When in my arms our little baby lies.’
And in the August days a soft hush fell
Upon the house–the old nurse kept her place
Beside the little wife–and all was well;
After rapt anguish came a breathing space,
And she, mid tears and smiles, white-faced, glad-eyed,
Felt her wee baby move against her side,
Kissed its small hands, worshipped its tiny face.
Song.
Oh, baby, baby, baby dear,
We lie alone together here;
The snowy gown and cap and sheet
With lavender are fresh and sweet;
Through half-closed blinds the roses peer
To see and love you, baby dear.
We are so tired, we like to lie
Just doing nothing, you and I,
Within the darkened quiet room.
The sun sends dusk rays through the gloom,
Which is no gloom since you are here,
My little life, my baby dear.
Soft sleepy mouth so vaguely pressed
Against your new-made mother’s breast,
Soft little hands in mine I fold,
Soft little feet I kiss and hold,
Round soft smooth head and tiny ear,
All mine, my own, my baby dear.
And he we love is far away!
But he will come some happy day.
You need but me, and I can rest
At peace with you beside me pressed.
There are no questions, longings vain,
No murmuring, nor doubt, nor pain,
Only content and we are here,
My baby dear.
PART II
I
While winged Love his pinions folded in the Moat House by the hill,
In the city there was anger, doubt, distrust, and thoughts of ill;
For his kinsmen, hearing rumours of the life the lovers led,
Wept, and wrung their hands, and sorrowed–‘Better that the lad were dead
Than to live thus–he, the son of proudest man and noblest earl–
Thus in open sin with her, a nameless, shameless, foreign girl.’
(Ever when they thus lamented, ’twas the open sin they named,
Till one wondered whether sinning, if less frank, had been less blamed.)
”Tis our duty to reclaim him–mate him to a noble bride
Who shall fitly grace his station, and walk stately by his side–
Gently loose him from the fetters of this siren fair and frail
(In such cases time and absence nearly always will prevail).
He shall meet the Duke’s fair daughter–perfect, saintly Lady May–
Beauty is the surest beacon to a young man gone astray!
Not at all precipitately, but with judgment sure and fine,
We will rescue and redeem him from his shameful husks and swine.
So–his uncle’s long been ailing (gout and dropsy for his sins)–
Let that serve for pretext; hither bring the youth–his cure begins.’
So they summoned him and welcomed, and their utmost efforts bent
To snatch back a brand from burning and a soul from punishment–
Sought to charm him with their feastings, each more sumptuous than the last,
From his yearning recollections of his very sinful past–
Strove to wipe his wicked doings from his memory’s blotted
By the chaster, purer interests of the ball-room and the stage.
And for Lady May–they hinted to the girl, child-innocent,
That her hand to save the sinner by her Saviour had been sent,
That her voice might bring his voice her Master’s triumph choir to swell,
And might save a man from sorrow and a human soul from hell.
So she used her maiden graces, maiden glances, maiden smiles,
To protect the erring pilgrim from the devil’s subtle wiles–
Saw him daily, sent him letters, pious verses by the score,
Every angel’s trap she baited with her sweet religious lore–
Ventured all she knew, not knowing that her beauty and her youth
Were far better to bait traps with than her odds and ends of truth.
First he listened, vain and flattered that a girl as fair as she
Should be so distinctly anxious for his lost humanity,
Yet determined no attentions, even from the Lady May,
Should delay his home-returning one unnecessary day.
But as she–heart-wrung with pity for his erring soul–grew kind,
Fainter, fainter grew the image of his sweetheart left behind;
Till one day May spoke of sorrow–prayed him to reform–repent,
Urged the festival in heaven over every penitent;
Bold in ignorance, spoke vaguely and low-toned of sin and shame,
And at last her voice, half breathless, faltered, broke upon his name,
And two tears fell from her lashes on the roses at her breast,
Far more potent in their silence than her preaching at its best.
And his weak soul thrilled and trembled at her beauty, and he cried,
‘Not for me those priceless tears: I am your slave–you shall decide.’
‘Save your soul,’ she sighed. ‘Was ever man so tempted, tried, before?
It is yours!’ and at the word his soul was lost for evermore.
Never woman pure and saintly did the devil’s work so well!
Never soul ensnared for heaven took a surer road to hell!
Lady May had gained her convert, loved him, and was satisfied,
And before the last leaves yellowed she would kneel down as his bride.
She was happy, and he struggled to believe that perfidy
Was repentance–reformation was not one with cruelty,
Yet through all congratulations, friends’ smiles, lovers’ flatteries,
Lived a gnawing recollection of the lost love harmonies.
In the day he crushed it fiercely, kept it covered out of sight,
But it held him by the heart-strings and came boldly out at night:
In the solemn truthful night his soul shrank shuddering from its lies,
And his base self knew its baseness, and looked full in its false eyes.
In the August nights, when all the sky was deep and toneless blue,
And the gold star-points seemed letting the remembered sunlight through,
When the world was hushed and peaceful in the moonlight’s searching white,
He would toss and cast his arms out through the silence and the night
To those eyes that through the night and through the silence came again,
Haunting him with the persistence and the passion of their pain.
‘Oh, my little love–my sweetheart–oh, our past–our sweet love-day–
Oh, if I were only true–or you were only Lady May!’
But the sunshine scared the vision, and he rose once more love-warm
To the Lady May’s perfections and his own proposed reform.
Coward that he was! he could not write and break that loving heart:
To the worn-out gouty kinsman was assigned that pleasing part.
‘Say it kindly,’ said her lover, ‘always friends–I can’t forget–
We must meet no more–but give her tenderest thought and all regret;
Bid her go back to the convent–she and I can’t meet as friends–
Offer her a good allowance–any terms to make amends
For what nought could make amends for–for my baseness and my sin.
Oh, I know which side the scale this deed of mine will figure in!
Curse reform!–she may forget me–’tis on me the burdens fall,
For I love her only, solely–not the Lady May at all!’
‘Patience,’ said the uncle, ‘patience, this is but the natural pain
When a young man turns from sinning to the paths of grace again.
Your wild oats are sown–you’re plighted to the noble Lady May
(Whose estates adjoin your manor in a providential way).
Do your duty, sir, for surely pangs like these are such as win
Pardon and the heavenly blessing on the sinner weaned from sin.’
Song.
Day is fair, and so is she
Whom so soon I wed;
But the night, when memory
Guards my sleepless bed,
And with cold hands brings once more
Thorns from rose-sweet days of yore–
Night I curse and dread.
Day is sweet, as sweet as her
Girlish tenderness;
But the night, when near me stir
Rustlings of a dress,
Echoes of a loving tone
Now renounced, forsworn, foregone,
Night is bitterness.
Day can stir my blood like wine
Or her beauty’s fire,
But at night I burn and pine,
Torture, turn and tire,
With a longing that is pain,
Just to kiss and clasp again
Love’s one lost desire.
Day is glad and pure and bright,
Pure, glad, bright as she;
But the sad and guilty night
Outlives day–for me.
Oh, for days when day and night
Equal balance of delight
Were alike to me!
In the day I see my feet
Walk in steadfast wise,
Following my lady sweet
To her Paradise,
Like some stray-recovered lamb;
But I see the beast I am
When the night stars rise.
Yet in wedding day there lies
Magic–so they say;
Ghosts will have no chance to rise
Near my Lady May.
Vain the hope! In good or ill
Those lost eyes will haunt me still
Till my dying day.
II
Quickly died the August roses, and the kin of Lady May
Dowered her richly, blessed her freely, and announced her wedding day;
And his yearnings and remorses fainter grew as days went on
‘Neath the magic of the beauty of the woman he had won;
And less often and less strongly was his fancy caught and crossed
By remembrance of the dearness of the woman he had lost.
Long sweet mornings in the boudoir where the flowers stood about,
Whisperings in the balcony when stars and London lamps came out,
Concerts, flower shows, garden parties, balls and dinners, rides and drives,
All the time-killing distractions of these fashionable lives;
Dreary, joyless as a desert, pleasure’s everlasting way,
But enchantment can make lovely even deserts, so they say,
Sandy waste, or waste of London season, where no green leaf grows,
Shone on but by love or passion, each will blossom like the rose!
Came no answer to the letter that announced his marriage day;
But his people wrote that Lady Ladybird had gone away.
So he sent to bid get ready to receive his noble wife.
Two such loving women granted to one man, and in one life!
Though he shuddered to remember with what ghosts the Moat House swarmed–
Ghosts of lovely days and dreamings ere the time when he reformed–
Yet he said, ‘She cannot surely greatly care, or I had heard
Some impulsive, passionate pleading, had some sorrowing written word;
She has journeyed to her convent–will be glad as ere I came,
Through her beauty’s dear enchantment, to a life of shameless shame;
And the memories of her dearness passion’s flaming sword shall slay,
When the Moat House sees the bridal of myself and Lady May!’
III
Bright the mellow autumn sunshine glows upon the wedding day;
Lawns are swept from leaves, and doorways are wreathed round with garlands gay,
Flowery arches span the carriage drive from grass again to grass,
Flowers are ready for the flinging when the wedded pair shall pass;
Bells are ringing, clanging, clamouring from the belfry ‘mid the trees,
And the sound rings out o’er woodlands, parks and gardens, lawns and leas;
All the village gay with banners waits the signal, ‘Here they come!’
To strew flowers, wave hats, drop curtseys, and hurra its ‘Welcome home!’
At the gates the very griffins on the posts are wreathed with green.
In their ordered lines wait servants for the pair to pass between;
But among them there is missing more than one familiar face,
And new faces, blank expectant, fill up each vacated place,
And the other servants whisper, ‘Nurse would wail to see this day,
It was well she left the service when ‘my Lady’ ran away.’
Louder, clearer ring the joy-bells through the shaken, shattered air,
Till the echoes of them waken in the hillside far and fair;
Level shine the golden sunbeams in the golden afternoon.
In the east the wan ghost rises of the silver harvest moon.
Hark! wheels was it? No, but fancy. Listen! No–yes–can you hear?
Yes, it is the coming carriage rolling nearer and more near!
Till the horse-hoofs strike the roadway, unmistakable and clear!
They are coming! shout your welcome to my lord and lady fair:
May God shower his choicest blessings on the happy wedded pair!
Here they are! the open carriage and surrounding dusty cloud,
Whence he smiles his proud acceptance of the homage of the crowd;
And my lady’s sweet face! Bless her! there’s a one will help the poor,
Eyes like those could never turn a beggar helpless from her door!
Welcome, welcome! scatter flowers: see, they smile–bow left and right,
Reach the lodge gates–God of heaven! what was that, the flash of white?
Shehas sprung out from the ambush of the smiling, cheering crowd:
‘Fling your flowers–here’s my welcome!’ sharp the cry rings out and loud.
Sudden sight of wild white face, and haggard eyes, and outstretched hands–
Just one heart-beat’s space before the bridal pair that figure stands,
Then the horses, past controlling, forward bound, their hoofs down thrust–
And the carriage wheels jolt over something bloody in the dust.
‘Stop her! Stop her! Stop the horses!’ cry the people all too late,
For my lord and Lady May have had their welcome at their gate.
‘Twas the old nurse who sprang to her, raised the brown-haired, dust-soiled head,
Looked a moment, closed the eyelids–then turned to my lord and said,
Kneeling still upon the roadway, with her arm flung round the dead,
While the carriage waited near her, blood and dust upon its wheels
(Ask my lord within to tell you how a happy bridegroom feels):
‘Now, my lord, you are contented; you have chosen for your bride
This same fine and dainty lady who is sitting by your side.
Did ye tell her ere this bridal of the girl who bore your shame,
Bore your love-vows–bore your baby–everything except your name?
When they strewed the flowers to greet you, and the banners were unfurled,
She has flung before your feet the sweetest flower in all the world!
Woe’s the day I ever nursed you–loved your lisping baby word,
For you grew to name of manhood, and to title of my lord;
Woe’s the day you ever saw her, brought her home to wreck her life,
Throwing by your human plaything, to seek out another wife.
God will judge, and I would rather be the lost child lying there,
With your babe’s milk in her bosom, your horse-hoof marks on her hair,
Than be you when God shall thunder, when your days on earth are filled,
‘Where is she I gave, who loved you, whom you ruined, left and killed?’
Murderer, liar, coward, traitor, look upon your work and say
That your heart is glad within you on your happy wedding day!
And for you, my noble lady, take my blessing on your head,
Though it is not like the blessing maidens look for when they wed.
Never bride had such a welcome, such a flower laid on her way,
As was given you when your carriage crushed her out of life to-day.
Take my blessing–see her body, see what you and he have done–
And I wish you joy, my lady, of the bridegroom you have won.’
Like a beaten cur, that trembles at the whistling of the lash,
He stands listening, hands a-tremble, face as pale as white wood ash;
But the Lady May springs down, her soul shines glorious in her eyes,
Moving through the angry silence comes to where the other lies,
Gazes long upon her silent, but at last she turns her gaze
On the nurse, and lips a-tremble, hands outstretched, she slowly says,
‘She is dead–but, but her baby–‘ all her woman’s heart is wild
With an infinite compassion for the little helpless child.
Then she turns to snatch the baby from the arms of one near by,
Holds it fast and looks towards him with a voiceless bitter cry,
As imploring him to loose her from some nightmare’s deadly bands.
Dogged looks he down and past her, and she sees and understands,
Then she speaks–‘I keep your baby–that’s my right in sight of men,
But by God I vow I’ll never see your dastard face again.’
So she turned with no word further towards the purple-clouded west,
And passed thither with his baby clasped against her maiden breast.
Little Ladybird was buried in the old ancestral tomb.
From that grave there streams a shadow that wraps up his life in gloom,
And he drags the withered life on, longs for death that will not come,
The interminable night hours riven by that ‘Welcome home!’
And he dares not leave this earthly hell of sharp remorse behind,
Lest through death not rest but hotter fire of anguish he should find.
Coward to the last, he will not risk so little for so much,
So he burns, convicted traitor, in the hell self-made of such:
And at night he wakes and shivers with unvanquishable dread
At the ghosts that press each other for a place beside his bed,
And he shudders to remember all the dearness that is dead.
Song.
I had a soul,
Not strong, but following good if good but led.
I might have kept it clean and pure and whole,
And given it up at last, grown strong with days
Of steadfast striving in truth’s stern sweet ways;
Instead, I soiled and smutched and smothered it
With poison-flowers it valued not one whit–
Now it is dead.
I had a heart
Most true, most sweet, that on my loving fed.
I might have kept her all my life, a part
Of all my life–I let her starve and pine,
Ruined her life and desolated mine.
Sin brushed my lips–I yielded at a touch,
Tempted so little, and I sinned so much,
And she is dead.
There was a life
That in my sin I took and chained and wed,
And made–perpetual remorse!–my wife.
In my sin’s harvest she must reap her share,
That makes its sheaves less light for me to bear.
Oh, life I might have left to bloom and grow!
I struck its root of happiness one blow,
And it is dead.
Once joy I had,
Now I have only agony instead,
That maddens, yet will never send me mad.
The best that comes is numbed half-sick despair,
Remembering how sweet the dear dead were.
My whole life might have been one clear joy song!
Now–oh, my heart, how still life is, how long,
For joy is dead.
Yet there is this:
I chose the thorns not grapes, the stones not bread;
I had my chance, they say, to gain or miss.
And yet I feel it was predestinate
From the first hour, from the first dawn of fate,
That I, thus placed, when that hour should arise,
Must act thus, and could not act otherwise.
This is the worst of all that can be said;
For hope is dead.

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(Thrown back from flowers) of Beauty’s eye,
As in those gardens where the day
Springs from the gems of Circassy-
O! nothing earthly save the thrill
Of melody in woodland rill-
Or (music of the passion-hearted)
Joy’s voice so peacefully departed
That like the murmur in the shell,
Its echo dwelleth and will dwell-
Oh, nothing of the dross of ours-
Yet all the beauty- all the flowers
That list our Love, and deck our bowers-
Adorn yon world afar, afar-
The wandering star.
‘Twas a sweet time for Nesace- for there
Her world lay lolling on the golden air,
Near four bright suns- a temporary rest-
An oasis in desert of the blest.
Away- away- ‘mid seas of rays that roll
Empyrean splendor o’er th’ unchained soul-
The soul that scarce (the billows are so dense)
Can struggle to its destin’d eminence,-
To distant spheres, from time to time, she rode
And late to ours, the favor’d one of God-
But, now, the ruler of an anchor’d realm,
She throws aside the sceptre- leaves the helm,
And, amid incense and high spiritual hymns,
Laves in quadruple light her angel limbs.
Now happiest, loveliest in yon lovely Earth,
Whence sprang the ‘Idea of Beauty’ into birth,
(Falling in wreaths thro’ many a startled star,
Like woman’s hair ‘mid pearls, until, afar,
It lit on hills Achaian, and there dwelt)
She looked into Infinity- and knelt.
Rich clouds, for canopies, about her curled-
Fit emblems of the model of her world-
Seen but in beauty- not impeding sight
Of other beauty glittering thro’ the light-
A wreath that twined each starry form around,
And all the opal’d air in color bound.
All hurriedly she knelt upon a bed
Of flowers: of lilies such as rear’d the head
On the fair Capo Deucato, and sprang
So eagerly around about to hang
Upon the flying footsteps of- deep pride-
Of her who lov’d a mortal- and so died.
The Sephalica, budding with young bees,
Upreared its purple stem around her knees:-
And gemmy flower, of Trebizond misnam’d-
Inmate of highest stars, where erst it sham’d
All other loveliness:- its honied dew
(The fabled nectar that the heathen knew)
Deliriously sweet, was dropp’d from Heaven,
And fell on gardens of the unforgiven
In Trebizond- and on a sunny flower
So like its own above that, to this hour,
It still remaineth, torturing the bee
With madness, and unwonted reverie:
In Heaven, and all its environs, the leaf
And blossom of the fairy plant in grief
Disconsolate linger- grief that hangs her head,
Repenting follies that full long have Red,
Heaving her white breast to the balmy air,
Like guilty beauty, chasten’d and more fair:
Nyctanthes too, as sacred as the light
She fears to perfume, perfuming the night:
And Clytia, pondering between many a sun,
While pettish tears adown her petals run:
And that aspiring flower that sprang on Earth,
And died, ere scarce exalted into birth,
Bursting its odorous heart in spirit to wing
Its way to Heaven, from garden of a king:
And Valisnerian lotus, thither flown’
From struggling with the waters of the Rhone:
And thy most lovely purple perfume, Zante!
Isola d’oro!- Fior di Levante!
And the Nelumbo bud that floats for ever
With Indian Cupid down the holy river-
Fair flowers, and fairy! to whose care is given
To bear the Goddess’ song, in odors, up to Heaven:
‘Spirit! that dwellest where,
In the deep sky,
The terrible and fair,
In beauty vie!
Beyond the line of blue-
The boundary of the star
Which turneth at the view
Of thy barrier and thy bar-
Of the barrier overgone
By the comets who were cast
From their pride and from their throne
To be drudges till the last-
To be carriers of fire
(The red fire of their heart)
With speed that may not tire
And with pain that shall not part-
Who livest- that we know-
In Eternity- we feel-
But the shadow of whose brow
What spirit shall reveal?
Tho’ the beings whom thy Nesace,
Thy messenger hath known
Have dream’d for thy Infinity
A model of their own-
Thy will is done, O God!
The star hath ridden high
Thro’ many a tempest, but she rode
Beneath thy burning eye;
And here, in thought, to thee-
In thought that can alone
Ascend thy empire and so be
A partner of thy throne-
By winged Fantasy,
My embassy is given,
Till secrecy shall knowledge be
In the environs of Heaven.’
She ceas’d- and buried then her burning cheek
Abash’d, amid the lilies there, to seek
A shelter from the fervor of His eye;
For the stars trembled at the Deity.
She stirr’d not- breath’d not- for a voice was there
How solemnly pervading the calm air!
A sound of silence on the startled ear
Which dreamy poets name ‘the music of the sphere.’
Ours is a world of words: Quiet we call
‘Silence’- which is the merest word of all.
All Nature speaks, and ev’n ideal things
Flap shadowy sounds from visionary wings-
But ah! not so when, thus, in realms on high
The eternal voice of God is passing by,
And the red winds are withering in the sky:-
‘What tho ‘in worlds which sightless cycles run,
Linked to a little system, and one sun-
Where all my love is folly and the crowd
Still think my terrors but the thunder cloud,
The storm, the earthquake, and the ocean-wrath-
(Ah! will they cross me in my angrier path?)
What tho’ in worlds which own a single sun
The sands of Time grow dimmer as they run,
Yet thine is my resplendency, so given
To bear my secrets thro’ the upper Heaven!
Leave tenantless thy crystal home, and fly,
With all thy train, athwart the moony sky-
Apart- like fire-flies in Sicilian night,
And wing to other worlds another light!
Divulge the secrets of thy embassy
To the proud orbs that twinkle- and so be
To ev’ry heart a barrier and a ban
Lest the stars totter in the guilt of man!’
Up rose the maiden in the yellow night,
The single-mooned eve!- on Earth we plight
Our faith to one love- and one moon adore-
The birth-place of young Beauty had no more.
As sprang that yellow star from downy hours
Up rose the maiden from her shrine of flowers,
And bent o’er sheeny mountains and dim plain
Her way, but left not yet her Therasaean reign.
PART II
High on a mountain of enamell’d head-
Such as the drowsy shepherd on his bed
Of giant pasturage lying at his ease,
Raising his heavy eyelid, starts and sees
With many a mutter’d ‘hope to be forgiven’
What time the moon is quadrated in Heaven-
Of rosy head that, towering far away
Into the sunlit ether, caught the ray
Of sunken suns at eve- at noon of night,
While the moon danc’d with the fair stranger light-
Uprear’d upon such height arose a pile
Of gorgeous columns on th’ unburthen’d air,
Flashing from Parian marble that twin smile
Far down upon the wave that sparkled there,
And nursled the young mountain in its lair.
Of molten stars their pavement, such as fall
Thro’ the ebon air, besilvering the pall
Of their own dissolution, while they die-
Adorning then the dwellings of the sky.
A dome, by linked light from Heaven let down,
Sat gently on these columns as a crown-
A window of one circular diamond, there,
Look’d out above into the purple air,
And rays from God shot down that meteor chain
And hallow’d all the beauty twice again,
Save, when, between th’ empyrean and that ring,
Some eager spirit Flapp’d his dusky wing.
But on the pillars Seraph eyes have seen
The dimness of this world: that greyish green
That Nature loves the best Beauty’s grave
Lurk’d in each cornice, round each architrave-
And every sculptur’d cherub thereabout
That from his marble dwelling peered out,
Seem’d earthly in the shadow of his niche-
Achaian statues in a world so rich!
Friezes from Tadmor and Persepolis-
From Balbec, and the stilly, clear abyss
Of beautiful Gomorrah! O, the wave
Is now upon thee- but too late to save!
Sound loves to revel in a summer night:
Witness the murmur of the grey twilight
That stole upon the ear, in Eyraco,
Of many a wild star-gazer long ago-
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud-
Is not its form- its voice- most palpable and loud?
But what is this?- it cometh, and it brings
A music with it- ’tis the rush of wings-
A pause- and then a sweeping, falling strain
And Nesace is in her halls again.
From the wild energy of wanton haste
Her cheeks were flushing, and her lips apart;
And zone that clung around her gentle waist
Had burst beneath the heaving of her heart.
Within the centre of that hall to breathe,
She paused and panted, Zanthe! all beneath,
The fairy light that kiss’d her golden hair
And long’d to rest, yet could but sparkle there.
Young flowers were whispering in melody
To happy flowers that night- and tree to tree;
Fountains were gushing music as they fell
In many a star-lit grove, or moon-lit dell;
Yet silence came upon material things-
Fair flowers, bright waterfalls and angel wings-
And sound alone that from the spirit sprang
Bore burthen to the charm the maiden sang:
”Neath the blue-bell or streamer-
Or tufted wild spray
That keeps, from the dreamer,
The moonbeam away-
Bright beings! that ponder,
With half closing eyes,
On the stars which your wonder
Hath drawn from the skies,
Till they glance thro’ the shade, and
Come down to your brow
Like- eyes of the maiden
Who calls on you now-
Arise! from your dreaming
In violet bowers,
To duty beseeming
These star-litten hours-
And shake from your tresses
Encumber’d with dew
The breath of those kisses
That cumber them too-
(O! how, without you, Love!
Could angels be blest?)
Those kisses of true Love
That lull’d ye to rest!
Up!- shake from your wing
Each hindering thing:
The dew of the night-
It would weigh down your flight
And true love caresses-
O, leave them apart!
They are light on the tresses,
But lead on the heart.
Ligeia! Ligeia!
My beautiful one!
Whose harshest idea
Will to melody run,
O! is it thy will
On the breezes to toss?
Or, capriciously still,
Like the lone Albatros,
Incumbent on night
(As she on the air)
To keep watch with delight
On the harmony there?
Ligeia! wherever
Thy image may be,
No magic shall sever
Thy music from thee.
Thou hast bound many eyes
In a dreamy sleep-
But the strains still arise
Which thy vigilance keep-
The sound of the rain,
Which leaps down to the flower-
And dances again
In the rhythm of the shower-
The murmur that springs
From the growing of grass
Are the music of things-
But are modell’d, alas!-
Away, then, my dearest,
Oh! hie thee away
To the springs that lie clearest
Beneath the moon-ray-
To lone lake that smiles,
In its dream of deep rest,
At the many star-isles
That enjewel its breast-
Where wild flowers, creeping,
Have mingled their shade,
On its margin is sleeping
Full many a maid-
Some have left the cool glade, and
Have slept with the bee-
Arouse them, my maiden,
On moorland and lea-
Go! breathe on their slumber,
All softly in ear,
Thy musical number
They slumbered to hear-
For what can awaken
An angel so soon,
Whose sleep hath been taken
Beneath the cold moon,
As the spell which no slumber
Of witchery may test,
The rhythmical number
Which lull’d him to rest?’
Spirits in wing, and angels to the view,
A thousand seraphs burst th’ Empyrean thro’,
Young dreams still hovering on their drowsy flight-
Seraphs in all but ‘Knowledge,’ the keen light
That fell, refracted, thro’ thy bounds, afar,
O Death! from eye of God upon that star:
Sweet was that error- sweeter still that death-
Sweet was that error- even with us the breath
Of Science dims the mirror of our joy-
To them ’twere the Simoom, and would destroy-
For what (to them) availeth it to know
That Truth is Falsehood- or that Bliss is Woe?
Sweet was their death- with them to die was rife
With the last ecstasy of satiate life-
Beyond that death no immortality-
But sleep that pondereth and is not ‘to be’!-
And there- oh! may my weary spirit dwell-
Apart from Heaven’s Eternity- and yet how far from Hell!
What guilty spirit, in what shrubbery dim,
Heard not the stirring summons of that hymn?
But two: they fell: for Heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover-
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
Unguided Love hath fallen- ‘mid ‘tears of perfect moan.’
He was a goodly spirit- he who fell:
A wanderer by moss-y-mantled well-
A gazer on the lights that shine above-
A dreamer in the moonbeam by his love:
What wonder? for each star is eye-like there,
And looks so sweetly down on Beauty’s hair-
And they, and ev’ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of woe)
Upon a mountain crag, young Angelo-
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sat he with his love- his dark eye bent
With eagle gaze along the firmament:
Now turn’d it upon her- but ever then
It trembled to the orb of EARTH again.
‘Ianthe, dearest, see- how dim that ray!
How lovely ’tis to look so far away!
She seem’d not thus upon that autumn eve
I left her gorgeous halls- nor mourn’d to leave.
That eve- that eve- I should remember well-
The sun-ray dropp’d in Lemnos, with a spell
On th’ arabesque carving of a gilded hall
Wherein I sate, and on the draperied wall-
And on my eyelids- O the heavy light!
How drowsily it weigh’d them into night!
On flowers, before, and mist, and love they ran
With Persian Saadi in his Gulistan:
But O that light!- I slumber’d- Death, the while,
Stole o’er my senses in that lovely isle
So softly that no single silken hair
Awoke that slept- or knew that he was there.
‘The last spot of Earth’s orb I trod upon
Was a proud temple call’d the Parthenon;
More beauty clung around her column’d wall
Than ev’n thy glowing bosom beats withal,
And when old Time my wing did disenthral
Thence sprang I- as the eagle from his tower,
And years I left behind me in an hour.
What time upon her airy bounds I hung,
One half the garden of her globe was flung
Unrolling as a chart unto my view-
Tenantless cities of the desert too!
Ianthe, beauty crowded on me then,
And half I wish’d to be again of men.’
‘My Angelo! and why of them to be?
A brighter dwelling-place is here for thee-
And greener fields than in yon world above,
And woman’s loveliness- and passionate love.’
‘But, list, Ianthe! when the air so soft
Fail’d, as my pennon’d spirit leapt aloft,
Perhaps my brain grew dizzy- but the world
I left so late was into chaos hurl’d-
Sprang from her station, on the winds apart.
And roll’d, a flame, the fiery Heaven athwart.
Methought, my sweet one, then I ceased to soar
And fell- not swiftly as I rose before,
But with a downward, tremulous motion thro’
Light, brazen rays, this golden star unto!
Nor long the measure of my falling hours,
For nearest of all stars was thine to ours-
Dread star! that came, amid a night of mirth,
A red Daedalion on the timid Earth.’
‘We came- and to thy Earth- but not to us
Be given our lady’s bidding to discuss:
We came, my love; around, above, below,
Gay fire-fly of the night we come and go,
Nor ask a reason save the angel-nod
She grants to us, as granted by her God-
But, Angelo, than thine grey Time unfurl’d
Never his fairy wing O’er fairier world!
Dim was its little disk, and angel eyes
Alone could see the phantom in the skies,
When first Al Aaraaf knew her course to be
Headlong thitherward o’er the starry sea-
But when its glory swell’d upon the sky,
As glowing Beauty’s bust beneath man’s eye,
We paused before the heritage of men,
And thy star trembled- as doth Beauty then!’
Thus, in discourse, the lovers whiled away
The night that waned and waned and brought no day.
They fell: for Heaven to them no hope imparts
Who hear not for the beating of their hearts.

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Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro’ the field the road runs by
To many-tower’d Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro’ the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow veil’d,
Slide the heavy barges trail’d
By slow horses; and unhail’d
The shallop flitteth silken-sail’d
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower’d Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers ‘ ‘Tis the fairy
Lady of Shalott.’PART II
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
And moving thro’ a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair’d page in crimson clad,
Goes by to tower’d Camelot;
And sometimes thro’ the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror’s magic sights,
For often thro’ the silent nights
A funeral, with plumes and lights
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed:
‘I am half sick of shadows,’ said
The Lady of Shalott.PART III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro’ the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel’d
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
The gemmy bridle glitter’d free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon’d baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell’d shone the saddle-leather,
The helmet and the helmet-feather
Burn’d like one burning flame together,
As he rode down to Camelot.
As often thro’ the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
His broad clear brow in sunlight glow’d;
On burnish’d hooves his war-horse trode;
From underneath his helmet flow’d
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash’d into the crystal mirror,
‘Tirra lirra,’ by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces thro’ the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look’d down to Camelot.
Out flew the web and floated wide;
The mirror crack’d from side to side;
‘The curse is come upon me,’ cried
The Lady of Shalott.PART IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower’d Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.
And down the river’s dim expanse
Like some bold seër in a trance,
Seeing all his own mischance–
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
Lying, robed in snowy white
That loosely flew to left and right–
The leaves upon her falling light–
Thro’ the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken’d wholly,
Turn’d to tower’d Camelot.
For ere she reach’d upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.
Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross’d themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, ‘She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott.’

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‘Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th’offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.
‘Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic’s share;
Both must alike from Heav’n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, ’tis true,
But are not Critics to their judgment too?
Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm’ring light;
The lines, tho’ touch’d but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col’ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder’d in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival’s or an eunuch’s spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo’s spite,
There are who judge still worse than he can write.
Some have at first for Wits, then Poets pass’d;
Turn’d Critics next, and prov’d plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn’d witlings, numerous in our isle,
As half-form’d insects on the banks of Nile;
Unfinish’d things, one knows not what to call,
Their generation’s so equivocal;
To tell them would a hundred tongues required,
Or one vain Wit’s, that might a hundred tire.
But you who seek to give and merit fame,
And justly bear a Critic’s noble name,
Be sure yourself and your own reach to know,
How far your Genius, Taste, and Learning go,
Launch not beyond your depth, but be discreet,
And mark that point where Sense and Dulness meet.
Nature to all things fix’d the limits fit,
And wisely curb’d proud man’s pretending wit.
As on the land while here the ocean gains,
In other parts it leaves wide sandy plains;
Thus in the soul while Memory prevails,
The solid power of Understanding fails;
Where beams of warm Imagination play,
The Memory’s soft figures melt away.
One Science only will one genius fit;
So vast is Art, so narrow human wit:
Now only bounded to peculiar arts,
But oft in those confin’d to single parts.
Like Kings we lose the conquests gain’d before,
By vain ambition still to make them more:
Each might his sev’ral province well command,
Would all but stoop to what they understand.
First follow Nature, and your judgment frame
By her just standard, which is still the same;
Unerring Nature, still divinely bright,
One clear, unchanged, and universal light,
Life, force, and beauty must to all impart,
At once the source, and end, and test of Art.
Art from that fund each just supply provides,
Works without show, and without pomp presides.
In some fair body thus th’informing soul
With spirits feeds, with vigour fills the whole;
Each motion guides, and every nerve sustains,
Itself unseen, but in th’ effects remains.
Some, to whom Heav’n in wit has been profuse,
Want as much more to turn it to its use;
For Wit and Judgment often are at strife
Tho’ meant each other’s aid, like man and wife.
‘Tis more to guide than spur the Muse’s steed,
Restrain his fury than provoke his speed:
The winged courser, like a gen’rous horse,
Shows most true mettel when you check his course.
Those rules of old, discover’d, not devised,
Are Nature still, but Nature methodized;
Nature, like Liberty, is but restrain’d
By the same laws which first herself ordain’d.
Hear how learn’d Greece her useful rules indites
When to repress and when indulge our flights:
High on Parnassus’ top her sons she show’d,
And pointed out those arduous paths they trod;
Held from afar, aloft, th’immortal prize,
And urged the rest by equal steps to rise.
Just precepts thus from great examples giv’n,
She drew from them what they derived from Heav’n.
The gen’rous Critic fann’d the poet’s fire,
And taught the world with reason to admire.
Then Criticism the Muse’s handmaid prov’d,
To dress her charms, and make her more belov’d:
But following Wits from that intention stray’d:
Who could not win the mistress woo’d the maid;
Against the Poets their own arms they turn’d,
Sure to hate most the men from whom they learn’d.
So modern ‘pothecaries taught the art
By doctors’ bills to play the doctor’s part,
Bold in the practice of mistaken rules,
Prescribe, apply, and call their masters fools.
Some on the leaves of ancient authors prey;
Nor time nor moths e’er spoil’d so much as they;
Some drily plain, without invention’s aid,
Write dull receipts how poems may be made;
These leave the sense their learning to display,
And those explain the meaning quite away.
You then whose judgment the right course would steer,
Know well each ancient’s proper character;
His fable, subject, scope in every page;
Religion, country, genius of his age:
Without all these at once before your eyes,
Cavil you may, but never criticise.
Be Homer’s works your study and delight,
Read them by day, and meditate by night;
Thence form your judgment, thence your maxims bring,
And trace the Muses upward to their spring.
Still with itself compared, his text peruse;
And let your comment be the Mantuan Muse.
When first young Maro in his boundless mind
A work t’outlast immortal Rome design’d,
Perhaps he seem’d above the critic’s law,
And but from Nature’s fountains scorn’d to draw;
But when t’examine ev’ry part he came,
Nature and Homer were, he found, the same.
Convinced, amazed, he checks the bold design,
And rules as strict his labour’d work confine
As if the Stagyrite o’erlook’d each line.
Learn hence for ancient rules a just esteem;
To copy Nature is to copy them.
Some beauties yet no precepts can declare,
For there’s a happiness as well as care.
Music resembles poetry; in each
Are nameless graces which no methods teach,
And which a master-hand alone can reach.
If, where the rules not far enough extend,
(Since rules were made but to promote their end)
Some lucky license answer to the full
Th’intent proposed, that license is a rule.
Thus Pegasus, a nearer way to take,
May boldly deviate from the common track.
Great Wits sometimes may gloriously offend,
And rise to faults true Critics dare not mend;
From vulgar bounds with brave disorder part,
And snatch a grace beyond the reach of Art,
Which, without passing thro’ the judgment, gains
The heart, and all its end at once attains.
In prospects thus some objects please our eyes,
Which out of Nature’s common order rise,
The shapeless rock, or hanging precipice.
But tho’ the ancients thus their rules invade,
(As Kings dispense with laws themselves have made)
Moderns, beware! or if you must offend
Against the precept, ne’er transgress its end;
Let it be seldom, and compell’d by need;
And have at least their precedent to plead;
The Critic else proceeds without remorse,
Seizes your fame, and puts his laws in force.
I know there are to whose presumptuous thoughts
Those freer beauties, ev’n in them, seem faults.
Some figures monstrous and misshaped appear,
Consider’d singly, or beheld too near,
Which, but proportion’d to their light or place,
Due distance reconciles to form and grace.
A prudent chief not always must display
His powers in equal ranks and fair array,
But with th’occasion and the place comply,
Conceal his force, nay, seem sometimes to fly.
Those oft are stratagems which errors seem,
Nor is it Homer nods, but we that dream.
Still green with bays each ancient altar stands
Above the reach of sacrilegious hands,
Secure from flames, from Envy’s fiercer rage,
Destructive war, and all-involving Age.
See from each clime the learn’d their incense bring!
Hear in all tongues consenting Paeans ring!
In praise so just let ev’ry voice be join’d,
And fill the gen’ral chorus of mankind.
Hail, Bards triumphant! born in happier days,
Immortal heirs of universal praise!
Whose honours with increase of ages grow,
As streams roll down, enlarging as they flow;
Nations unborn your mighty names shall sound,
And worlds applaud that must not yet be found!
O may some spark of your celestial fire
The last, the meanest of your sons inspire,
(That on weak wings, from far, pursues your flights,
Glows while he reads, but trembles as he writes)
To teach vain Wits a science little known,
T’admire superior sense, and doubt their own.
Part II
Causes hindering a true judgement. Pride. Imperfect learning. Judging by parts, and not by the whole. Critics in wit, language, and versification only. Being too hard to please, or too apt to admire. Partiality–too much love to a sect–to the ancients or moderns. Prejudice or prevention. Singularity. Inconstancy. Party spirit. Envy. Against envy, and in praise of good-nature. When severity is chiefly to be used by critics.
Of all the causes which conspire to blind
Man’s erring judgment, and misguide the mind,
What the weak head with strongest bias rules,
Is Pride, the never failing vice of fools.
Whatever Nature has in worth denied
She gives in large recruits of needful Pride:
For as in bodies, thus in souls, we find
What wants in blood and spirits swell’d with wind:
Pride, where Wit fails, steps in to our deference,
And fills up all the mighty void of Sense:
If once right Reason drives that cloud away,
Truth breaks upon us with resistless day.
Trust not yourself; but your defects to know,
Make use of ev’ry friend–and ev’ry foe.
A little learning is a dangerous thing;
Drink deep, or taste not the Pierian spring:
There shallow draughts intoxicate the brain,
And drinking largely sobers us again.
Fired at first sight with what the Muse imparts,
In fearless youth we tempt the heights of arts,
While from the bounded level of our mind
Short views we take, nor see the lengths behind:
Bur more advanc’d, behold with strange surprise
New distant scenes of endliess science rise!
So pleas’d at first the tow’ring Alps we try,
Mount o’er the vales, and seem to tread the sky;
Th’eternal snows appear already past,
And the first clouds and mountains seem the last:
But those attain’d, we tremble to survey
The growing labours of the lengthen’d way;
Th’increasing prospect tires our wand’ring eyes,
Hills peep o’er hills, and Alps on Alps arise!
A perfect judge will read each work of wit
With the same spirit that its author writ;
Survey the whole, not seek slight faults to find
Where Nature moves, and Rapture warms the mind:
Nor lose, for that malignant dull delight,
The gen’rous pleasure to be charm’d with wit.
But in such lays as neither ebb nor flow,
Correctly cold, and regularly low,
That shunning faults one quiet tenor keep,
We cannot blame indeed–but we may sleep.
In Wit, as Nature, what affects our hearts
Is not th’exactness of peculiar parts;
‘Tis not a lip or eye we beauty call,
But the joint force and full result of all.
Thus when we view some well proportion’d dome,
(The world’s just wonder, and ev’n thine, O Rome!)
No single parts unequally surprise,
All comes united to th’admiring eyes;
No monstrous height, or breadth, or length, appear;
The whole at once is bold and regular.
Whoever thinks a faultless piece to see,
Thinks what n’er was, nor is, nor e’er shall be.
In every work regard the writer’s end,
Since none can compass more than they intend;
And if the means be just, the conduct true,
Applause, in spite of trivial faults, is due.
As men of breeding, sometimes men of wit,
T’avoid great errors must the less commit;
Neglect the rules each verbal critic lays,
For not to know some trifles is a praise.
Most critics, fond of some subservient art,
Still make the whole depend upon a part:
They talk of Principles, but Notions prize,
And all to one lov’d folly sacrifice.
Once on a time La Mancha’s Knight, they say,
A certain bard encount’ring on the way,
Discours’d in terms as just, with looks as sage,
As e’er could Dennis, of the Grecian State;
Concluding all were desperate sots and fools
Who durst depart from Aristotle’s rules.
Our author, happy in a judge so nice,
Produced his play, and begged the knight’s advice;
Made him observe the Subject and the Plot,
The Manners, Passions, Unities; what not?
All which exact to rule were brought about,
Were but a combat in the lists left out.
“What! leave the combat out?” exclaims the knight.
“Yes, or we must renounce the Stagyrite.”
“Not so, by Heaven!, (he answers in a rage)
Knights, squires, and steeds must enter on the stage.”
“So vast a throng the stage can n’er contain.”
“Then build a new, or act it in a plain.”
Thus critics of less judgement than caprice,
Curious, not knowing, not exact, but nice,
Form short ideas, and offend the Arts
(As most in Manners), by a love to parts.
Some to Conceit alone their taste confine,
And glitt’ring thoughts struck out at every line;
Pleas’d with a work where nothing’s just or fit,
One glaring chaos and wild heap of wit.
Poets, like painters, thus unskill’d to trace
The naked nature and the living grace,
With gold and jewels cover every part,
And hide with ornaments their want of Art.
True Wit is Nature to advantage dress’d,
What oft was thought, but ne’er so well express’d;
Something whose truth convinced at sight we find,
That give us back the image of our mind.
As shades more sweetly recommend the light,
So modest plainness sets of sprightly wit:
For works may have more wit than does them good,
As bodies perish thro’ excess of blood.
Others for language all their care express,
And value books, as women men, for dress:
Their praise is still–the Style is excellent;
The Sense they humbly take upon content.
Words are like leaves; and where they most abound,
Much fruit of sense beneath is rarely found.
False eloquence, like the prismatic glass,
Its gaudy colours spreads on every place;
The face of Nature we no more survey,
All glares alike, without distinction gay;
But true expression, like th’unchanging sun,
Clears and improves whate’er it shines upon;
It gilds all objects, but it alters none.
Expression is the dress of thought, and still
Appears more decent as more suitable.
A vile Conceit in pompous words express’d
Is like a clown in regal purple dress’d:
For diff’rent styles with diff’rent subjects sort,
As sev’ral garbs with country, town, and court.
Some by old words to fame have made pretence,
Ancients in phrase, mere moderns in their sense;
Such labour’d nothings, in so strange a style,
Amaze th’unlearned, and make the learned smile;
Unlucky as Fungoso in the play,
These sparks with awkward vanity display
What the fine gentleman wore yesterday;
And but so mimic ancient wits at best,
As apes our grandsires in their doublets drest.
In words as fashions the same rule will hold,
Alike fantastic if too new or old:
Be not the first by whom the new are tried,
Nor yet the last to lay the old aside.
But most by Numbers judge a poet’s song,
And smooth or rough with them is right or wrong.
In the bright Muse tho’ thousand charms conspire,
Her voice is all these tuneful fools admire;
Who haunt Parnassus but to please their ear,
Not mend their minds; as some to church repair,
Not for the doctrine, but the music there.
These equal syllables alone require,
Tho’ oft the ear the open vowels tire,
While expletives their feeble aid to join,
And ten low words oft creep in one dull line:
While they ring round the same unvaried chimes,
With sure returns of still expected rhymes;
Where’er you find “the cooling western breeze,”
In the next line, it “whispers thro’ the trees;”
If crystal streams “with pleasing murmurs creep,”
The reader’s threaten’d (not in vain) with “sleep;”
Then, at the last and only couplet, fraught
With some unmeaning thing they call a thought,
A needless Alexandrine ends the song,
That, like a wounded snake, drags its slow length along.
Leave such to tune their own dull rhymes, and know
What’s roundly smooth, or languishingly slow;
And praise the easy vigour of a line
Where Denham’s strength and Waller’s sweetness join.
True ease in writing comes from Art, not Chance,
As those move easiest who have learn’d to dance.
‘Tis not enough no harshness gives offence;
The sound must seem an echo to the sense.
Soft is the strain when Zephyr gently blows,
And the smooth stream in smoother numbers flows;
But when loud surges lash the sounding shore,
The hoarse rough verse should like the torrent roar.
When Ajax strives some rock’s vast weight to throw,
The line, too, labours, and the words move slow:
Not so when swift Camilla scours the plain,
Flies o’er th’ unbending corn, and skims along the main.
Hear how Timotheus’ varied lays surprise,
And bid alternate passions fall and rise!
While at each change the son of Libyan Jove
Now burns with glory, and then melts with love;
Now his fierce eyes with sparkling fury glow,
Now sighs steal out, and tears begin to flow:
Persians and Greeks like turns of nature found,
And the world’s Victor stood subdued by sound!
The power of music all our hearts allow,
And what Timotheus was is Dryden now.
Avoid extremes, and shun the fault of such
Who still are pleas’d too little or too much.
At ev’ry trifle scorn to take offence;
That always shows great pride or little sense:
Those heads, as stomachs, are not sure the best
Which nauseate all, and nothing can digest.
Yet let not each gay turn thy rapture move;
For fools admire, but men of sense approve:
As things seem large which we thro’ mist descry,
Dulness is ever apt to magnify.
Some foreign writers, some our own despise;
The ancients only, or the moderns prize.
Thus Wit, like Faith, by each man is applied
To one small sect, and all are damn’d beside.
Meanly they seek the blessing to confine,
And force that sun but on a part to shine,
Which not alone the southern wit sublimes,
But ripens spirits in cold northern climes;
Which from the first has shone on ages past,
Enligths the present, and shall warm the last;
Tho’ each may feel increases and decays,
And see now clearer and now darker days,
Regard not then if wit be old or new,
But blame the False and value still the True.
Some ne’er advance a judgment of their own,
But catch the spreading notion of the town;
They reason and conclude by precedent,
And own stale nonsense which they ne’er invent.
Some judge of authors’ names, not works, and then
Nor praise nor blame the writings, but the men.
Of all this servile herd, the worst is he
That in proud dulness joins with quality;
A constant critic at the great man’s board,
To fetch and carry nonsense for my lord.
What woful stuff this madrigal would be
In some starv’d hackney sonneteer or me!
But let a lord once own the happy lines,
How the Wit brightens! how the Style refines!
Before his sacred name flies every fault,
And each exalted stanza teems with thought!
The vulgar thus thro’ imitation err,
As oft the learn’d by being singular;
So much they scorn the crowd, that if the throng
By chance go right, they purposely go wrong.
So schismatics the plain believers quit,
And are but damn’d for having too much wit.
Some praise at morning what they blame at night,
But always think the last opinion right.
A Muse by these is like a mistress used,
This hour she’s idolized, the next abused;
While their weak heads, like towns unfortified,
‘Twixt sense and nonsense daily change their side.
Ask them the cause; they’re wiser still they say;
And still to-morrow’s wiser than to-day.
We think our fathers fools, so wise we grow;
Our wiser sons no doubt will think us so.
Once shool-divines this zealous isle o’erspread;
Who knew most sentences was deepest read.
Faith, Gospel, all seem’d made to be disputed,
And none has sense enough to be confuted.
Scotists and Thomists now in peace remain
Amidst their kindred cobwebs in Ducklane.
If Faith itself has diff’rent dresses worn,
What wonder modes in Wit should take their turn?
Oft, leaving what is natural and fit,
The current Folly proves the ready Wit;
And authors think their reputation safe,
Which lives as long as fools are pleas’d to laugh.
Some, valuing those of their own side or mind,
Still make themselves the measure of mankind:
Fondly we think we honour merit then,
When we but praise ourselves in other men.
Parties in wit attend on those of state,
And public faction doubles private hate.
Pride, Malice, Folly, against Dryden rose,
In various shapes of parsons, critics, beaux:
But sense survived when merry jests were past;
For rising merit will bouy up at last.
Might he return and bless once more our eyes,
New Blackmores and new Milbournes must arise.
Nay, should great Homer lift his awful head,
Zoilus again would start up from the dead.
Envy will Merit as its shade pursue,
But like a shadow proves the substance true;
For envied Wit, like Sol eclips’d, makes known
Th’opposing body’s grossness, not its own.
When first that sun too powerful beams displays,
It draws up vapours which obscure its rays;
But ev’n those clouds at last adorn its way,
Reflect new glories, and augment the day.
Be thou the first true merit to befriend;
His praise is lost who stays till all commend.
Short is the date, alas! of modern rhymes,
And ’tis but just to let them live betimes.
No longer now that Golden Age appears,
When partiarch wits survived a thousand years:
Now length of fame (our second life) is lost,
And bare threescore is all ev’n that can boast:
Our sons their fathers’ failing language see,
And such as Chaucer is shall Dryden be.
So when the faithful pencil has design’d
Some bright idea of the master’s mind,
Where a new world leaps out at his command,
And ready Nature waits upon his hand;
When the ripe colours soften and unite,
And sweetly melt into just shade and light;
When mellowing years their full perfection give,
And each bold figure just begins to live,
The treach’rous colours the fair art betray,
And all the bright creations fades away!
Unhappy Wit, like most mistaken things,
Atones not for that envy which it brings:
In youth alone its empty praise we boast,
But soon the sort-lived vanity is lost;
Like some fair flower the early Spring supplies,
That gaily blooms, but ev’n in blooming dies.
What is this Wit, which must our cares employ?
The owner’s wife that other men enjoy;
Then most our trouble still when most admired,
And still the more we give, the more required;
Whose fame with pains we guard, but lose with ease,
Sure some to vex, but never all to please,
‘Tis what the vicious fear, the virtuous shun;
By fools ’tis hated, and by knaves undone!
If Wit so much from Ignorance undergo,
Ah, let not Learning too commence its foe!
Of old those met rewards who could excel,
And such were prais’d who but endevour’d well;
Tho’ triumphs were to gen’rals only due,
Crowns were reserv’d to grace the soldiers too.
Now they who reach Parnassus’ lofty crown
Employ their pains to spurn some others down;
And while self-love each jealous writer rules,
Contending wits become the sport of fools;
But still the worst with most regret commend,
For each ill author is as bad a friend.
To what base ends, and by what abject ways,
Are mortals urged thro’ sacred lust of praise!
Ah, ne’er so dire a thirst of glory boast,
Nor in the critic let the man be lost!
Good nature and good sense must ever join;
To err is human, to forgive divine.
But if in noble minds some dregs remain,
Not yet purged off, of spleen and sour disdain,
Discharge that rage on more provoking crimes,
Nor fear a dearth on these flagitious times.
No pardon vile obscenity should find,
Tho’ Wit and Art conspire to move your mind;
But dulness with obscenity must prove
As shameful sure as impotence in love.
In the fat age of pleasure, wealth, and ease
Sprung the rank weed, and thrived with large increase:
When love was all in easy monarch’s care,
Seldom at council, never in a war;
Jilts ruled the state, and statesmen farces writ;
Nay wits had pensions, and young lords had wit;
The Fair sat panting at a courtier’s play,
And not a mask went unimprov’d away;
The modest fan was lifted up no more,
And virgins smil’d at what they blush’d before.
The following license of a foreign reign
Did all the dregs of bold Socinus drain;
Then unbelieving priests reform’d the nation,
And taught more pleasant methods of salvation;
Where Heav’n’s free subjects might their rights dispute,
Lest God himself should seem too absolute;
Pulpits their sacred satire learn’d to spare,
And vice admired to find a flatt’rer there!
Encouraged thus, Wit’s Titans braved the skies,
And the press groan’d with licens’d blasphemies.
These monsters, Critics! with your darts engage,
Here point your thunder, and exhaust your rage!
Yet shun their fault, who, scandalously nice,
Will needs mistake an author into vice:
All seems infected that th’infected spy,
As all looks yellow to the jaundic’d eye.
Part III
Rules for the conduct and manners in a Critic. Candour. Modesty. Good breeding. Sincerity and freedom of advice. When one’s counsel is to be restrained. Character of an incorrigible poet. And of an impertinent critic. Character of a good critic. The history of criticism, and characters of the best critics; Aristotle. Horace. Dionysius. Petronius. Quintiallian. Longinus. Of the decay of Criticism, and its revival. Erasmus. Vida. Boileau. Lord Roscommon, etc. Conclusion.
Learn then what morals Critics ought to show,
For ’tis but half a judge’s task to know.
T’is not enough Taste, Judgment, Learning join;
In all you speak let Truth and Candour shine;
That not alone what to your Sense is due
All may allow, but seek your friendship too.
Be silent always when you doubt your Sense,
And speak, tho’ sure, with seeming diffidence.
Some positive persisting fops we know,
Who if once wrong will needs be always so;
But you with pleasure own your errors past,
And make each day a critique on the last.
‘Tis not enough your counsel still be true;
Blunt truths more mischief than nice falsehoods do.
Men must be taught as if you taught them not,
And things unknown proposed as things forgot.
Without good breeding truth is disapprov’d;
That only makes superior Sense belov’d.
Be niggards of advice on no pretence,
For the worst avarice is that of Sense.
With mean complacence ne’er betray your trust,
Nor be so civil as to prove unjust.
Fear not the anger of the wise to raise;
Those best can bear reproof who merit praise.
‘Twere well might critics still this freedom take,
But Appius reddens at each word you speak,
And stares tremendous, with a threat’ning eye,
Like some fierce tyrant in old tapestry.
Fear most to tax an honourable fool,
Whose right it is, uncensured to be dull:
Such without Wit, are poets when they please,
As without Learning they can take degrees.
Leave dangerous truths to unsuccessful satires,
And flattery to fulsome dedicators;
Whom when the praise, the world believes no more
Than when they promise to give scribbling o’er.
‘Tis best sometimes your censure to restrain,
And charitably let the dull be vain;
Your silence there is better than your spite,
For who can rail so long as they can write?
Still humming on their drowsy course they keep,
And lash’d so long, like tops, are lash’d asleep.
False steps but help them to renew the race,
As, after stumbling, jades will mend their pace.
What crowds of these, impenitently bold,
In sounds and jingling syllables grown old,
Still run on poets, in a raging vein,
Ev’n to the the dregs and squeezings of the brain,
Strain out the last dull droppings of their sense,
And rhyme with all the rage of impotence!
Such shameless bards we have; and yet ’tis true
There are as mad abandon’d critics too.
The bookful blockhead ignorantly read,
With loads of learned lumber in his head,
With his own tongue still edifies his ears,
And always list’ning to himself appears.
All books he reads, and all he reads assails,
From Dryden’s Fables down to Durfey’s Tales.
With him most authors steal their works, or buy;
Garth did not write his own Dispensary.
Name a new play, and he’s the poet’s friend;
Nay, show’d his faults–but when would poets mend?
No place so sacred from such fops is barr’d,
Nor is Paul’s church more safe than Paul’s churchyard:
Nay, fly to altars; there they’ll talk you dead;
For fools rush in where angels fear t tread.
Distrustful sense with modest caution speaks,
It still looks home, and short excursions makes;
But rattling nonsense in full volleys breaks
And never shock’d, and never turn’d aside,
Bursts out, resistless, with a thund’ring tide.
But where’s the man who counsel can bestow,
Still pleas’d to teach, and yet not proud to know?
Unbiass’d or by favour or by spite;
Not dully prepossess’d nor blindly right;
Tho’ learn’d, well bred, and tho’ well bred sincere;
Modestly bold, and humanly severe;
Who to a friend his faults can freely show,
And gladly praise the merit of a foe;
Bless’d with a taste exact, yet unconfin’d,
A knowledge both of books and humankind;
Gen’rous converse; a soul exempt from pride;
And love to praise, with reason on his side?
Such once were critics; such the happy few
Athens and Rome in better ages knew.
The mighty Stagyrite first left the shore,
Spread all his sails, and durst the deeps explore;
He steer’d securely, and discover’d far,
Led by the light of the Maeonian star.
Poets, a race long unconfin’d and free,
Still fond and proud of savage liberty,
Receiv’d his laws, and stood convinc’d ’twas fit
Who conquer’d Nature should preside o’er Wit.
Horace still charms with graceful negligence,
And without method talks us into sense;
Will, like a friend, familiarly convey
The truest notions in the easiest way.
He who, supreme in judgment as in wit,
Might boldly censure as he boldly writ,
Yet judg’d with coolness, though he sung with fire;
His precepts teach but what his works inspire.
Our critics take a contrary extreme,
They judge with fury, but they write with phlegm;
Nor suffers Horace more in wrong translations
By Wits, than Critics in as wrong quotations.
See Dionysius Homer’s thoughts refine,
And call new beauties forth from ev’ry line!
Fancy and art in gay Petronius please,
The Scholar’s learning with the courtier’s ease.
In grave Quintilian’s copious work we find
The justest rules and clearest method join’d.
Thus useful arms in magazines we place,
All ranged in order, and disposed with grace;
But less to please the eye than arm the hand,
Still fit for use, and ready at command.
Thee, bold Longinus! all the Nine inspire,
And bless their critic with a poet’s fire:
An ardent judge, who, zealous in his trust,
With warmth gives sentence, yet is always just;
Whose own example strengthens all his laws,
And is himself that great sublime he draws.
Thus long succeeding critics justly reign’d,
License repress’d, and useful laws ordain’d:
Learning and Rome alike in empire grew,
And arts still follow’d where her eagles flew;
From the same foes at last both felt their doom,
And the same age saw learning fall and Rome.
With tyranny then superstition join’d,
As that the body, this enslaved the mind;
Much was believ’d, but little understood,
And to be dull was construed to be good;
A second deluge learning thus o’errun,
And the monks finish’d what the Goths begun.
At length Erasmus, that great injur’d name,
(The glory of the priesthood and the shame!)
Stemm’d the wild torrent of a barb’rous age,
And drove those holy Vandals off the stage.
But see! each Muse in Leo’s golden days
Starts from her trance, and trims her wither’d bays.
Rome’s ancient genius, o’er its ruins spread,
Shakes off the dust, and rears his rev’rend head.
Then sculpture and her sister arts revive;
Stones leap’d to form, and rocks began to live;
With sweeter notes each rising temple rung;
A Raphael painted and a Vida sung;
Immortal Vida! on whose honour’d brow
The poet’s bays and critics ivy grow:
Cremona now shall ever boast they name,
As next in place to Mantua, next in fame!
But soon by impious arms from Latium chased,
Their ancient bounds the banish’d Muses pass’d;
Thence arts o’er all the northern world advance,
But critic learning flourish’d most in France;
The rules a nation born to serve obeys,
And Boileau still in right of Horace sways.
But we, brave Britons, foreign laws despised,
And kept unconquer’d and uncivilized;
Fierce for the liberties of wit, and bold,
We still defied the Romans, as of old.
Yet some there were, among the sounder few
Of those who less presumed and better knew,
Who durst assert the juster ancient cause,
And here restor’d WIt’s fundamental laws.
Such was the Muse whose rules and practice tell
“Nature’s chief masterpiece is writing well.”
Such was Roscommon, not more learn’d than good,
With manners gen’rous as his noble blood;
To him the wit of Greece and Rome was known,
And every author’s merit but his own.
Such late was Walsh–the Muse’s judge and friend,
Who justly knew to blame or to commend;
To failings mild but zealous for desert,
The clearest head, and the sincerest heart.
This humble praise, lamented Shade! receive;
This praise at least a grateful Muse may give:
The Muse whose early voice you taught to sing,
Prescribed her heights, and pruned her tender wing,
(Her guide now lost), no more attempts to rise,
But in low numbers short excursions tries;
Content if hence th’unlearn’d their wants may view,
The learn’d reflect on what before they knew;
Careless of censure, nor too fond of fame;
Still pleas’d to praise, yet not afraid to blame;
Averse alike to flatter or offend;
Not free from faults, nor yet too vain to mend.

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Where the sign of Windsor Castle did a tavern adorn;
And there sat several soldiers drinking together,
Resolved to make merry in spite of wind or weather.
And old Simon the landlord was at the head of the table,
Cutting slices of beef as quick as he was able;
And one of the soldiers was of rather superior rank,
And on his dress trinkets of gold and silver together did clank.
He was a free companion, but surly and hard,
And a soldier of fortune, and was named Croquard;
And he had all the appearance of his martial calling,
But on this particular morning he was rudely bawling.
So the other soldiers laughed, for their spirits felt gay,
And they applauded his jokes, and let him have his own way,
Because he could command as desperate a gang of men as any in the world,
So many a joke and slur at the soldiers he hurled.
And the mirth increased as the day wore on,
And Croquard didn’t seem the least woe-begone;
But, as he was trolling out a very merry song,
A wandering minstrel sat down beside him, and thought it no wrong.
By my troth, shouted Croquard, Come here, minstrel,
And give us a stave of love or war, which is my will:
But the minstrel didn’-t appear to comply with this request,
And he tried to withdraw, as he thought it was best.
Ho ! didst thou hear me, varlet? then Croquard did cry:
Oh! gentle sir, replied the minstrel, I cannot with your wish comply;
Believe me, I sing best to the ladies at the court,
And, in doing so, find it more profitable sport.
What, varlet! cried Croquard, Dost thou refuse me?
By heaven, proud cur, you shall see
And feel the weight of my hand before you are much older:
Then he instantly sprang up, and seized the minstrel by the shoulder.
Then the youth began to tremble, and seemed terrified to death,
And appeared ready to faint for the want of breath;
While Croquard shook him roughly, just like an ugly whelp,
And he looked from one to another, imploring help
At this moment a youth observed what was going on,
And he cried out to Croquard, Inhuman monster, begone!
Leave the minstrel, thou pig-headed giant, or I’ll make you repent,
For thou must know my name is Jack, and I hail from Kent.
Then Croquard relaxed his hold of the minstrel boy,
Which caused the minstrel’s heart to leap with joy;
As Jack placed himself before Croquard the giant,
And stood on his guard with a stout oak cudgel defiant.
Then the fist of the giant descended in a crack,
But Jack dealt Croquard a heavy blow upon the back
With his cudgel, so that the giant’s hand fell powerless down by his side,
And he cursed and roared with pain, and did Jack deride.
Then the giant tried to draw his sword for to fight,
But Jack danced around him like a young sprite,
And struck him a blow with his cudgel upon the back of the head,
And from the effects of the blow he was nearly killed dead.
Then down sank the carcase of the giant to the ground,
While the soldiers about Jack did quickly gather round;
And Jack cried, Ha! lie thou there overgrown brute,
And defiantly he spurned Croquard’s body with his foot.
There, lad, cried Vintner Simon, thou hast shown English spirit to-day,
By chastising yon overbearing giant in a very proper way;
So come, my lad, and drink a flagon of my very best sack,
For you handled your cudgel well, and no courage did lack.
Then no sooner had our hero finished his goblet of sack,
He cried, Go and fetch the minstrel back;
For the giant by this time had fled far away,
Therefore the minstrel’s tender heart need not throb with dismay.
Then the minstrel was brought back without delay,
Which made Jack’s heart feel light and gay,
And the minstrel thanked Jack for saving him on that eventful day,
So the soldiers drank to Jack’s health, and then went away.
And when King Edward III. heard what Jack had done,
He sent for Jack o’ the Cudgel, the noble Saxon,
And he made him his page, and Jack uttered not a word,
But he unwillingly gave up the cudgel for the honour of the sword.
Part II
After the battle of Calais, King Edward returns to fair England,
And he invited his nobles to a banquet most grand,
That the like hadn’t been in England for many a day;
And many of the guests invited had come from far away.
The large hall of Windsor Castle was ablaze with light,
And there sat King Edward and his Queen, a most beautiful sight-
To see them seated upon two thrones of burnished gold;
And near the King sat Jack o’ the Cudgel, like a warrior bold.
And when the banquet was prepared, King Edward arose,
And said, My honoured guests, I have called you together for a special purpose!
To celebrate our victories so gloriously achieved in France
By my noble and heroic troops at the charge of the lance.
And now, since the war in France with us is o’er,
And Edward, our son, about to marry the lady he does adore,
The most amiable and lovely Countess of Kent;
Therefore, I hope they will happy live together and never repent.
Then King Edward took the Countess by the hand, and said,
Come, Edward, take your bride by the hand, and don’t be afraid;
And do not think, my beloved son, that with you I feel wroth,
Therefore, take the Countess by the hand, and plight your troth.
Then the Prince arose and took the fair Countess by the hand,
As King Edward, his father, had given the royal command;
Then he led the Countess Joan to the foot of the throne,
Then King Edward and his Queen welcomed the Countess to their palatial home.
Then the Prince unto his father said, I must not forget whatever betide,
That to Sir Jack o’ the Cudgel I do owe my bride;
Because he rescued her from the hands of a fierce brigand,
Therefore ‘twould be hard to find a braver knight in fair England.
Then a cheer arose, which made the lofty hall to ring,
As Jack advanced towards the throne, on the motion of the King;
Then Jack fell on one knee before King Edward,
Then said the Monarch, Arise, brave youth, and I will thee reward.
Sir Jack, I give thee land to the value of six hundred marks
In thine own native county of Kent, with beautiful parks,
Also beautiful meadows and lovely flowers and trees,
Where you can reside and enjoy yourself as you please.
And remember, when I need your service you will be at my command,
Then Jack o’ the Cudgel bowed assent, and kissed King Edward’s hand;
Then the Countess Joan took a string of rarest pearls from her hair,
And placed the pearls around Jack’s neck, most costly and rare.
Then the tumult became uproarious when Jack received the presentation,
And he thanked the Lady Joan for the handsome donation;
Then all the ladies did loudly cheer, and on Jack smilingly did fan,
And Sir Walter Manny cried aloud, Sir Jack, you are a lucky man.
Then the mirth increased, and louder the applause,
And the Countess Joan asked, after a pause,
Tell me who has gained the love of the Knight o’ the Cudgel;
Then Jack replied, My lady, you know her right well.
She is the lovely daughter of noble John of Aire,
Then, replied the Countess, she is a lovely creature, I must declare;
And I hope the choice that you have made won’t make you grieve,
Then Jack kissed the Countess’s hand, and took his leave.
And he wended his way to his beautiful estate in Kent,
And many a happy day there he spent;
And he married the lovely daughter of John of Aire,
And they lived happy together, and free from all care.

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